Zeus : a study in ancient religion - Warburg Institute

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26 Death by lightning as euthanasia mannsfest- Progr . Halle 1885) p. 7, Overbeck op. cit. p. 416 no. i Atlas pi. 6, 5, Reinach Rep. Vases i. 408, i, O. Jessen loc. cit. iv. 676): Zeus, with chiidn and himdtion, strides to right, brandishing a thunderbolt in his right hand and grasping with his left the shoulder of Semele, who runs to right, looking back in alarm. (3) A hitW-kraler from Certosa, in Fig. 13. the Museo Civico at Bologna (Pellegrini Cat. vas.gr. dipint. Bologna^^. 154, i ^6 no. 313 A. Zannoni Gli scavi delta Certosa di Bologna Bologna 1876 p. 165 pi. 39, 1,2 ( = my fig- i')> 3 ( = my fig- 12), 4 and pi. 40, 4, H. Heydemann Dionysos' Gehiirt p. 8 n. 20, O. Jessen loc. cit. iv. 676) : {a) Zeus, with olive-wreath and chlamys, strides to right.
Death by lightning as euthanasia 27 The critical moment in her myth is variously reported by the m\'thographers. According to Apollodoros\ Semele begged Zeus to appear to her in the same form in which he had wooed Hera. Thereupon Zeus came to her chamber on a chariot with lightnings and thunders, and hurled a bolt. Semele in terror gave untimely birth to Dionysos and died. Other accounts say nothing about the chariot : Semele could not support the sight of Zeus the god of thunder and lightning, and was killed by it^. Others, again, are more precise. Semele was burnt", or actually struck by a thunderbolt and brandishing a thunderbolt in his right hand and grasping a sceptre in his left. Semele flees to right, looking back, her right hand extended towards Zeus in an attitude of supplication, her left holding a flower. Behind Zeus a female companion of Semele, likewise holding a flower, escapes to left. (6) Two other companions of Semele hasten, from left and right, to announce the event to her father, Kadmos. (4) A kratilr (lid lost) in the Louvre (G 412), past the climax of the fine style (460—440 B.C.) and largely repainted (H. Heydemann Dionysos^ Gebiiri p. 8 n. 21): [a] Zeus, with bay-wreath and chlaiiiys, strides to right, brandishing a thunderbolt in his right hand and grasping a sceptre in his left. Semele flees to right, looking back ; she lifts her chiton with her right hand and raises her left towards her shoulder. Behind Zeus a female companion of Semele escapes to left. Before Semele stands her white-haired father, his right hand raised in astonishment, his left holding a stafi". [b) Four men and women conversing. The type attested by these vases begins as a mere combination of the early striding Zeus [supra \. 84 ff. figs. 52— 54) with the early running maiden. The eagle of Zeus is omitted, and his left hand either holds a sceptre [infra % 3 (c) iv (a)) or grasps the shoulder of Semele. Next, under the influence of flower-plucking scenes (Europe, Thaleia, etc.), Semele is given a flower, while a comrade likewise holding a flower forms a suitable pendant. Finally, the group is amplified by the introduction of Kadmos and other figures, either on the reverse or on the obverse of the vase. Vases that represent Zeus pursuing the female with lowered bolt cannot be assumed to depict the Semele-episode; for the bolt may be a mere attribute. E.g. an ajnphora formerly in the possession of the Neapolitan dealer Barone (J. de Witte 'Jupiter at Semele ' in the Rev. Arch. 1862 ii. 29 f. fig. Zeus, with chlamys worn shawl-wise, holding a thunderbolt in his lowered right hand, a sceptre in his left, pursues towards the right a running female, who looks back with gestures of alarm), a large hydria from Vulci now at Paris (De Ridder Cat. Vases de la Bibl. Nat. ii. 331 no. 439 confused description, P. Milliet—A. Giraudon Vases peints du Cabinet des Aledailks b' Antiques [Bibliothi-que Nationale) Paris 1891 vi^ classe, xi^ serie ii pi. 75 = my fig. 13 Zeus, with myrtle (?)