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Chants of the Vatican Graduale - MusicaSacra

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80 The Epiphany <strong>of</strong> Our Lord Jesus Christ<br />

corresponding passages, and <strong>the</strong> middle phrase modulates in <strong>the</strong> lower<br />

fourth.<br />

We ought not to be astonished at <strong>the</strong> occurrence <strong>of</strong> <strong>the</strong> pressus on<br />

<strong>the</strong> unaccented syllables in <strong>the</strong> corresponding passages over (Do)-mi-<br />

(nus) and (impe)-ri-(um). Thus <strong>the</strong> dactylic words are rendered with<br />

greater ease and majesty, without jerks or friction; never<strong>the</strong>less <strong>the</strong>y<br />

give prominence to <strong>the</strong> preceding accented syllable by means <strong>of</strong> <strong>the</strong> predominating<br />

pes subbipunctis.<br />

Wagner (III, 286) calls attention to <strong>the</strong> fact that this? entire melody<br />

is composed <strong>of</strong> undulations, each <strong>of</strong> which attains its melodic summit<br />

on <strong>the</strong> accented syllable <strong>of</strong> <strong>the</strong> principal word: Ecce advenit—domindtor<br />

Dominus—et regnum in manu ejus—et potestas—et imperium.<br />

How <strong>the</strong> centuries watched for <strong>the</strong> arrival <strong>of</strong> this King and how<br />

ardent were <strong>the</strong>ir longings! How <strong>of</strong>ten have not <strong>the</strong> prayers and chants<br />

<strong>of</strong> Advent cried: Veni Dominel What a height did not <strong>the</strong>se yearnings<br />

attain in <strong>the</strong> great O-antiphons immediately preceding <strong>the</strong> feast <strong>of</strong><br />

Christmas! Even on <strong>the</strong> Saturday <strong>of</strong> Ember Week in Advent this cry<br />

was wrung from <strong>the</strong> heart <strong>of</strong> <strong>the</strong> Church: "Come, O Lord, and show<br />

Thy face to us, Thou that sittest upon <strong>the</strong> Cherubim: and we shall be<br />

saved"; this Veni acts as a prelude to our Ecce. Now <strong>the</strong> sighs have been<br />

heard and <strong>the</strong> longing has been stilled. Now we hear re-echo throughout<br />

<strong>the</strong> land: "Behold <strong>the</strong> Lord <strong>the</strong> Ruler is come." But He does not<br />

come empty-handed. He bears kingdoms in His hands: <strong>the</strong> kingdom <strong>of</strong><br />

truth and <strong>of</strong> grace and <strong>the</strong> guarantee for <strong>the</strong> kingdom <strong>of</strong> glory. He gives<br />

us a share in His power (potestas). He gives us <strong>the</strong> power (potestdtem) to<br />

become children <strong>of</strong> God and <strong>the</strong>refore co-heirs <strong>of</strong> His kingdom.<br />

If today kings, princes in <strong>the</strong> realm <strong>of</strong> knowledge and research, find<br />

no rest until <strong>the</strong>y come to Him, until <strong>the</strong>y prostrate <strong>the</strong>mselves before<br />

Him, humble <strong>the</strong>ir intelligence and will under His scepter, and with an<br />

earnest faith adore Him, <strong>the</strong> Child, <strong>the</strong>n we see how this Babe reveals<br />

Himself as a royal Ruler, how He captures <strong>the</strong> hearts <strong>of</strong> men and fills<br />

<strong>the</strong>m with happiness.<br />

The psalm-verse emphasizes <strong>the</strong> judicial power <strong>of</strong> this King in <strong>the</strong><br />

form <strong>of</strong> a wish. Still more does Psalm 71—<strong>the</strong> royal psalm—show how<br />

Christ is <strong>the</strong> advocate <strong>of</strong> <strong>the</strong> poor, how He bestows peace and bread<br />

and rich blessings on <strong>the</strong>m, how He reigns over all nations and all times,<br />

how all <strong>the</strong> peoples approach to pay Him homage.<br />

As early as <strong>the</strong> eleventh century <strong>the</strong> melody <strong>of</strong> this Introit has been<br />

adapted to <strong>the</strong> popular Introit Salve sancta Parens 1 sung on <strong>the</strong> feasts<br />

1 Kirchenmusik, 11, 33 ff.; Revue, 17, 75, 35, 13 ff.; N. Sch., 231; Benediktinische Monatschrift,<br />

3, 20 ff.

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