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Chants of the Vatican Graduale - MusicaSacra

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22 Second Sunday <strong>of</strong> Advent<br />

manifestation <strong>of</strong> divine favor <strong>the</strong> melody bows down in gratitude. In<br />

<strong>the</strong> Sequence-like melody it is best to consider <strong>the</strong> torculus <strong>the</strong> points <strong>of</strong><br />

support, and to rhythmize in a movement resembling five-eights time:<br />

dd\ cdb ag\ bcb ab | gag g<br />

ad sal- van- das gen-tes.<br />

Thus <strong>the</strong> word-accents are clearly brought to <strong>the</strong> fore.<br />

The second phrase begins with <strong>the</strong> same motive as <strong>the</strong> first, but its<br />

span is greater. After <strong>the</strong> accented c and <strong>the</strong> following d it does not sink<br />

back to c, but establishes itself on d. However insignificant this small<br />

note may appear, it wields great power, urging up to <strong>the</strong> high /. After<br />

<strong>the</strong> ascent over fdciet comes a brief relaxation. But <strong>the</strong>n follows a mighty<br />

cry (obviously <strong>the</strong> text has influenced <strong>the</strong> melody)—gloriam vocis suae.<br />

The third phrase portrays <strong>the</strong> effects <strong>of</strong> this message. With full,<br />

round tones it soars upward from g to e l , stressing this, as it afterwards<br />

does c. Then with an interval <strong>of</strong> a fourth it descends to <strong>the</strong> tonic and to<br />

<strong>the</strong> final cadence.<br />

Revue, 19, 139 ff.; Analyses, II, 12 ff.<br />

GRADUAL (Ps. 49:2-3, 5)<br />

1. Ex Sion species decoris ejus: 1. Out <strong>of</strong> Sion <strong>the</strong> loveliness <strong>of</strong><br />

2. Deus manifeste veniet. $". 1. Con- his beauty: 2. God shall come manigregate<br />

illi sanctos ejus, 2. qui festly. $". 1. Ga<strong>the</strong>r ye toge<strong>the</strong>r his<br />

ordinaverunt 3. testamentum ejus saints to him, 2. who have set 3. his<br />

super sacrificia. covenant before sacrifices.<br />

When <strong>the</strong> Lord will come, He will bring joy to <strong>the</strong> hearts <strong>of</strong> men:<br />

that is <strong>the</strong> promise <strong>of</strong> <strong>the</strong> Introit. The Epistle closed with similar words:<br />

"Now <strong>the</strong> God <strong>of</strong> hope fill you with all joy and peace in believing." This<br />

thought is prolonged by <strong>the</strong> Gradual. It speaks <strong>of</strong> <strong>the</strong> beauty <strong>of</strong> Him<br />

who is to come. All beauty, and especially that <strong>of</strong> <strong>the</strong> coming Messias,<br />

cannot but produce joy: that is <strong>the</strong> <strong>the</strong>me <strong>of</strong> this bright song. Not infrequently<br />

does it remind us <strong>of</strong> our modern major scale. In o<strong>the</strong>r passages<br />

<strong>the</strong> Psalmist has painted <strong>the</strong> beauty <strong>of</strong> <strong>the</strong> Messias in brilliant colors,<br />

describing Him as <strong>the</strong> most beautiful <strong>of</strong> <strong>the</strong> children <strong>of</strong> men. Now He is<br />

to come—and manifeste, in visible form. But this Ruler will not isolate<br />

Himself from His subjects, as is <strong>the</strong> custom <strong>of</strong> Oriental sovereigns. He<br />

will show Himself, and with <strong>the</strong> magic <strong>of</strong> His beauty He will capture all<br />

hearts.<br />

But he does not come alone: a great host accompanies Him. Of this<br />

<strong>the</strong> Gradual-verse speaks, as we also read in one <strong>of</strong> <strong>the</strong> Advent anti-

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