-wreath and chlamy's worn shawl-wise, holding a thunderbolt in his lowered left hand, advances towards the left and seizes with outstretched right hand a running female, who looks back with gestures of alarm and supplication), and other vases noted by H. Heydemann Dicnysos' Geburt p. 7 n. 18. The brown paste at Berlin usually cited in this connexion (G. Winckelmann Monumeuti atitichi inediti"^ Roma 182 1 ii. i. 2 f. pi. i, T. Panofka Dionysos und die Thyaden (extr. from the Abh. d. berl. Akad. 18^2 Phil. -hist. Classe p. 377 fif.) Berlin 1853 p. 36 fif. pi. 3, 4, Miiller—Wieseler Denkm. d. alt. Ktinst ii. 24 pi. 3, 46", C. W. King Antique Gems and Rings London 1872 i. 483 fig. =Sir John Sandys The Bacchae of Euripides^ Cambridge 1892 pp. cxxxiif., i fig., etc.) represents neither Zeus nor Semele : see Furt- wangler Geschnitt. Steine Berlin p. 227 no. 6219 pi. 42, id. Ant. Geinmen i. pi. 36, 20, ii. 1 75, iii. 416 n. 2. ^ Apollod. 3. 4. 3. - Diod. 3. 64, Lact. Plac. in Stat. Tlieb. i. 12, 2. 292, Myth. Vat. 2. 79. 3 Yiy^.fab. 179, Lact. Plac. in Stat. Theb. 4. 673, Myth. Vat. i. 120.
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'^ff' ]"W, ':'.'} :'.' !:; ii;:i;;l
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ZEUS A STUDY IN ANCIENT RELIGION VO
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V ^ ZEUS A STUDY IN ANCIENT RELIGIO
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viii Preface worth putting into a b
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X Preface willing to devote themsel
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xii Preface Prof. R. C. Bosanquet,
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xiv Preface illustration of Volume
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XVI Contents iv. Zeus and Dionysos
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XVlll Contents PART II Appendix A.
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XX List of Plates to face PLATE pag
Page 29 and 30: ABBREVIATIONS This List of Abbrevia
Page 31 and 32: Abbreviations xxv and Lesbos 1894 b
Page 33 and 34: Abbreviations xxix i (Alpes Maritim
Page 35 and 36: Abbreviations xxxi Antiken Bildiver
Page 37 and 38: Abbreviations xxxiii Inscr. Gr. Del
Page 39 and 40: Abbreviations xxxv L. Meyer //andd.
Page 41 and 42: Abbreviations xxxvii iii Die Bildwe
Page 43 and 44: Abbreviations xxxix i^xi (Tomi i—
Page 45 and 46: Abbreviations xli Sitzzifigsber. d.
Page 47: Abbreviations xliii Welcker Gr. Goi
Page 50 and 51: 2 Zeus lightens, thunders, rains, e
Page 52 and 53: 4 The Diosemia or ' Zeus-sign ' Peo
Page 54 and 55: 6 The Diosemia or ' Zeus-sign ' Mag
Page 56 and 57: 8 The Diosemia or ' Zeus-sign ' reg
Page 58 and 59: I o The Diosemia or ' Zeus-sign ' p
Page 60 and 61: 12 Zeus Keraunos zoistic stage was
Page 62 and 63: i^. Zeus Kataibdtes a learned treat
Page 64 and 65: 1 The altars of Zeus Kataibdtes Som
Page 66 and 67: 1 The altars of Zeus Kataibdtes mem
Page 68 and 69: 20 The altars of Zeus Kataibdtes th
Page 70 and 71: 22 The Zeus-struck man in Elysium w
Page 72: 24 Death by lightning as euthanasia
Page 75: ;eum : Zeus in pursuit of Semele. S
Page 79: Death by lightning as euthanasia 25
Page 83 and 84: The Tarentine cult of Zeus Kataibdt
Page 85 and 86: The Tarentine cult of Zeus Kataibdt
Page 87 and 88: » Zoroastres 33 of the Rufinian mo
Page 89 and 90: Zoroastres 3 5 statement in a somew
Page 91 and 92: The Elysian Way 37 Again, in an equ
Page 93 and 94: The Elysian Way 39 There is a road
Page 95 and 96: The Elysian Way 41 ignored by them
Page 97 and 98: The Elysian Way 43 Way'. Again, Emp
Page 99 and 100: The Sky-Pillar in Italy 45 facilita
Page 101 and 102: The Sky-Pillar in the 'Minoan' area
Page 103 and 104: The Sky-Pillar in the 'Minoan' area
Page 105 and 106: The Irminsul 51 (in Marti TJiingso^
Page 107 and 108: The Irminsul 53 the sign and symbol
Page 109 and 110: The Irmi7tsul 55 witness to the ter
Page 111 and 112: lupiter-Columns 57 vehicle of the s
Page 113 and 114: lupiter-Columns 59 Seasons, the qua
Page 115 and 116: lupiter-Columns 6i children with a
Page 117 and 118: lupiter-Coiumns 63 with his club is
Page 119 and 120: lupiter-Columns 65 Minerva is Holda
Page 121 and 122: lupiter-Columns 67 This hypothesis,
Page 123 and 124: lupiter-Columns 69 possibly it symb
Page 125 and 126: lupiter-Columns 71 occupied either
Page 127 and 128: n M Fig- 31- lupiter-Columns 73 Fig
Page 129 and 130: lupiter-Columns 75 barbaric head an
Page 131:
The Jupiter-Column of Saverne. Plat
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78 lupiter-Columns spokes as he rea
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8o lupiter-Columns sometimes has as
