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Zeus : a study in ancient religion - Warburg Institute

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82<br />

lupiter-Columns<br />

So far, then, we can accept Hertle<strong>in</strong>'s view. But when, follownig<br />

A. Riese\ he contends that the prone or prostrate giant represents<br />

the earthy he seems to be desert<strong>in</strong>g the pr<strong>in</strong>ciple of <strong>in</strong>terpretation<br />

that he has himself propounded. For the Germanic earth-power<br />

would have been a goddess (Nerthus^ or the like) rather than a<br />

god. Besides, she would surely have been figured below, not above,<br />

the Romanised Irm<strong>in</strong>siM—a pillar that ex Jiypothesi l<strong>in</strong>ked earth<br />

with heaven. I should therefore prefer to expla<strong>in</strong> the giant along<br />

other l<strong>in</strong>es. The prov<strong>in</strong>cial sculptor, bound to express himself <strong>in</strong><br />

Fig. 44. Fig. 45.<br />

the art-speech of Rome, would naturally draw his design for a<br />

warlike lupiter from the Graeco-Roman type of the Gigantomachy.<br />

Hence his lupiter as rider or driver with uplifted bolt. Hence too<br />

his giant always with serpent<strong>in</strong>e legs*, sometimes with a club^, and<br />

<strong>in</strong> one case with a second giant beside him". Further, when this<br />

pictorial composition, suitable enough for relief-work or <strong>in</strong>taglio<br />

or pa<strong>in</strong>t<strong>in</strong>g on the flat, was translated <strong>in</strong>to sculpture <strong>in</strong> the round,<br />

^ A. Riese <strong>in</strong> the Geselhchaft fiir lothr<strong>in</strong>gische Geschichte i<strong>in</strong>d Altertumskunde :<br />

J^ahrbuch 1900 xii. 3240".<br />

^ F. Hertle<strong>in</strong> op. cit. p. 47 f.<br />

^ Tac. Germ. 40. For recent op<strong>in</strong>ion with regard to Nerthus see W. Mannhardt Wald-<br />

und Feldhilte- Berl<strong>in</strong> 1904<br />

i. 567—602, M. Ihm <strong>in</strong> Roscher Lex. Myth. iii. 274—277,<br />

E. Mogk <strong>in</strong> the Gricndriss der germaniscken Philologie^ Herausgegeben von H. Paul<br />

Strassburg 1900 iii. 367— 369, R. M. Meyer Altgeriiiattische Religionsgeschichte Leipzig<br />

1910 pp. 204— 209, K. Helm Altgermanische Religionsgeschichte Heidelberg 1913 i.<br />

311—321-<br />

* This feature of the Gigantes is discussed by E. Kuhnert <strong>in</strong> Roscher Le.x. Myth. i.<br />

i67off., M. Mayer Die Giganten und Titanen Berl<strong>in</strong> 1887 pp. 274— 282 ('Typhoeus ;<br />

Schlangenfussler'), cp. ib. pp. 216, 223 with n. 167, A. von Salis Der Altar von Pergamon<br />

Berl<strong>in</strong> 1912 p. 67 f., E. Kiister Die Schlaiigc <strong>in</strong> der griechischen Kunst tmd Religion<br />

Giessen 1913 pp. 95— 97.<br />

^ Supra p. 80.<br />

" A group from Pfalz (?) now <strong>in</strong> the Museum at Mayence (F. Hertle<strong>in</strong> op. cit. pp. 18,<br />

40 f., 42 f., 45) has a pair of giants, one bearded, the other beardless. This exceptional<br />

arrangement, like the occasional duplication of the giant's club (supra p. 80 n. 2), might<br />

be referred to a mere feel<strong>in</strong>g for symmetry (as is perhaps the case with some of the<br />

doublets cited by E. Gerhard Zzvei M<strong>in</strong>erven [W<strong>in</strong>ckeh/iannsfcst-Progr. Berl<strong>in</strong> viii)<br />

Berl<strong>in</strong> 1848, Overbeck Gr. IZf<strong>in</strong>strnyth. <strong>Zeus</strong> p. 257 n.'^), but is more probably to be<br />

expla<strong>in</strong>ed as a rem<strong>in</strong>iscence €f the Gigantomachy.

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