10.07.2015 Views

creative-economy-report-2013-es

creative-economy-report-2013-es

creative-economy-report-2013-es

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

_________ (2000). “The cultural <strong>economy</strong> of Paris”. EnInternational Journal of Urban and Regional R<strong>es</strong>earch,24(3): 567-582._________ (2006). “Creative citi<strong>es</strong>: conceptual issu<strong>es</strong> andpolicy qu<strong>es</strong>tions”. En Journal of Urban Affairs, 28(1):1-17._________ (2008). “Cultural Economy: Retrospect andProspect”. En The Cultural Economy. The Culture andGlobalization Seri<strong>es</strong> 2, Anheier, H. e Isar, Y.R. (eds).Londr<strong>es</strong>: SAGE Publications.___________ (2008). Social Economy of the Metropolis:Cognitive-Cultural Capitalism and the Global R<strong>es</strong>urgenceof Citi<strong>es</strong>. Oxford: Oxford University Pr<strong>es</strong>s.__________ (<strong>2013</strong>). A World in Emergence: Citi<strong>es</strong> andRegions in the 21st Century. Londr<strong>es</strong>: Edward Elgar.Shaheed, F. (<strong>2013</strong>). The right to freedom of artisticexpr<strong>es</strong>sion and creativity. Report of the Special Rapporteurin the field of cultural rights. Nueva York, AsambleaGeneral de las Nacion<strong>es</strong> Unidas, Consejo de DerechosHumanos.Simone, Abdou Maliq (2008). “Some Reflections onMaking Popular Culture”. En Urban Africa African Studi<strong>es</strong>Review, 51(3).Skyllstad, K. (2000). “Creating a culture of peace: theperforming arts in interethnic negotiations”. En Journal ofIntercultural Communication, 4. Disponible en:http://www.immi.se/intercultural/nr4/skyllstad.htmSpaas, G. (2012). Maaya Entrepreneurship: theentrepreneurial model for the F<strong>es</strong>tival sur le Niger,Bamako: La Sahélienne Edition.Straubhaar, J., Fuent<strong>es</strong>, M., Giraud, C., y Campell, C.(2002). Refocusing from global to regional homogenizationof television: production and programming in the Latino USmarket. México y Venezuela. Asociación Latinoamericanade Inv<strong>es</strong>tigador<strong>es</strong> de la Comunicación.Srinivas, S.V., Radhika, P. y Rajadhyaksha, A. (2009).“Creative Industri<strong>es</strong>. The Way Forward”. Bangalore: Centrefor the Study of Culture and Society. Artículo inédito.Szaniecki, B. y Silva, G. (2010). “Rio et la politique d<strong>es</strong>‘Pontos de Cultura’”. En Multitud<strong>es</strong>, 43 (4): 70-77.Taylor, T.D. (1997). Global Pop, World Music, WorldMarkets. Nueva York y Londr<strong>es</strong>: Routledge.The Economist (<strong>2013</strong>). “Downtowns: Where citi<strong>es</strong> start todecline, economic diversity is the thing that can savethem”. 17 de agosto de <strong>2013</strong>.Throsby, D. (2001). Economics and Culture. Cambridge:Cambridge University Pr<strong>es</strong>s.__________ (2008). “Modeling the cultural industri<strong>es</strong>”. EnInternational Journal of Cultural Policy, 14(3): 217-232.Tiendrebeogo, T. (2010). La perception et l<strong>es</strong> mod<strong>es</strong> deg<strong>es</strong>tion d<strong>es</strong> risqu<strong>es</strong> liés au financement d<strong>es</strong> secteursculturels. Reporte preparado para el UNESCO Symposiumon Funding Culture, Managing the Risk. París: UNESCO.__________ (2010). The Economics of Cultural Policy.Cambridge: Cambridge University Pr<strong>es</strong>s.De Turégano, T.H. (2008). “Film culture and industry inBurkina Faso”. En Creative Industri<strong>es</strong> and DevelopingCountri<strong>es</strong>: Voice, Choice and Economic Growth,Barrowclough, D., y Kozul-Wright, Z. (eds). Londr<strong>es</strong> yNueva York: Routledge.Tordjman, S. (2009). “Cultural Cooperation, Reinforcementof Civil Society and Social Coh<strong>es</strong>ion under Authoritarianregim<strong>es</strong>: An Asian perspective (Uzbekistan, Burma/Myanmar)”. En Culture As a Tool For Development:Challeng<strong>es</strong> of Analysis and Action. Brussels: ARCADE.Disponible en: http://www.academia.edu/1854532/Report_ARCADE_Seminar_Culture_and_Urban_Development_in_the_North_South_Perspective_Tryrwhitt, J., ed. (1947). Patrick Gedd<strong>es</strong> in India.Bangalore: Select Books.Underhill-Sem, Y., y Lewis, N. (2008). “Asset mapping andWhanau action r<strong>es</strong>earch: ‘New’ subjects negotiating thepolitics of knowledge in Te Rarawa”. En Asia PacificViewpoint, 49(3): 305-317.UNESCO (2000). The Dakar Framework for Action.Education for All: Meeting our Collective Commitments.París: UNESCO._________ (2006). Road Map for Arts Education. TheWorld Conference on Arts Education: Building CreativeCapaciti<strong>es</strong> for the 21st Century. París: UNESCO.182Referencias

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!