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Chants of the Vatican Graduale - MusicaSacra

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236 Corpus Christi<br />

<strong>the</strong> two a parts. A brief survey will show <strong>the</strong> relation between <strong>the</strong> original<br />

composition and <strong>the</strong> adaptations mentioned and numbered above.<br />

Intonation<br />

Laetdbitur<br />

1. Cam mea<br />

2. Candor est<br />

3. Levita<br />

4. Concussum<br />

5. Solemnitas<br />

Florid Melisma<br />

Et sperd-<br />

1. vere est potus, qui mandHcat<br />

2. et speculum sine md-<br />

3. operd-<br />

4. terra<br />

5. Afarfae ex semine<br />

Intonation<br />

et lauda-<br />

1. et bibit<br />

2. et<br />

3. qui per signum<br />

4. [irregular]<br />

5. ortae<br />

recti corde<br />

1. in me manet et ego in eo.<br />

2. illius.<br />

3. illumindvit.<br />

4. -6aZ de caefo.<br />

\ 5. cZara e# s^irpe David.<br />

FIRST PART<br />

vere est cibus<br />

lucis<br />

Laurentius<br />

est mare<br />

gloriosae<br />

SECOND PART<br />

Middle Cadence<br />

-buntur<br />

meum<br />

imago<br />

crucis<br />

ubi Archdngelus<br />

de tribu<br />

THIRD PART<br />

Middle Cadence<br />

in Domino<br />

et sanguis meus<br />

aeternae<br />

bonum opus<br />

et contremuit<br />

Virginis<br />

Closing Cadence<br />

-bit in eo<br />

meam carnem<br />

-cu-la<br />

-tus est<br />

[without closing<br />

cadence]<br />

Abrahae.<br />

Closing Cadence<br />

omnes<br />

sdnguinem<br />

bonitdtis<br />

caecos<br />

Michael descende-<br />

Juda<br />

The structure is clearest in <strong>the</strong> verse Laetdbitur. Of <strong>the</strong> o<strong>the</strong>rs, verse<br />

2, that is, that <strong>of</strong> <strong>the</strong> feast <strong>of</strong> <strong>the</strong> Transfiguration, bears <strong>the</strong> closest resemblance.<br />

The third also is good. In 1, a new thought begins with <strong>the</strong>

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