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Chants of the Vatican Graduale - MusicaSacra

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Visitation <strong>of</strong> <strong>the</strong> Blessed Virgin Mary 409<br />

pudoris, inventa es Mater Salva- any violation <strong>of</strong> purity, wert found<br />

toris. %. 1. Virgo Dei Genitrix, <strong>the</strong> mo<strong>the</strong>r <strong>of</strong> our Saviour. Hi. 1.0<br />

quern totus non capit orbis, 2. in Virgin Mo<strong>the</strong>r <strong>of</strong> God, he whom <strong>the</strong><br />

tua se clausit viscera factus homo. whole world is unable to contain ><br />

2. being made man, enclosed himself<br />

in thy womb.<br />

The melody (cf. March 19) is very expressive and well adapted to<br />

this text. The corpus is dominated by <strong>the</strong> stirring melody over Maria,<br />

while <strong>the</strong> verse has its fervent Virgo—a wondrous hymn <strong>of</strong> praise to <strong>the</strong><br />

Virgin Mo<strong>the</strong>r <strong>of</strong> God. We begin <strong>the</strong> first phrase in a suppressed tone<br />

but lively tempo, and <strong>the</strong>n continue Virgo Maria with bright and sunny<br />

warmth. If possible, sine tactu pudoris should be sung without pause for<br />

breath; <strong>the</strong> delicacy <strong>of</strong> its text calls for fine tonal shading. The same<br />

melody—more rounded out, however—recurs over Mater Salvatoris.<br />

After <strong>the</strong> tender and extended melody over virgo, care must be taken<br />

that <strong>the</strong> important words Dei Genitrix be not stunted. The development<br />

<strong>of</strong> <strong>the</strong> melody over quern totus non capit orbis differs somewhat from <strong>the</strong><br />

original. Keeping <strong>the</strong> above remarks in mind, we might now compare<br />

-rdbilis es and Salvato-, sine tactu and -venta es, pudoris and mater, Genitrix,<br />

quern totus and tua se clausit viscera. The melody over orbis suggests<br />

word-painting; that over homo, <strong>the</strong> abasement <strong>of</strong> <strong>the</strong> Son <strong>of</strong> God in<br />

His Incarnation.<br />

The melody is not influenced by <strong>the</strong> fact that <strong>the</strong> verse is a distich.<br />

ALLELUIA VERSE<br />

1. Felix es, sacra Virgo Maria, 1. Thou art happy, O holy Virgin<br />

2. et omni laude dignissima; 3. quia Mary, 2. and most worthy <strong>of</strong> all<br />

ex te ortus est sol justitiae, Christus praise: 3. because from <strong>the</strong>e arose<br />

Deus noster. <strong>the</strong> sun <strong>of</strong> justice, Christ our God.<br />

"And blessed art thou that has believed." These are <strong>the</strong> words<br />

with which Elizabeth addresses <strong>the</strong> Mo<strong>the</strong>r <strong>of</strong> God. Alleluia preludes<br />

this thought with melodies <strong>of</strong> holy jubilation and triumph in God <strong>the</strong><br />

Saviour, who has poured out streams <strong>of</strong> light and grace upon <strong>the</strong> soul<br />

<strong>of</strong> Mary. From her arose "<strong>the</strong> Sun <strong>of</strong> justice." The celebration and<br />

import <strong>of</strong> today's feast conjures up in our minds a picture <strong>of</strong> <strong>the</strong> glorious<br />

morning sun rising to <strong>the</strong> accompaniment <strong>of</strong> myriad choirs <strong>of</strong> birds<br />

and transmuting by <strong>the</strong> touch <strong>of</strong> its magic ray <strong>the</strong> prosaic, ragged mountaintops<br />

into peaks <strong>of</strong> gold.<br />

When Elizabeth had heard <strong>the</strong> salutation <strong>of</strong> Mary, <strong>the</strong> infant rejoiced<br />

in her womb, and, filled with <strong>the</strong> Holy Ghost, she extolled <strong>the</strong>

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