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Journal of Italian Translation

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Michael Palma/Giovanni Raboni<br />

He’s at his best inside<br />

the bottoms <strong>of</strong> cupboards, in boxes...<br />

He quivers, green eyes marking<br />

the to and fro <strong>of</strong> pigeons.<br />

He licks his whiskers stalking<br />

the fly that’ll fly away.<br />

The Farewells<br />

Every once in a while<br />

I try to recall them all, the vegetable thief,<br />

the madman, and la servante au grand coeur,<br />

the physican, etc. A curious game,<br />

I’m afraid, and one with little enough reward.<br />

How much time has gone by! and I<br />

who scratch my head and go on sitting here<br />

at the stone table <strong>of</strong> the mill<br />

waiting for the sky to clear,<br />

all that I still hear now <strong>of</strong> those dead joys<br />

is the noise <strong>of</strong> a degraded, shrill meow.<br />

*<br />

The aging body wants a different soul<br />

but what can be done for it? It hardly serves<br />

to swallow sedatives, to numb the nerves<br />

and brain, the problem really is the soul,<br />

the soul that wants no peace, the stubborn soul<br />

insatiable in its burning swoops and swerves<br />

through ever more laughably difficult drops and curves<br />

in chasms or labyrinths, and we know the soul<br />

is not just immortal but immortally<br />

immature. I’m afraid it isn’t going to quit<br />

simply because you’re ready to submit,<br />

till the stream <strong>of</strong> breath dries up it’ll never be<br />

any different, for as long as this flame’s still lit<br />

it doesn’t die out like others bit by bit.<br />

*<br />

To go away, to come back home again,<br />

two thoughts that will be sweet till death in three<br />

distinct words, RAILWAYS NORTH MILAN, back then<br />

197

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