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ABRIR PUNTO 22 - Biblioteca de la Universidad Complutense ...

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1576<br />

Tbere’s Charle>’, A<strong>la</strong>nzo and Harry,<br />

There’s Ned, Will and Fluí, Jaclc and Joe,<br />

me>’ don’t talk of <strong>la</strong>ve vorth a button,<br />

fi fact, they’re exceedingí>’ slov.<br />

1 want to be loved <strong>de</strong>ad in earnest,<br />

1 vant a young man vho can tal]c,<br />

Can tx’eat to ice—cream anA fried oysters,<br />

AM take me a Mce moonlight valk.<br />

Hay saya tliat ni>’ bead isn’t level,<br />

Tbat something is vrong vití ny brain,<br />

Ib she liad her life to uve ayer<br />

Sitie never would man’>’ again.<br />

Perbaps she’s forgot ale vas yaung once,<br />

For one da>’ ni>’ Papa sitie toid<br />

That sitie could <strong>la</strong>ve liad forty husbands<br />

Befare ahe vas sixteen years oíd!<br />

OFS, núm. 373, tomo III, págs. 82 y 83, <strong>de</strong> The Won<strong>de</strong>rful Biglit<br />

Book ob Poetry and Song, Morel>’ Bros., St. Louis, Mo., 1887, pág.<br />

12. El tema <strong>de</strong> <strong>la</strong> muchacha <strong>de</strong>terminada a casarse se dA también<br />

en <strong>la</strong> lírica anglo—americana aunque en ocasiones <strong>la</strong>s canciones<br />

se inician con versos puestos en boca <strong>de</strong> un narrador, ~pastourelle<br />

opening”, como ‘me Fit’s Come on Me hoy’

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