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82 lupiter-Columns So far, then, we
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84 lupiter-Columns is preceded by a
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86 lupiter-Columns a flash of light
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8 8 lupiter-Columns PreserverV in a
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90 lupiter-Columns ascending order
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92 lupiter-Columns {le Bourg d'Angs
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The Column of Mayence 93 oak at Rem
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The Column of Mayence 95 and Minerv
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The Column of Mayence 97 lower drum
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The Column of Mayence 99 Verticordi
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Commemorative Columns lOI Antoninus
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Commemorative Columns 103 '9' 7 PP-
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Commemorative Columns 105 recognise
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Commemorative Columns 107 of decora
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The Trophy 109 And pillars lopped t
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The Trophy III that of La Turbie ne
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The Trophy 113 IViss. Phil. -hist.
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and the Soul-Ladder 115 blaze or sh
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and the Soul-Ladder 117 Dec. 13), t
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and the Soul-Ladder 119 be itself o
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and the Soul-Ladder 121 — How, ex
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Amphora from Capua, now in the Brit
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and the Soul-Ladder 123 de PArt vi.
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Plate VI Polychrome hydria from Kyr
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and the Soul-Ladder 125 In support
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and the Soul-Ladder 127 Such belief
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and the Soul-Ladder 129 and corresp
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and the Soul-Ladder 131 sLimably ve
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and the Soul-Ladder 133 Now \}[\dX
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and the Soul-Ladder 135 Ladder of P
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and the Soul-Ladder 137 Ladder of t
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a. c o • I— _> C/3 ca J3 Si !-i
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140 The Sky-Pillar in Sardinia abid
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142 The Sky-Pillar in Sardinia stan
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144 Diana-Pillars vase, complete th
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146 Diana-Pillars Steps give access
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148 Diana-Pillars broad ribands. Ra
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I50 Diana-Pillars disk, from which
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152 Diana-Pillars Fig. 92. kais. de
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154 Diana-Pillars bronze shrines fr
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156 vL ^*w ^ 05 JiZ. < — L < Dian
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158 Diana-Pillars pillar : the pend
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i6o Agyieus-ViW'Sir^ tionof the sam
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1 6 2 y4gjieus-Vi\\3.rs in lllyria,
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1 64 Agyieus-V\\\2ixs fact, the tit
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1 66 0?npha/6s and Pillar dence tha
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i68 Omphalos and Pillar have been w
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lyo The Delphic Omphalos which cert
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172 The Delphic Omphalos Fig. 118.
