25.04.2013 Views

Chants of the Vatican Graduale - MusicaSacra

Chants of the Vatican Graduale - MusicaSacra

Chants of the Vatican Graduale - MusicaSacra

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Sixth Sunday after Pentecost 267<br />

us a lodging in His heavenly mansion where we shall no longer lack anything,<br />

where our every longing will be perfectly satisfied in <strong>the</strong> contemplation<br />

and possession <strong>of</strong> Himself.<br />

SIXTH SUNDAY AFTER PENTECOST<br />

INTROIT (Ps. 27: 8, 9)<br />

1. Dominus, fortitudo plebis 1. The Lord is <strong>the</strong> strength <strong>of</strong> his<br />

suae, et protector salutarium Chris- people, and <strong>the</strong> protector <strong>of</strong> <strong>the</strong> salti<br />

sui est: 2. salvum fac populum vation <strong>of</strong> his Anointed: 2. save, O<br />

tuum, Domine, et benedic hereditati Lord, thy people, and bless thine<br />

tuae, et rege eos usque in saeculum. inheritance, and rule <strong>the</strong>m forever<br />

Ps. Ad te Domine, clamabo, Deus Ps. Unto <strong>the</strong>e will I cry, 0 Lord: *<br />

meus, ne sileas a me: * ne quando my God, be not thou silent to me,<br />

taceas a me, et assimilabor descen- lest if thou be silent to me, I become<br />

dentibus in lacum. like <strong>the</strong>m that go down into <strong>the</strong> pit.<br />

Today's Introit begins in <strong>the</strong> same manner as that for <strong>the</strong> fourth<br />

Sunday after Pentecost, and is also cast in <strong>the</strong> same mode. The usque<br />

in sdeculum and <strong>the</strong> preceding (fortitu)-do plebis suae resemble ceciderunt<br />

in <strong>the</strong> former. The present Introit, however, differs greatly in development<br />

and in sentiment. The range <strong>of</strong> <strong>the</strong> former is from low a to high<br />

6b; here it is only from a to g, beyond which it never goes. In <strong>the</strong> former<br />

<strong>the</strong>re is but slight difference between <strong>the</strong> individual phrases, and one<br />

experiences something almost oppressive—as if <strong>the</strong> psalm-verse, which<br />

speaks <strong>of</strong> those who descend into <strong>the</strong> pit, supplied <strong>the</strong> leading thoughts<br />

for <strong>the</strong> singer. Still, <strong>the</strong> fourths over (fortitudo) plebis and especially<br />

over (pro)-tector, as well as <strong>the</strong> vigorous accents <strong>of</strong> suae and rege following<br />

<strong>the</strong> frequent stress <strong>of</strong> <strong>the</strong> dominant and <strong>the</strong> return to <strong>the</strong> tonic, produce<br />

an enlivening effect. They energetically express <strong>the</strong> thought: We<br />

are Thine inheritance, 0 Lord, and Thou shalt be our King!<br />

Two musical phrases are distinguishable, each beginning with low<br />

a and again returning to it after having reached <strong>the</strong>ir peak with g. Here,<br />

even more than elsewhere, we must be guided by <strong>the</strong> text, which is most<br />

thought-provoking. In <strong>the</strong> first part David praises <strong>the</strong> Lord as <strong>the</strong><br />

"strength <strong>of</strong> His people" and gratefully recalls <strong>the</strong> armor <strong>of</strong> divine<br />

grace which has been bestowed upon him, <strong>the</strong> Lord's anointed. It is<br />

also a prayer <strong>of</strong> thanksgiving. The second part is a prayer <strong>of</strong> petition.<br />

But <strong>the</strong> king's petition is not for himself; it is for his people, or, more<br />

correctly, for <strong>the</strong> people <strong>of</strong> God. He says to Him: It is Thy people, Thy

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!