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Zeus : a study in ancient religion - Warburg Institute

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and the fork of Hades 805<br />

lupiter with the Getic Gebeleizis, whose name conceivably meant<br />

' the god with a Fork^' Still less shall we ma<strong>in</strong>ta<strong>in</strong> that he took<br />

over this implement from the fork-bear<strong>in</strong>g figures of early Sard<strong>in</strong>ia-.<br />

For most of these little bronzes are demonstrable forgeries^<br />

Brush<strong>in</strong>g aside such <strong>in</strong>adequate hypotheses, we approach the<br />

problem along other l<strong>in</strong>es. The Etruscans believed <strong>in</strong> lightn<strong>in</strong>gs<br />

that sprang from the ground {fidguTa mferna^, fulm<strong>in</strong>a <strong>in</strong>/era or<br />

terj'ena^), wielded presumably by some chthonian deity". And<br />

C. O. Thul<strong>in</strong>, the chief modern exponent of their lightn<strong>in</strong>g-lore,<br />

argues that the Etruscan word for ' lightn<strong>in</strong>g' was rendered by the<br />

Lat<strong>in</strong> bidens"'. Antecedently that is probable enough. ' Forked<br />

lightn<strong>in</strong>g,' as we call it, might well be represented by a lightn<strong>in</strong>g-<br />

fork. Moreover, the Romans, who <strong>in</strong> all matters of div<strong>in</strong>ation<br />

relied upon the wisdom of Etruria, habitually spoke of a place<br />

struck by lightn<strong>in</strong>g as bidental"^. Hence H. Usener <strong>in</strong>fers that<br />

they must have symbolised the flash as a bidens or ' two-pronged<br />

1 Supra p. 227 n. 4. For a better read<strong>in</strong>g and render<strong>in</strong>g of the Getic name see<br />

<strong>in</strong>fra p. 822 f.<br />

^ Le C"^ A. de La Marmora Voyage en Sardaigne- Paris 1839— '^57 Atlas pi. 17 fF.,<br />

E. Gerhard Uber die Kunst der Phdnicier Berl<strong>in</strong> 1848 p. 38 f. pi. 5, i and 7.<br />

^ Perrot— Chipiez Hist, de VArt iv. 65.<br />

* A. Caec<strong>in</strong>a ap. Sen. nat. quaesit. 2. 49. 3. Sttpra p. 641 n. 3.<br />

^ A. Caec<strong>in</strong>a ap. Pl<strong>in</strong>. nat. hist. 2. 138.<br />

•> C. O. Thul<strong>in</strong> Die etruskische Discipl<strong>in</strong> i Die Blitzlehre Goteborg 1906 p. 47.<br />

It may at first sight seem rash to suppose that a chthonian god was ever armed with<br />

atmospheric terrors. But some at least of the Greek philosophers—<strong>in</strong> particular,<br />

Herakleitos, Aristotle, and Poseidonios—held that lightn<strong>in</strong>g was primarily due to telluric<br />

exhalations (O. Gilbert Die meteorologischen Theorien des griechischen Altertunis Leipzig<br />

1907 pp. 627 ff., 629 f., 634 ff.), thereby anticipat<strong>in</strong>g, not only the belief <strong>in</strong> electrical<br />

<strong>in</strong>teraction between earth and sky, but also the part played by evaporation <strong>in</strong> modern<br />

theories of lightn<strong>in</strong>g {id. ib. p. 637). Besides, these philosophers, after their manner,<br />

were merely elaborat<strong>in</strong>g popular op<strong>in</strong>ion. Greek literature makes frequent mention of<br />

chthonian thunder (Aisch. P.v. 993 f., Edonoi frag. 57, 10 f. Nauck^, Soph. O.C. 1606,<br />

Eur. El. 748, Hipp. 1201, Aristoph. av. 1747, 1752. J.<br />

P. Mahaffy, as quoted by<br />

J. E. Harry on Eur. Hipp. 1201, states that ' ^povreiov is used by the modern Boeotians<br />

of a mounta<strong>in</strong> north of Thebes which constantly makes a rumbl<strong>in</strong>g sound.' See also <strong>in</strong>fra<br />

% 4 (d) <strong>Zeus</strong> BpovTwv), and Greek art on occasion treats lightn<strong>in</strong>g as the attribute of such<br />

chthonian powers as the Kyklopes (supra i. 318 f. figs. 252, 253) or Typhon (The three-<br />

bodied monster, from the right half of an archaic pedimental group, found on the<br />

Akropolis at Athens, holds <strong>in</strong> two of his left hands an attribute which has been<br />

variously <strong>in</strong>terpreted : see G. Dick<strong>in</strong>s <strong>in</strong> the Catalogue of the Acropolis Museum Cam-<br />

bridge 1912 i. 78 ff. no. 35. The most probable view is still that of Collignon Hist, de la<br />

Sculpt, gr. i. 208 ' une sorte de foudre.' Good illustrations <strong>in</strong> Perrot—Chipiez Hist, de<br />

r Art viii pi. 3, T. Wiegand Die archaische Pores-Architektnr der Akrop&lis zu Athen<br />

Cassel and Leipzig 1904 pi. 4, R. Heberdey Altattische Porosskulptur Wiftw 1919 pi. 3,<br />

2 and pi. 4).<br />

" C. O. Thul<strong>in</strong> op. cit. p. 96 f., quot<strong>in</strong>g A. Caec<strong>in</strong>a ap. Sen. nat. quaestt. 2. 49. i<br />

dentanea {sc. fulgura), quae speciem periculi s<strong>in</strong>e periculo adferunt.<br />

^ G. Wissowa <strong>in</strong> Pauly—Wissowa Real-Enc. iii. 429 ff.

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