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174 The Delphic Omphalos well have
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Three views of the inscribed omphal
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176 The Delphic Omphalds the earth-
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178 The Delphic Omphalos who are kn
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i8o The Delphic Omphalos in all pro
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l82 The Delphic Omphalos of honour
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The Delphic O^nphalos 183 and sundr
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The Delphic Omphalos 185 fillets an
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The Delphic 07nphal6s 187 at the co
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The Delphic 07nphal6s 189 were two,
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The Delphic Omphalos 191 aetiology
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Plate XI (a) Altar as represented o
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194 The Delphic Tripod Fig. 134.
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196 The Delphic Tripod lebes restin
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198 The Delphic Tripod 'The tripod
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The Cliigi base at Dresden, represe
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200 The Delphic Tripod Pythian vict
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202 The Delphic Tripod art-type tra
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204 The Delphic Tripod ApoUon in th
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2o6 The Delphic Tripod is finely co
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2o8 The Pythia as Bride of Apollon
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210 The Pythia and the phetic pries
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Hydria in the Fitzwilliam Museum, C
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Caldron of Apotlleosis 213 that the
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Caldron of Apotheosis 215 Euripides
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Caldron of Apotheosis 217 Ephoros,
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Caldron of Apotheosis 219 Other wri
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Pythagoras as Apollon reborn 221 do
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Pythagoras as Apollon reborn 223 te
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Pythagoras as Apollon reborn 225 wi
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Pythagoras as ApoUon reborn 227 Sal
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Pythagoras as Apollon reborn 229 in
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Zeus at Delphoi 231 from Knossos^ a
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Dionysos at Delphoi 233 commemorate
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Dionysos at Delphoi 235 the same pr
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Dionysos at Delphoi 237 J. Loth in
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Dionysos at Delphoi 239 I have, how
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Dionysos at Delphoi 241 Clement of
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Dionysos displaced by Apollon 243 t
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at Delphoi ' 245 in the second Hami
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at Delphoi 247 124, 254 n.*, J. L.
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'^ at Delphoi 249 Plout. de fnus. 1
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at Delphoi 251 Daldeia in Lyclia',
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at Delphoi 253 mood\ And like enoug
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at Delphoi 255 oratory traditionall
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at Delphoi 257 the griffin which sh
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X 0) +-'
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26o Dionysos displaced by Apollon A
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262 Dionysos displaced by Apollon a
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X +-> Q.
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264 Dionysos displaced by Apollon T
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2 66 The stratification of Delphic
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268 Zeus and Dionysos which probabl
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270 Zeus and Dionysos pellatives: h
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272 p. Kretschmer's hypothesis the
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2 74 Criticism of P. Kretschmer's h
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276 Criticism of P. Kretschmer's hy
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278 Dios and Dios Nysos monly end w
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2 8o Dios and Dios Nysos De'os or D
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282 Dios and Dios Nysos compared wi
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Dios and Dios Nysos 283 two, and th
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Dios and Dfos Nysos 285 with Zeus P
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Dios and Dios Nysos 287 eastern sid
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fw^/'/^v^^/ ' /y/v^/^y^/A'/iw^^^ Dt
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Dios and Dfos Nysos 291 hand with t
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Papas and Attis 293 sobriquet stric
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The Mother-goddess and h^v pdredros
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The Mother-goddess and her pdredros
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The Mother-goddess and hcv pdredros
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The Mother-goddess and h.^v pdredro
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Attis in relation to Christianity 3
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Attis in relation to Christianity 3
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Attis in relation to the Dioskouroi
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The Kdbeiroi or Megalot Theoi 313 p
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The Kdbeiroi or Megdloi Theoi 315 k
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Zeus Didymatos 317 the former influ
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Zeus duplicated on a gem 319 p. D.
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Zeus duplicated on a gem 321 first
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The Celtic Janiform god 323 (8) The
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The Celtic Janiform god 325 Noricum
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X JS Q. •C c« CO O CO 9 e c4 U3
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328 lupiter and lanus in the Salian
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3 30 lupiter and lanus in the Salia
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332 lanus and lupiter on coins
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334 lanus and lupiter on coins Fig.
