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Zeus : a study in ancient religion - Warburg Institute

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The spear of <strong>Zeus</strong> 705<br />

Nonnos <strong>in</strong> the fifth century of our era makes Nike pray to <strong>Zeus</strong><br />

as follows:<br />

Do thou <strong>in</strong> battle lift<br />

Thy lightn<strong>in</strong>g-flash, Olympos' lum<strong>in</strong>ous spear^.<br />

Accord<strong>in</strong>gly, when <strong>Zeus</strong> meets Typhon,<br />

<strong>in</strong> the fray<br />

His shield was thunder and his corselet cloud.<br />

The spear he shook was lightn<strong>in</strong>g^.<br />

And elsewhere <strong>in</strong> the same poem <strong>Zeus</strong> is termed<br />

The javel<strong>in</strong>-thrower of the thunderbolt^.<br />

It is probable that the poets were but adopt<strong>in</strong>g a popular belief; for<br />

Eustathios <strong>in</strong> the middle ages expla<strong>in</strong>ed that '<strong>Zeus</strong> has a fiery spear",'<br />

and the modern Greek sailor with his eye on the storm-cloud will say<br />

'God is throw<strong>in</strong>g lightn<strong>in</strong>g like spear-strokes ^'<br />

The axe-bear<strong>in</strong>g <strong>Zeus</strong> of Karia is not unfrequently represented<br />

with a spear". And, s<strong>in</strong>ce he was worshipped as Strdtios, 'Lord of<br />

HostsV this weapon might no doubt be expla<strong>in</strong>ed as an <strong>in</strong>dispens-<br />

able part of his panoply. Nevertheless it is probable that the old<br />

storm-god became the new war-god just because his thunderbolt was<br />

conceived as a potent weapon, first a double axe and then a spear<br />

or swords<br />

At Hydisos <strong>in</strong> Karia <strong>Zeus</strong> Areios, the 'Warlike,' appears on a<br />

bronze co<strong>in</strong> struck by Hadrian (fig. 635)'' as a soldier with helmet<br />

and shield, though he still brandishes a thunderbolt <strong>in</strong> his raised right<br />

hand. Bronze co<strong>in</strong>s of the same town dat<strong>in</strong>g from the first century<br />

^ Nonn. Dion. 2. 211 f. /j.apvdfxevos 5e |<br />

dffTepoTrijv<br />

Kov viipos 5^ oi ^TrXero<br />

* Eustath. <strong>in</strong> 11. p. 1240, 51 f. koI Zei)? hk irvpivov ^xet hbpv, Tovriarm 'iyxp^. e^ ov<br />

Kal eyxet-K^pavvos Trapd HtJ'Sdpy Xiyerai.<br />

^ B. Schmidt Das Volksleben der Neugriechen Leipzig 187 1 i. 32 6 ^eos piwrei (more<br />

often plxvei.) dcTpawaU cdv Kovrapiais.<br />

6 S!t/>ra pp. 574 ff., 593. ^ Sii/ra pp. 576 ff., 590 f.<br />

8 Supra p. 591 n. i, <strong>in</strong>fra p. 712 ff.<br />

'* D. Sest<strong>in</strong>i Lettere e dissertazioni nnmismatiche Firenze 1818 v. 44, 1820 ix pi. 3, 11,<br />

id. Classes generales sen Moneta vetus urbiuni populoriim et regut?i'^ Florentiae 1821 p. 88,<br />

F. Streber <strong>in</strong> the Abh. d. bayer. Akad. 183^ Philos.-philol. Classe pp. 232— 239 pi. 4, 5,<br />

T. Panofka <strong>in</strong> the Abh. d. berl. Akad. 18^3 Phil. -hist. Classe pp. 32— 42 ('<strong>Zeus</strong> Areios')<br />

pi. I— 2, 2, Miiller—Wieseler Denkm. d. alt. Knnst ii. 11 pi. 2, 21, Overbeck Gr. Kunst-<br />

myth. <strong>Zeus</strong> pp. 208— 210 Mi<strong>in</strong>ztaf. 3, 11 ( = niy fig. 635), Head Hist. nu?n.' p. 620.<br />

Sest<strong>in</strong>i Iolx. citt. read lACCGCON, Mionnet Descr. de mid. ant. iii. 353 no. 291<br />

lACeCON, Streber /^f. cit. lAICeCON, Panofka loc. cit. lACeHN, Wieseler loc. cit.<br />

lAlCeCON (for lACCeCON), Overbeck loc. cit. lAICeHN. B. V. Head was the<br />

first to transfer the co<strong>in</strong> from lasos to Hydisos.<br />

C. II. 45

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