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Chants of the Vatican Graduale - MusicaSacra

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298 Thirteenth Sunday after Pentecost<br />

ion has a quieter melody, a more limited range, and smaller intervals,<br />

for even fourths are excluded. All is more unassuming here; but at <strong>the</strong><br />

same time' more intimate and cordial. The entire first phrase confines<br />

itself to seconds, and <strong>the</strong> chant is almost purely syllabic. The second<br />

phrase has / for its recitative, with emphasis <strong>of</strong> <strong>the</strong> accented syllables.<br />

It is <strong>the</strong> word-accent, in fact, which usually determines <strong>the</strong> melodic development:<br />

/ g a f over educas, f g b\> a b\> a over vinum, a c aa g a over<br />

laetificet. The third phrase retains <strong>the</strong> joyous spirit <strong>of</strong> <strong>the</strong> second and,<br />

in spite <strong>of</strong> its brevity, has individual charm in <strong>the</strong> consonant passages<br />

Sabfrgagfggf over (ex)-hilaret and f d e f ded c d dc over in oleo.<br />

With et panis we should like to see a new phrase begin on account <strong>of</strong><br />

<strong>the</strong> text and <strong>the</strong> melodic arrangement. Here we have <strong>the</strong> rare case <strong>of</strong> a<br />

phrase ending wit a half tone (e f). Although <strong>the</strong> e before <strong>the</strong> final note<br />

accords with our ideas <strong>of</strong> harmony, still <strong>the</strong> ancients considered a close<br />

with a half tone an imperfection.<br />

The Eucharistic allusion <strong>of</strong> <strong>the</strong>se verses becomes most evident when<br />

<strong>the</strong>y are used in a Communion song. For how many has <strong>the</strong> Eucharist<br />

stilled <strong>the</strong> longings <strong>of</strong> <strong>the</strong> heart, satisfied <strong>the</strong> craving for heavenly food!<br />

For how many has it been <strong>the</strong> source <strong>of</strong> joy and inspiration. The fruit<br />

<strong>of</strong> Thy works 0 Lord, <strong>the</strong> Eucharistic Sacrifice, has satisfied <strong>the</strong> longings<br />

<strong>of</strong> our soul. There we see Christ as <strong>the</strong> Good Samaritan. Wine and<br />

oil He pours into our wounds, and a love that knows no limits. When<br />

we read at <strong>the</strong> end "that bread may streng<strong>the</strong>n man's heart," <strong>the</strong>n let<br />

us pray: O my Saviour, now I must again go forth into life with its<br />

struggles, its trials, its many temptations. Take Thou my troubled<br />

heart into Thy hand and impart to it strength, constancy, and fidelity.<br />

THIRTEENTH SUNDAY AFTER PENTECOST<br />

INTROIT (Ps. 73: 20,-19, 23)<br />

1. Respice, Domine, in testamen- 1. Have regard unto thy covenant<br />

turn tuum, et animas pauperum and forsake not to <strong>the</strong> end <strong>the</strong> souls<br />

tuorum ne derelinquas in finem: 2. <strong>of</strong> thy poor: 2. arise, 0 Lord, and<br />

exsurge Domine, et judica causam judge thy cause, and forget not <strong>the</strong><br />

tuam: 3. et ne oblivscaris voces voices <strong>of</strong> <strong>the</strong>m that seek <strong>the</strong>e. Ps.<br />

quaerentium te. Ps. Ut quid Deus Why, O God, hast thou cast us <strong>of</strong>f<br />

reppulisti in finem:* iratus est furor unto <strong>the</strong> end: * why is thy wrath<br />

tuus super oves pascuae tuael kindled against <strong>the</strong> sheep <strong>of</strong> thy<br />

irel

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