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Zeus : a study in ancient religion - Warburg Institute

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2()6 The Mother-goddess and her pdredros<br />

The second fragment runs thus :<br />

Attis, Rhea's son, I'll s<strong>in</strong>g,<br />

Not with blare of trumpet<strong>in</strong>g,<br />

Nor with flute Kouretes shrill<br />

Up the steep of Ide's hill,<br />

Nay, but Phoibos' lyric muse<br />

I must m<strong>in</strong>gle and confuse.<br />

Cry<strong>in</strong>g still Et/oi Euan,<br />

For our god's a very Pan,<br />

He's a Bakchos, he's a swa<strong>in</strong><br />

Shepherd<strong>in</strong>g the white stars' tra<strong>in</strong> ^.<br />

-Vug. (fe civ. Dei 7. 25, cp. Sallustius Trfpi df.uiv koX Kbaixov 4, Amm. Marc. 19. i. 11, 22.<br />

9. 15, ' Sosicles Atticus' ap. Fulgent, myth. 3. 5, Remigius ap. Myth. Vat. 3. 2. 4).<br />

.Some of the multiple corn-ears figured on co<strong>in</strong>s of Bithynia, Kappadokia, Lydia,<br />

Phrygia, etc. [e.g. Anson Num. Gr. iii. 1240". nos. 1292— 1313<br />

for ceremonial sheaves.<br />

•' Infra Append. B Galatia.<br />

pi. 23 f.) may be meant<br />

* Hippol. ref. hacres. 5. 9 pp. 168, 170 Duncker— Schneidew<strong>in</strong> TOi-^apovv , (prjaiv, iirav<br />

avveKdiov (Wilamowitz cj. trvviXOri or perhaps avveXdojcn) 6 drj/xos iy to?s dedrpois eiairi<br />

{dcloi cod. C. Wilamowitz cj. etaeiai) rts r]/j.(piecrfxevos aroXriv ^^aWov, Kidapav epu)v Kai<br />

ij/dWwv, oiJTiiJS (Wilamowitz cj. oiVos) \4yeL a5(j}v to, pLcydXa p-var-qpLa ovk tlSwv a. Xe7€r<br />

"EiVe Kpdvov y^vos. eiVe Aios /xd^apos (Bergk cj. p.aKap), (ire 'P^as p,eyd\r]s, X^-^P^i '''O<br />

KaTrj ^ • ^- Schneidew<strong>in</strong><br />

<strong>in</strong> the Nachr. d. km. Geselhch. d. Wiss. Gbtt<strong>in</strong>gen Phil. -hist. Classe 1852 p. loi ff., Poet.<br />

lyr. Gr. iii. 685—687 Bergk*, W. Froehner Mdanges d' Epigraphie et d' Archiologie Paris<br />

1873 i. 49 ff., U. von Wilamowitz-Moellendorff <strong>in</strong> Hennes 1902 xxxvii. 328— 331,<br />

H. Hepd<strong>in</strong>g Attis se<strong>in</strong>e Mythen und se<strong>in</strong> Knit Gieszen 1903 pp. 34— 36. Schneidew<strong>in</strong><br />

took the first fragment to be written <strong>in</strong> dactylic and anapaestic measures. Hermann<br />

completed it as a set of hexameters. Bergk pr<strong>in</strong>ted it as eight anapaestic l<strong>in</strong>es followed<br />

by six dactylic tetrameters. Wilamowitz restores it as thirteen dactylic tetrameters, viz.:<br />

EiVe Kp6i'ou yivo%, eiVe At6s ixdKap, \<br />

eiVe<br />

P^as peydXa^, x^-^pi^) to Ka\Tr]

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