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336 lanus an older lupiter yawning
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338 lanus an older lupiter His titl
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340 Zan an older Zeus lanus, theref
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342 Zan an older Zeus anecd. Paris,
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344 ^^^ ^^ older Zeus A. F. Pott (1
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34^ Zan an older Zeus But why must
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348 Zan an older Zeus ' over agains
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350 Zan an older Zeus The same may
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352 Zan an older Zeus detects yet a
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354 lanus represented as Vault or A
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35^ lanus represented as Vault or A
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35^ lanus represented as Vault or A
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360 The Triumphal Arch had its sepa
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362 The goddess under the Arch (fx)
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364 Tigillum Sororium and lupiter T
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366 The god under the Arch the Foru
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368 lanus bifrontal on coins c. 92
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370 lanus bifrontal on coins series
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372 lanus bifrontal on coins Season
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374 lanus bifrontal in ritual the m
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37^ lanus bifrontal in ritual verse
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37^ The significance of lanus' doub
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380 The significance of lanus' doub
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Page 485 and 486:
Page 487 and 488:
386 The Sky-god's hat parison with
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388 The differentiation of associat
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390 The differentiation of Thoukydi
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the Sky-god's faces 391 and the typ
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M ns.)nif/A .VA^ Plate XXII
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. t ,.4^^/rfi^ ..,.//7r-.,.j//y,/^^
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Virbius as Dianus 393 probably brou
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Virbius as Dianus 395 things which
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Virbius as Dianus 397 hist. 25. 105
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Virbius as Dianus 399 older head is
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Diana and the Oak 401 Vicus Cuprius
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Diana and the Oak 403 change from o
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Artemis and the Oak 405 scape-relie
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Artemis and the Oak 407 the thymiat
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Artemis and the Oak 409 on leading
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Artemis and the Oak 411 much weight
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Artemis and the Oak 413 Troizen, st
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Artemis and the Oak 415 legend with
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Diana's tree at Nemi 417 introduces
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Diana's tree at Nemi 419 woodland k
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Diana's tree at Nemi 421 a priest o
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The supports of the Sky personified
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Page 542 and 543:
Page 544 and 545:
Page 546:
Plate XXIV Etruscan mirror: the Dio
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434 Twins as Children of the Sky Fi
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43 6 Kastor and Polydeukes conventi
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438 Kastor and Polydeukes after thi
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440 Romulus and Remus have us belie
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442 Romulus and Remus the type is c
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444 Zetes and Kalais princely twins
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446 Herakles and Iphikles was dispo
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44 The effeminate Twin Zeus^, or th
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45 The effeminate Twin before he pa
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452 Apollon and Artemis Iphiklos^ c
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454 ApoUon and Artemis
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45^ Apollon and Artemis his ancient
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45 8 Apollon and Artemis light of t
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460 Apollon and Artemis The Delphia
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Apollon and Artemis 461 p. Hartwig
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• Apollon and Artemis 463 The cop
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ApoUon and Artemis 465 other allusi
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ApoUon and Artemis 467 Iphitos, mak
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Apollon and Artemis 469 her days an
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Apollon and Artemis 471 names deriv
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Apollon and Artemis 473 earliest ex
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Apollon and Artemis 475 who with bi
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Apollon and Artemis • possibiliti
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ApoUon and Artemis 479 On the left
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Apollon and Artemis 481 it is permi
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Apollon and Artemis 483 190 And the
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Apollon and Artemis 485 deity assoc
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Apollon and Artemis 487 from the ne
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Apollon and Artemis 489 a liyper-Do
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Apollon and Artemis 491 are an amph
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Apollon and Artemis 493 his argumen
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Apollon and Artemis 495 Boreas,' th
Page 614 and 615:
Apollon and Artemis 497 sometimes a
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55' Stf W iS' X. ?s '^ "^ e HY I y
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Apollon and Artemis 499 explained a
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Lightning as a flash from an Eye 50
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Lightning as a flash from an Eye 50
