creative-economy-report-2013-es
creative-economy-report-2013-es
creative-economy-report-2013-es
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ReferenciasLa lista de referencias que se pr<strong>es</strong>enta a continuación <strong>es</strong> para los lector<strong>es</strong> que <strong>es</strong>tán inter<strong>es</strong>ados en las cu<strong>es</strong>tion<strong>es</strong> qu<strong>es</strong>urgen con relación al fomento de la economía creativa a nivel local, en particular en los país<strong>es</strong> en d<strong>es</strong>arrollo. Cubre unavariedad más amplia de trabajos que los mencionados en el texto, ofreciendo así una bibliografía selectiva. Incluye librosy artículos académicos, así como publicacion<strong>es</strong> de las Nacion<strong>es</strong> Unidas.Una bibliografía general más amplia sobre el campo de la economía creativa <strong>es</strong>tá disponible en el Informe sobre la economíacreativa de 2010 (que puede d<strong>es</strong>cargarse gratuitamente de internet:http://unctad.org/en/Docs/ditctab20103_en.pdf).Ahluwalia, M.S. (2006). “Positioning the Big Idea:Creative and Cultural Industri<strong>es</strong> as a Lead Sector inIndia”. En Positioning the Big Idea-India: Creative andCultural Industri<strong>es</strong> as a Lead Sector. New Delhi: AsianHeritage Foundation.Aksoy, A. & Robins, K. (2011) Heritage, Memory,Debris: Sulukule Don’t Forget. In Heritage, Memory &Identity. The Cultur<strong>es</strong> and Globalization Seri<strong>es</strong> 4,Anheier, H. e Isar, Y.R. (eds). Londr<strong>es</strong>: SAGEPublications.__________ (2012). “R<strong>es</strong>haping, Installing, Pioneering,Spearheading… Realignment of Istanbul”. En Citi<strong>es</strong>,Cultural Policy and Governance. The Cultur<strong>es</strong> and GlobalizationSeri<strong>es</strong> 5, Anheier, H. e Isar, Y.R. (eds). Londr<strong>es</strong>:SAGE Publications.Altman, J. (2005). Brokering Aboriginal Art: a CriticalPerspective on Marketing, Institutions, and the State.Kenneth Myer Lecture in Arts & Entertainment Management.Disponible en:http://caepr.anu.edu.au/sit<strong>es</strong>/default/fil<strong>es</strong>/Altman/Other/2005_Brokering.pdfAmar, P. (2006). Cairo Cosmopolitan: Politics, Culture,and Urban Space in the Globalized Middle East. Cairo:American University in Cairo Pr<strong>es</strong>s.Amin, A., y Thrift, N. (2007). “Cultural-<strong>economy</strong> andciti<strong>es</strong>”. En Progr<strong>es</strong>s in Human Geography, 31, 143–161.Andersen, L. (2010). “Magic light, silver city: The busin<strong>es</strong>sof culture in Broken Hill”. En AustralianGeographer, 41:71-85.Anheier, H. e Isar, Y.R. (eds) (2008). The CulturalEconomy. The Cultur<strong>es</strong> and Globalization, Seri<strong>es</strong> 2.Londr<strong>es</strong>: SAGE Publications.__________ (2010). Cultural Expr<strong>es</strong>sion, Creativity andInnovation. The Cultur<strong>es</strong> and Globalization Seri<strong>es</strong> 3.Londr<strong>es</strong>: SAGE Publications.Appadurai, A. (2002). “Diversity and SustainableDevelopment”. En Cultural Diversity and Biodiversity forSustainable Development. Nairobi: UNESCO andUNEP.Ameru (Wits University) y CAJ (2008) Mapping the CreativeIndustri<strong>es</strong> in Gauteng, Department of Sports, Arts,Culture and Recreation, Gauteng Province encolaboración con British Council.Arab Thought Foundation (2012). The Fourth AnnualReport on Cultural Development.Ayoub, L. y Zouain, G. S. (2009). “Art and heritage:instruments of urban regeneration”. En Culture As aTool For Development: Challeng<strong>es</strong> of Analysis andAction. Bruselas: ARCADE Disponible en:http://www.culturelink.org/news/publics/2010/publication2010-008.htmlI N F O R M E S O B R E L A E C O N O M Í A C R E AT I V A 2 0 1 3173
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