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Chants of the Vatican Graduale - MusicaSacra

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Corpus Christi 237<br />

melisma that is repeated, thus handicapping <strong>the</strong> effectiveness <strong>of</strong> <strong>the</strong><br />

melody; for its upward surge, about which <strong>the</strong>re can be no doubt in this<br />

type <strong>of</strong> Alleluia, is <strong>the</strong>reby weakened. The third part, whose melody is<br />

formed somewhat differently, does not give <strong>the</strong> feeling <strong>of</strong> a finished<br />

organic whole in which all parts are attuned to one ano<strong>the</strong>r.<br />

SEQUENCE<br />

The Sequence owes its origin to St. Thomas Aquinas. In superb<br />

language it enunciates <strong>the</strong> dogma <strong>of</strong> <strong>the</strong> Holy Eucharist. Its accompanying<br />

melody was composed by Adam <strong>of</strong> St. Victor ( 4* c. 1192). In its<br />

original form it was a hymn to <strong>the</strong> cross, for which <strong>the</strong> Alleluia Dulce<br />

lignum (May 3) supplies <strong>the</strong> initial motive (egagcbag). In <strong>the</strong> double<br />

strophe Dogma datur and quod non capis this motive returns a fourth<br />

higher (egagcbag= dcdcfedc). All <strong>the</strong> strophes close on <strong>the</strong> tonic and<br />

most <strong>of</strong> <strong>the</strong>m with <strong>the</strong> formula ag fg g. Occasionally this is preceded by<br />

a b or c b. Less <strong>of</strong>ten we have c ag fg g or ga fg g. The individual verses<br />

close on <strong>the</strong> dominant or on c. Toward <strong>the</strong> end <strong>the</strong> closings on <strong>the</strong> dominant<br />

increase; <strong>the</strong> final double strophe has it thrice.<br />

At Beuron this chant is sung in six minutes. This observation is<br />

not made with any intention <strong>of</strong> prescribing a set tempo, but merely to<br />

show that even this Sequence takes a comparatively short time to sing.<br />

la. Praise, 0 Sion, praise thy Saviour, * Shepherd, Prince, with<br />

glad behavior, * Praise in hymn and canticle: lb. Sing His glory without<br />

measure, * For <strong>the</strong> merit <strong>of</strong> your Treasure * Never shall your praises fill.<br />

2a. Wondrous <strong>the</strong>me <strong>of</strong> mortal singing, * Living Bread and Bread<br />

life-bringing, * Sing we on this joyful day: 2b. At <strong>the</strong> Lord's own table<br />

given * To <strong>the</strong> twelve as Bread from Heaven, * Doubting not we firmly<br />

say.<br />

3a 1 . Sing His praise with voice sonorous; * Every heart shall hear<br />

<strong>the</strong> chorus * Swell in melody sublime: 3a 2 . For this day <strong>the</strong> Shepherd<br />

gave us * Flesh and Blood to feed and save us, * Lasting to <strong>the</strong> end <strong>of</strong><br />

time.<br />

3b 1 . At <strong>the</strong> new King's sacred table, * The new Law's new Pasch<br />

is able * To succeed <strong>the</strong> ancient Rite: 3b 2 . Old to new its place hath<br />

given, * Truth has far <strong>the</strong> shadows driven, * Darkness flees before <strong>the</strong><br />

Light.<br />

4a. And as He hath done and planned it, * "Do this," hear His<br />

love command it, * "For a memory <strong>of</strong> me." 4b. Learned, Lord, in Thy<br />

own science<br />

<strong>of</strong>fer Thee.

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