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Journal of Italian Translation

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Roberto De Lucca/ Carlo Emilio Gadda<br />

111<br />

ing a fresh wad with two fingers, holding it up against the light, like: “Shiny<br />

new, look!… Just yesterday they got here from the Banca d’Italia: just <strong>of</strong>f the<br />

press. Nice little smell, just take a whiff. Fresh from the Mint. What, you’re<br />

nervous about germs? You’re right!… Pretty lady like you.”<br />

“No, Sor Cavalli, it’s just that I’m giving a present”, Liliana had answered.<br />

“Newlyweds?” “Yes, newlyweds.” “Ten grand’s always nice to get:<br />

especially for a pair <strong>of</strong> newlyweds.” “A cousin: who’s like a brother. Just<br />

think! I practically played the part <strong>of</strong> mother when he was a baby.” She’d<br />

said it just like that: he remembered perfectly: he could swear on the Bible.<br />

“My best wishes to the happy couple: and to you too, Signora.” They’d<br />

shaken hands.<br />

Sunday the 20th, in the morning, more background given by Balducci<br />

to the two <strong>of</strong>ficers, then to dottor Fumi alone, when don Ciccio, toward half<br />

past noon, was prompted to “handle another file”. He preferred to “step out<br />

for a moment”. There was indeed no shortage <strong>of</strong> “other files” on his table.<br />

The table, in fact, overflowed onto the shelves, and from there to the cabinets:<br />

with people climbing up and stomping down as well as loitering outside:<br />

this one smoking, that one flicking away a butt, another hawking phlegm on<br />

the walls. All smoky and stifling, the charming Cacco atmosphere, in a syncretic<br />

little fragrance sort <strong>of</strong> like a barracks or the upper gallery <strong>of</strong> the Teatro<br />

Jovinelli: ‘tween armpits and feet, and still other perfumes more or less like<br />

March cheese, that to get a whiff <strong>of</strong> was sure bliss. “Files” there were enough<br />

to wallow in, to scull around inside: and folks, then, in the hall! Christ! Beat<br />

the tower <strong>of</strong> Babel on a shopping day. Balducci got some hints (and better<br />

than hints) <strong>of</strong> an “intimate nature” <strong>of</strong>f his chest: partly impromptu, spilling<br />

out as the sales-and-huntsman surrendered to that sort <strong>of</strong> logorrhea certain<br />

pained or perhaps repentant souls succumb to, as soon as the healing phase<br />

sets in, as a bruise succeeds a blow: the phase <strong>of</strong> post-trauma scar formation<br />

when they feel both heaven and mankind have extended pardon; partly,<br />

instead, drawn from him with the mildest mouth-twine by affable dialektike,<br />

ardent discourse, mobile fervor <strong>of</strong> eyes, maieutic ingenuity and the charitable<br />

anaesthesia <strong>of</strong> Parthenopean speech and gesture: with the action at<br />

once gentle and persuasive, gotcha! <strong>of</strong> a kindly toothpuller. And here’s the<br />

molar. Liliana, by now, had got it into her head that from her husband… that<br />

she wasn’t getting any kids out <strong>of</strong> him. She considered him a good husband,<br />

<strong>of</strong> course, “any way you look at it”, but there wasn’t, you know, the slightest<br />

hint <strong>of</strong> a little bundle on the way. In ten years <strong>of</strong> marriage, almost, not even a<br />

token: and she’d wed at twenty-one. The doctors had laid it on the line: either<br />

her or him. Or both. Her? To prove it wasn’t her fault, she would have had to<br />

try with another guy. Even Doctor D’Andrea had told her that. So that out <strong>of</strong><br />

those ongoing disappointments, those ten years, or nearly, where the pain,<br />

the humiliation, desperation and tears had put down roots; from those useless<br />

years <strong>of</strong> her beauty those sighs dated, those ahs, those long glances at<br />

every woman, not to mention the ones with a baby in the oven!… What the

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