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Lightning as a weapon 505 is the so
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Lightning as a weapon 507 earlier,
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Lightning as a weapon 509 informati
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Lightning as a weapon 511 found in
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The double axe in 'Minoan' cult 513
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The double axe in mid air 515 benea
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vH -^1 ;^^ The painted limestone sa
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5i8 The double axe in relation trun
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520 The double axe in relation bord
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52 2 The double axe in relation Cer
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524 The double axe in relation if t
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526 The double axe in relation A su
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528 The double axe in relation a fi
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53^ The double axe in relation Simi
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532 The double axe in relation prec
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534 The double axe in relation to h
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53^ The double axe in relation to h
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53^ The double axe in relation to h
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544 The deity of the double axe ena
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54^ The deity of the double axe sen
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54^ The deity of the double axe pow
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SS^ The deity of the double axe in
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' Antiochus 552 The deity of the do
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554 The deity of the double axe cul
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55^ The deity of the double axe fra
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558 The deity of the double axe if
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560 The double axe and Zeus JLabrdy
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562 The double axe and Zeus Labrdyn
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Page 693 and 694:
570 The double axe and Zeus Lahrdyn
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Page 697 and 698:
Page 699 and 700:
57^ The double axe and Zeus Labrdyn
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57^ The double axe and Zeus luabrdy
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Page 705 and 706:
582 The double axe and Zeus L,abrdy
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Page 709 and 710:
586 The double axe and Zeus Lal?rdy
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588 The double axe and Zeus Lahrdy?
Page 713 and 714:
Page 715 and 716:
Page 717 and 718:
594 The double axe and Zeus Labrdy7
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59^ The double axe and Zeus Labrdyn
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The double axe and Zeus Lal?rdyndos
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The double axe and Zeus Lai?rdyncio
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The double axe and the labarum 60 f
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The double axe and the labarum 603
Page 730 and 731:
Page 732 and 733:
The double axe and the labaru?n 607
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Page 736 and 737:
The double axe and the labarum 6 1
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Page 740 and 741:
Zeus in the East 615 from Kameiros
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The double axe in the West 617 othe
Page 744 and 745:
The double axe in the West 619 Not
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The axe carried by priests and prie
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Page 754 and 755:
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Page 760 and 761:
The decoration of the double axe 63
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The duplication of the double axe 6
Page 780 and 781:
The double axes of Tenedos 655 attr
Page 782 and 783:
The double axes of Tenedos 657 Gree
Page 784 and 785:
The double axes of Tenedos 659 dian
Page 786 and 787:
The double axes of Tenedos 66i repr
Page 788 and 789:
' Minoan ' The double axes of Tened
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The double axes of Tenedos 665 addi
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The double axes of Tenedos 667 affi
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The double axes of Tenedos 669 ' Ky
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The double axes of Tenedos 671 fath
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The double axes of Tenedos 673 (bet
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The double axes of Tenedos 675 comb
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The axe and the sacred oak at Dodon
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The axe and the sacred oak at Dodon
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sacred tree at Rhegion 68i image in
Page 808 and 809:
The axes and the sacred oaks at Dot
Page 810 and 811:
Axe-blades and axe-hafts in megalit
Page 812 and 813:
megalithic art of western Europe 68
Page 814 and 815:
megalithic art of western Europe 68
Page 816 and 817:
The axes of Penelope 691 The name P
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The axes of Penelope 693 of Thrace,
Page 820 and 821:
The axes of Penelope 695 whole stor
Page 822 and 823:
The axes of Penelope 697 an appella
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Superstitious practices with axes 6
Page 826 and 827:
Page 828 and 829:
Page 830 and 831:
The spear of Zeus 705 Nonnos in the
Page 832 and 833:
The spear of Zeus 707 Zeus Areios i
Page 835 and 836:
Plate XXIX Etruscan mirror: the bir
Page 837 and 838:
yio The spear of Zeus head of Zeus
Page 839 and 840:
712 The sword of Zeus lupiter, gras
Page 842 and 843:
The sword of Zeus 713 and that the
Page 844 and 845:
The sword of Zeus 715 father of the
Page 846 and 847:
The sword of Zeus 717 A terra-cotta
Page 848 and 849:
The sword of Zeus 719 presence of A
Page 850 and 851:
The sword of Zeus 721 phon^), who f
Page 852 and 853:
Gradual elimination of the thunderb
Page 854 and 855:
Page 856 and 857:
I or Gradual elimination of the thu
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Page 860 and 861:
Page 862 and 863:
Page 864 and 865:
Page 866 and 867:
Page 868 and 869:
Page 870 and 871:
Page 872 and 873:
Page 874 and 875:
Page 876:
Bronze statuette of Zeus in the Uff
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Page 888 and 889:
Page 890:
Plate XXXIV Bronze statuette found
Page 893:
75 8 Gradual elimination of the thu
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Page 898 and 899:
Page 900 and 901:
Page 902 and 903:
of the thunderbolt 765 earlier, app
Page 904 and 905:
of the thunderbolt 767 or straighti
Page 906 and 907:
of the thunderbolt 769 {c. 700 B.C.
