25.04.2013 Views

Chants of the Vatican Graduale - MusicaSacra

Chants of the Vatican Graduale - MusicaSacra

Chants of the Vatican Graduale - MusicaSacra

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Twenty-Third Sunday after Pentecost 347<br />

2. invocabitis me, et ego exaudiam You shall call upon me, and I will<br />

vos: 3. et reducam captivitatem hear you: 3. and I will bring back<br />

vestram de cunctis locis. Ps. Bene- your captivity from all places. Ps.<br />

dixisti Domine terram tuam: * Lord, thou hast blessed thy land: *<br />

avertisti captivitatem Jacob. thou hast turned away <strong>the</strong> captivity<br />

<strong>of</strong> Jacob.<br />

The words <strong>of</strong> today's Introit are an excerpt from <strong>the</strong> letter which<br />

<strong>the</strong> Prophet Jeremias wrote at God's behest to <strong>the</strong> captive Jews at<br />

Babylon. They must have been a soothing balm for those tired and<br />

wounded hearts. God had experienced untold infidelities and <strong>of</strong>fenses<br />

at <strong>the</strong> hands <strong>of</strong> His chosen people, and yet He thinks thoughts <strong>of</strong> peace<br />

and not <strong>of</strong> affliction. He still promises to hear <strong>the</strong>ir prayers, still promises<br />

to bring <strong>the</strong>m back from <strong>the</strong>ir captivity into <strong>the</strong> Promised Land.<br />

We are not yet in <strong>the</strong> Promised Land. The deathlike picture <strong>of</strong> all<br />

nature in this bleak November vividly brings <strong>the</strong> fact home to us. We<br />

know it also from <strong>the</strong> affliction <strong>of</strong> heart which frequently weighs more<br />

heavily upon us than captivity: we are exiles, living in that state <strong>of</strong> flux<br />

called time. Suddenly a word strikes our ear, enters our heart; a word<br />

not spoken by man, for men are powerless: it is <strong>the</strong> Lord, and He speaks<br />

<strong>of</strong> peace. He pronounced this word when He sent His beloved Son upon<br />

earth; He published it by <strong>the</strong> mouth <strong>of</strong> an angel on Christmas night.<br />

And how <strong>of</strong>ten Christ <strong>the</strong> Saviour uttered His Pax vobisl He is still<br />

uttering it today, and suiting <strong>the</strong> action to <strong>the</strong> word.<br />

Majesty marks <strong>the</strong> opening <strong>of</strong> <strong>the</strong> melody; <strong>the</strong> <strong>the</strong>me is blessed<br />

peace. Over cogitatio-(nes) <strong>the</strong> motive <strong>of</strong> <strong>the</strong> beginning is repeated, followed<br />

by <strong>the</strong> bright major chord; <strong>the</strong>n its tones sink again, sweetly,<br />

blissfully, like rays <strong>of</strong> sunshine into our heart. God thinks thoughts <strong>of</strong><br />

peace. Would that we, too, might always think <strong>the</strong>m! But how <strong>of</strong>ten<br />

we fail to recognize what serves unto our peace, and thus force <strong>the</strong> Lord<br />

to discipline us (afflictionis), until, made homesick once more by our<br />

desolation <strong>of</strong> soul or by some external affliction, we transfer our affection<br />

and longing to Him who alone can be our peace, our happiness. The<br />

cadence over afflictionis is <strong>the</strong> same as that which is repeated twice in<br />

<strong>the</strong> Introit Requiem. It places before him who is conversant with plainsong<br />

<strong>the</strong> thought <strong>of</strong> those still awaiting <strong>the</strong> full peace <strong>of</strong> <strong>the</strong> Lord in<br />

purgatory. All <strong>the</strong> melodic pauses and incisions in this first phrase fall<br />

on <strong>the</strong> note /. The melody loses somewhat in variety <strong>the</strong>reby, but it<br />

preserves <strong>the</strong> quiet feeling which is proper to this phrase. This phrase,<br />

moreover, towers far above <strong>the</strong> o<strong>the</strong>r two: its text is longer, its range is<br />

more extended, its neums are more ornate. The usual thing in chant,<br />

however, is to have <strong>the</strong> phrases more nearly in climactic order.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!