issues of linguistics - Tbilisi State University

amrigad, pirdapiri Sinagani metyveleba mxatvrul nawarmoebSi personaJis
Sinagani sametyvelo-azrobrivi moqmedebis gamosaxvis ZiriTadi sa-
Sualebaa. igi SeiZleba warmodgenili iyos replicirebuli da gaSlili
saxiT. replicirebuli pirdapiri Sinagani metyvelebis formebis ganxilvam
T. dostoevskis romanebis mixedviT gviCvena, rom am sintaqsuri movlenisaTvis
damaxasiaTebelia struqturisa da Sinaarsis mravalsaxeobaTa
simdidre.
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Marina Aleksidze
Direct Speech as a Type of Expression of Inner Speech
Summary
Artistically expressed inner speech of characters in fiction literature is represented as a
speech of an external person expressed by means of certain devices and forms. The main
form of expression of inner speech and thought activity of characters in a literary text is
direct speech. The direct speech retains the autonomous nature of a character, therefore, it is
the most objective form of external speech. The inner speech expressed by means of direct
speech has a large perspective of direct expression of immediate formation and
development of thought, the perspective of utmost convergence between the inner speech
and its psychological analogue. As a means of speech characteristics, it contains a much
broader perspective of expressing all the individual features of the speech of a character.
Direct speech as a form of expression of the inner speech of characters plays an important
role in the works of Dostoevsky and is characterized by significant structural and semantic
diversity. The paper focuses on the types of direct inner speech, namely the real and
imaginary inner speech, graphically formulated and unformulated inner speech, replicated
direct inner speech in Dostoevsky’s novels “Crime and Punishment” and “The Idiot”.
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