Page 908 and 909:
of the thunderbolt 771 early kylix
Page 910 and 911:
of the thunderbolt 773 springeth up
Page 912 and 913:
of the thunderbolt 775 Friend Flowe
Page 914 and 915:
of the thunderbolt 777 were soon tr
Page 916 and 917:
of the thunderbolt 779 And H. Usene
Page 918:
:^.'^-- f- - j-i' '
Page 921 and 922:
.782 Modifications in the shape ten
Page 923 and 924:
784 Modifications in the shape conq
Page 925 and 926:
786 The thunderbolt of Zeus (7) The
Page 927 and 928:
788 The thunderbolt of Zeus suscept
Page 929 and 930:
790 The thunderbolt of Zeus In 191
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792 The thunderbolt of Zeus point a
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794 The thunderbolt of Zeus version
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796 The thunderbolt of Zeus Differe
Page 937 and 938:
798 The thunderbolt of Zeus Byzanti
Page 939 and 940:
8oo The thunderbolt of Zeus But nei
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8o2 The thunderbolt of Zeus other p
Page 943 and 944:
8o4 The thunderbolt of Zeus wuBJurw
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8o6 Zeus Keraunobolos^ Keraunios fo
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8o8 Zeus Keraunobolos^ Keraunios ri
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8io Zeus Keraunobolos^ Keraunios Wi
Page 951 and 952:
8 12 Zeus Keraunobolos^ Kerawiios t
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8 14 Zeus Keraunobolos^ Keraunios a
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8i6 Zeus Keraunobolos^ Keraiinios h
Page 957 and 958:
8i8 Zeus Zbelsourdos his name and n
Page 959 and 960:
820 Zeus Zbelsourdos shows the same
Page 961 and 962:
822 Zeus Zbelsourdos increase our k
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824. The whip of Zeus This leaves t
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826 The whip of Zeus forgotten by p
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828 Thunder as a sound independent
Page 969:
830 Thunder as a sound (c) Thunder
Page 972 and 973:
caused bv the Chariot of Zeus 831 a
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Zeus Bro7itatoSy Brontbn^ Brontesio
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Zeus Brontaios^ Brontm^ Brojttesios
Page 978 and 979:
Zeus Brontaios^ Brontbn^ Brontesios
Page 980 and 981:
Zeus Brontatos^ Brontbn^ Brontesios
Page 982 and 983:
Retrospect 841 Further consideratio
Page 984 and 985:
Retrospect 843 over with oak-leaves
Page 986 and 987:
Retrospect 845 was seen falling fro
Page 988 and 989:
Retrospect 847 Further examples of
Page 990 and 991:
Hdrkios, ' God Retrospect 849 of Oa
Page 992 and 993:
Retrospect 851 emperors^ Coins of D
Page 995:
The main design on a krater from Ca
Page 998 and 999:
854 Retrospect On the left are Arte
Page 1000 and 1001:
856 Retrospect (Tol St) Tra
Page 1002 and 1003:
858 Retrospect iir aWore S' dWa (pe
Page 1010 and 1011:
tm ' ^- nr 2_ %^f ^HP^ JUL JUL a Xt
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Zeus : a study in ancient religion - Warburg Institute

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