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the-book-of-enoch-r-h-charles - Fallen Angels

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Ivi The Booh <strong>of</strong> Enoch<br />

Messiah, in <strong>the</strong> former <strong>the</strong> conception o£ <strong>the</strong> Messiah plays<br />

a more important role than had ever yet been assigned to<br />

him. In <strong>the</strong> former, again, <strong>the</strong>re was only a resurrection <strong>of</strong><br />

<strong>the</strong> righteous ; in <strong>the</strong> latter a resurrection <strong>of</strong> all Israelites. In<br />

<strong>the</strong> former <strong>the</strong> Messianic kingdom was only temporary ;<br />

in <strong>the</strong><br />

latter it was <strong>of</strong> everlasting continuance. In <strong>the</strong> former <strong>the</strong> final<br />

judgement was held at <strong>the</strong> close <strong>of</strong> <strong>the</strong> Messianic kingdom ; in<br />

<strong>the</strong> latter at its beginning. In <strong>the</strong> former <strong>the</strong>re was a resurrection<br />

<strong>of</strong> <strong>the</strong> spirit only, in <strong>the</strong> latter <strong>of</strong> <strong>the</strong> body also.<br />

§ 14. The Poetical Element in 1 Enoch.<br />

In <strong>the</strong> course <strong>of</strong> editing <strong>the</strong> Ethiopie text <strong>of</strong> 1 Enoch I was<br />

fortunate enough to discover that no small proportion <strong>of</strong> it<br />

was written originally in verse. But <strong>the</strong> full extent <strong>of</strong> <strong>the</strong><br />

poetical element was not recognized till <strong>the</strong> completion <strong>of</strong><br />

<strong>the</strong> present edition. This discovery not only adds to <strong>the</strong> interest<br />

<strong>of</strong> <strong>the</strong> <strong>book</strong>, but also illuminates many a dark passage, suggests<br />

<strong>the</strong> right connexions <strong>of</strong> wrongly disjoined clauses, and forms an<br />

admirable instrument <strong>of</strong> criticism generally. Our recognition <strong>of</strong><br />

this fact enables us to recognize <strong>the</strong> genuineness <strong>of</strong> verses which<br />

had hi<strong>the</strong>rto been regarded as interpolations, and to excise o<strong>the</strong>rs<br />

which were <strong>of</strong>ten in <strong>the</strong>mselves unmeaning or at variance with<br />

<strong>the</strong>ir contexts. The very first chapter is <strong>the</strong> best witness in <strong>the</strong>se<br />

respects. There we find that l^b-a consists <strong>of</strong> nine stanzas <strong>of</strong><br />

three lines each. E had lost two <strong>of</strong> <strong>the</strong> lines <strong>of</strong> stanza seven,<br />

but happily <strong>the</strong>se had been preserved by G^. Again, in 5^~^ we<br />

have eight stanzas <strong>of</strong> four lines each. The order <strong>of</strong> <strong>the</strong> lines has<br />

been disarranged as will be seen in 5""'', but here <strong>the</strong> parallelism<br />

enables us to effect <strong>the</strong>ir restoration. Ch. 51 would without<br />

a recognition <strong>of</strong> <strong>the</strong> poetical character be in many respects in-<br />

explicable. In o<strong>the</strong>r passages it enables us to recognize certain<br />

lines as dittographs : cf. 59"'' 7P^ 80'"^ S2^'^ 94''«.

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