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Zeus : a study in ancient religion - Warburg Institute

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4o8 Artemis and the Oak<br />

mistaken modern addition. And he cleverly confirms the presence of the attributes and<br />

the absence of the turrets by cit<strong>in</strong>g one of Raphael's pa<strong>in</strong>ted pilasters <strong>in</strong> the Gallery of<br />

the Vatican (G. Ottaviani [Le Loggie di Kaffaello nel Vaticano Roma 176— ] no. vi C.<br />

Savorelli pict., P. Camporesi del<strong>in</strong>. = my fig. 308), where by a curious co<strong>in</strong>cidence the<br />

great artist has made an oak-tree with acorns to emerge from beh<strong>in</strong>d the back of the<br />

Ephesian goddess. Numismatic evidence proves that the miss<strong>in</strong>g attributes were two stags,<br />

and makes it likely that the hands of the goddess were tethered by means of fillets (Hesych.<br />

s.v. K\r]lSes- ...Kal rrapa 'E^ecrtots ttjs 6eou to, a-Te/j.fj,aTa. The notion that these lateral<br />

appendages were solid supports called vet-na rests on M<strong>in</strong>. Fel. Oct. 22. 5 ei Ephesia<br />

niavuiiis tnitltis el veribtis (so cod. Par. vernbtis ed. pr<strong>in</strong>c. Romana ann. 1543) exstructa,<br />

where however F. Urs<strong>in</strong>us, followed by many critics <strong>in</strong>clud<strong>in</strong>g C. Hahn, cj. iiberihus.<br />

J. J. Scaliger's cj. tuberibus has met with less acceptance)—hardly bonds to prevent her<br />

from quitt<strong>in</strong>g her temple (M. Collignon ap. F. Cu<strong>in</strong>ont <strong>in</strong> the Coniptes 7-endus de V Acad,<br />

des <strong>in</strong>scr. et belles-lettres 1915 p. 273 n. 4), but rather ties to br<strong>in</strong>g the very ground <strong>in</strong>to<br />

magic connexion with her hands (cp. Ail. var. hist. 3. 26 ^d>/xt77as, Plout. v. Sol. 12<br />

Kp6K7]f k\ij1(7T7}v, Loukiau. Here. 3 ceipal XeirTai xP'^'^o'^ ^''*' ri^iKrpov eipyaafj-epai, etc.).<br />

The fillets are most clearly shown on silver co<strong>in</strong>s struck at Ephesos by Claudius and<br />

Agripp<strong>in</strong>a (Morell. Thes. Num. Imp. Rom. ii. 17 pi. 4, 23 f., Stevenson— Smith— Madden<br />

Diet. Rovi. Co<strong>in</strong>s p. 324 f. fig., P. Gardner Types of Gk. Co<strong>in</strong>s p. 78 pi. 15, 4 = my fig. 309,<br />

Fig. 309.<br />

Fig. 310.<br />

D. G. Hogarth Excavatio7is at Ephesus London 1908 p. 332 pi. 52, 4, Cohen Monn.<br />

emp. rom." i. 273 no. i fig.) or on coppers of Kadoi <strong>in</strong> Phrygia issued under the name of<br />

Domitia (L. Holstenius op. cit. p. 10 fig., Biit. Miis. Cat. Co<strong>in</strong>s Phrygia p. 120 pi. 15, 2<br />

= my fig. 310). And the general effect of the effigy is to be seen from a bronze co<strong>in</strong> of<br />

Apameia struck by Gordian, on which Artemis Ephesia, with a small tetrastyle temple<br />

on her head, fillets stretched from her hands to the ground, and a stag on either side<br />

of her, appears <strong>in</strong> the midst of four river-gods Maiandros (MAI), Marsyas ("-IAM),<br />

Therma(s? -ios?) (S30), and Orgas (SO) (Sir W. M. Ramsay The Cities and Bishoprics<br />

of Phrygia Oxford 1897 ii. 398 f., 402 n. 2, 432 pi. I, i=my fig. 311, Head Hist, num.-<br />

p. 667 fig. 314, Brit. Mus. Cat. Co<strong>in</strong>s Phrygia p. xxxixf.), or from a smaller bronze co<strong>in</strong><br />

of Neapolis <strong>in</strong> Samaria, struck by Faust<strong>in</strong>a lunior, on which the goddess has a head-dress

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