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Chants of the Vatican Graduale - MusicaSacra

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98 Septuagesima Sunday<br />

and Eve when <strong>the</strong>y had to view that first corpse, <strong>the</strong>ir own beloved<br />

child.<br />

Perhaps <strong>the</strong>re still is in <strong>the</strong>se Sundays (Septuagesima, Sexagesima,<br />

and Quinquagesima) a reminder <strong>of</strong> <strong>the</strong> final period <strong>of</strong> <strong>the</strong> Migration<br />

<strong>of</strong> Nations (<strong>the</strong> end <strong>of</strong> <strong>the</strong> sixth century), when strange hordes brought<br />

ruin and tears upon Rome and <strong>the</strong> surrounding territory. It seems that<br />

it was precisely at this time that <strong>the</strong> pre-Lenten season was incorporated<br />

into <strong>the</strong> liturgical year at Rome (cf. Grisar, Missale, 56).<br />

The range <strong>of</strong> <strong>the</strong> three phrases is limited. The d reaching above <strong>the</strong><br />

dominant is merely an embellishing note, and is not emphasized. The<br />

melody never descends below <strong>the</strong> tonic. Of <strong>the</strong> twice-sung drcumdederunt<br />

me, one is at <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> first phrase, and <strong>the</strong> o<strong>the</strong>r at<br />

its end. The second one, with its wide sweep <strong>of</strong> notes, is not so much<br />

tone-painting <strong>of</strong> circum as an indication <strong>of</strong> <strong>the</strong> great torment which<br />

burdens <strong>the</strong> soul. The last three notes <strong>of</strong> this phrase are like <strong>the</strong> ending<br />

found in many Graduals. Here, however, <strong>the</strong>y have not that charming<br />

effect so prominent in <strong>the</strong> Graduals, because <strong>the</strong>y are introduced differently.<br />

The second phrase begins almost exactly like <strong>the</strong> first one. In its<br />

second part it becomes quite restless: thrice it leaps up, and thrice it<br />

sinks back again, with intervals <strong>of</strong> a second, a fifth, and a fourth. But<br />

this ending does not satisfy; it urges onward. And <strong>the</strong> expected continuity<br />

comes in such a manner that one is reminded <strong>of</strong> <strong>the</strong> Psalmist's<br />

words that before we call upon God He is already present to us. The<br />

third phrase swings up immediately to <strong>the</strong> dominant in a bright and<br />

cheerful manner. Exaudivit is admittedly much like dolores, and sancto<br />

suo resembles -dederunt <strong>of</strong> <strong>the</strong> first phrase. Never<strong>the</strong>less, <strong>the</strong> text demands<br />

a different rendition in each case. As in <strong>the</strong> first phrase, two drops <strong>of</strong> a<br />

fourth occur here also, and <strong>the</strong>n <strong>the</strong> whole flows calmly on to <strong>the</strong> conclusion.<br />

Revue, 8, 89 ff.<br />

GRADUAL (Ps. 9: 10, 11; 19, 20)<br />

1. Adjutor in opportunitatibus 1. The helper in due time, in triin<br />

tribulatione: 2. sperent in te, qui bulation: 2. let <strong>the</strong>m trust in <strong>the</strong>e,<br />

noverunt te; 3. quoniam non de- who know <strong>the</strong>e: 3. for thou dost not<br />

relinquis quaerentes te, Domine. 111. forsake <strong>the</strong>m that seek <strong>the</strong>e, O Lord.<br />

1. Quoniam non in finem oblivio J". 1. For <strong>the</strong> poor man shall not be<br />

erit pauperis: 2. patientia pau- forgotten to <strong>the</strong> end: 2. <strong>the</strong> patience<br />

perum non peribit in aeternum: 3. <strong>of</strong> <strong>the</strong> poor shall not perish for ever<br />

exsurge, Domine, non praevaleat 3. arise, O Lord, let not man be<br />

homo. streng<strong>the</strong>ned.

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