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Chants of the Vatican Graduale - MusicaSacra

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436 The Nativity <strong>of</strong> <strong>the</strong> Blessed Virgin Mary<br />

OFFERTORY<br />

1. Protege, Domine, plebem tuam, 1. Protect thy people, O Lord, by<br />

per signum sanctae Cruds, ab om- <strong>the</strong> sign <strong>of</strong> <strong>the</strong> holy Cross, from <strong>the</strong><br />

nibus insidiis inimicorum omnium: wiles <strong>of</strong> all <strong>the</strong>ir enemies: 2. that<br />

2. ut tibi gratam exhibeamus servi- we may render a service pleasing<br />

tutem, 3. et acceptabile fiat sacri- unto <strong>the</strong>e, 3. and that our sacrifice<br />

ficium nostrum, alleluia. may be acceptable in thy sight,<br />

alleluia.<br />

The sentiment <strong>of</strong> <strong>the</strong> Offertory is similar to that <strong>of</strong> <strong>the</strong> Communion,<br />

but places greater stress upon <strong>the</strong> protection from <strong>the</strong> enemies <strong>of</strong><br />

<strong>the</strong> soul. These enemies must not hinder us from <strong>the</strong> service <strong>of</strong> God,<br />

must not disturb our interior peace, must not rob us <strong>of</strong> <strong>the</strong> joy in God's<br />

service, must not delude us with <strong>the</strong> enticements and seeming joys <strong>of</strong><br />

<strong>the</strong> world, must not induce us to desert our recognized duty and become<br />

unfaithful. Against all <strong>the</strong>se dangers may <strong>the</strong> holy cross protect<br />

us and streng<strong>the</strong>n us in perseverance and fidelity in <strong>the</strong> service <strong>of</strong> God.<br />

If in this manner our service becomes pleasing to <strong>the</strong> Lord, <strong>the</strong>n our<br />

worship and <strong>the</strong> union <strong>of</strong> our sacrifice with <strong>the</strong> Eucharistic Sacrifice will<br />

also become pleasing to Him.<br />

Something akin to melancholy pervades <strong>the</strong> melody. It has a very<br />

modest development. Despite its length, its greatest interval is a third.<br />

The first and second phrases begin with <strong>the</strong> same descending motive.<br />

Abstracting from this, <strong>the</strong> first half <strong>of</strong> <strong>the</strong> first phrase confines itself to<br />

<strong>the</strong> range <strong>of</strong> a fourth, <strong>the</strong> second half to a fifth, as does also <strong>the</strong> third<br />

phrase. The second phrase alone has a range <strong>of</strong> a sixth. Over exhibeamus<br />

servitutem <strong>the</strong> melody <strong>of</strong> per signum sanctae Crucis is extended and developed,<br />

while that <strong>of</strong> sacrificium is simplified. Only <strong>the</strong> first syllable <strong>of</strong><br />

this word receives any special accent. Omnibus insidiis resembles acceptabile<br />

fiat. An enlivening effect is produced by <strong>the</strong> pressus, particularly<br />

over signum Crucis and <strong>the</strong> corresponding passages.<br />

The whole should be rendered as a fervent prayer, without strong<br />

accents. It should brea<strong>the</strong> <strong>the</strong> conviction <strong>of</strong> a soul conscious <strong>of</strong> its own<br />

weakness in <strong>the</strong> face <strong>of</strong> <strong>the</strong> evil one, but firmly reliant on <strong>the</strong> power <strong>of</strong><br />

Christ's cross. In sentiment it is closely allied to <strong>the</strong> Offertory Domine<br />

Jesu Christe <strong>of</strong> <strong>the</strong> Mass for <strong>the</strong> Dead, which likewise belongs to <strong>the</strong><br />

second mode.<br />

Revue, 16, 114.

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