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Chants of the Vatican Graduale - MusicaSacra

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486 The Dedication <strong>of</strong> a Church<br />

cdc bears some rhythmic similarity to iste in <strong>the</strong> first phrase with its<br />

faff ed. At <strong>the</strong> same time <strong>the</strong>re is a tendency toward a cadence, which<br />

in o<strong>the</strong>r melodies <strong>of</strong> <strong>the</strong> second mode, for example, in <strong>the</strong> Introit for <strong>the</strong><br />

first Mass <strong>of</strong> Christmas over meus es tu, is made to stand out in sharper<br />

relief by means <strong>of</strong> e, which has <strong>the</strong> quality <strong>of</strong> a leading note. With its<br />

ecac cdf <strong>the</strong> third phrase reminds us <strong>of</strong> terribilis est <strong>of</strong> <strong>the</strong> first phrase,<br />

while at <strong>the</strong> same time it has a pressus in common with <strong>the</strong> second<br />

phrase. Thus <strong>the</strong> words domus Dei and aula Dei are given prominence.<br />

Is <strong>the</strong> whole to be sung with gentle modulations, or should <strong>the</strong> accents<br />

be strong, almost violent? The former interpretation has <strong>the</strong><br />

greater appeal. The tw<strong>of</strong>old tristropha would <strong>the</strong>n graphically describe<br />

<strong>the</strong> singer's trembling and awe for <strong>the</strong> mysteries <strong>of</strong> <strong>the</strong> Catholic house<br />

<strong>of</strong> prayer. 1<br />

GRADUAL<br />

1. Locus iste a Deo factus est, 1. This place has been made by<br />

inaestimabile sacramentum, 2. irre- God; it is a mystery beyond measure,<br />

prehensibilis est. f. 1. Deus, cut 2. it is free from all stain. $.1.0<br />

adstat Angelorum chorus, 2. ex- God, before whom <strong>the</strong> choir <strong>of</strong> angels<br />

audi preces servorum tuorum. stands, 2. give ear to <strong>the</strong> prayers <strong>of</strong><br />

thy servants.<br />

God has traced <strong>the</strong> plans <strong>of</strong> <strong>the</strong> Catholic Church; He has created<br />

its atmosphere and given it that supernatural strength from which its<br />

faithful can so liberally draw. These attributes are as true and real as<br />

<strong>the</strong>y are mysterious; <strong>the</strong>ir consequences we see realized in <strong>the</strong> lives <strong>of</strong><br />

<strong>the</strong> saints. Each church is a mystery, a Sacramentum; in it most <strong>of</strong> <strong>the</strong><br />

sacraments are also administered. No one can rightly define it nor rightly<br />

estimate its value. In its very essence it shows forth <strong>the</strong> universal Church,<br />

<strong>the</strong> Communion <strong>of</strong> Saints, <strong>the</strong> city <strong>of</strong> God in heaven, <strong>the</strong> Bride <strong>of</strong> Christ<br />

for whom He has sacrificed Himself, that she might be glorious, without<br />

spot or wrinkle (irreprehensibilis).<br />

The "mystery beyond measure" which makes up <strong>the</strong> Church, has<br />

been unveiled to some extent in <strong>the</strong> Epistle. The Church is a holy city;<br />

she has come as a heavenly bride celebrating her espousals with Christ,<br />

<strong>the</strong> Bridegroom, in <strong>the</strong> mystery <strong>of</strong> <strong>the</strong> Mass. There God comes to us<br />

and takes up His abode among us; He becomes our God.<br />

As mysterious as it is real, <strong>the</strong> entire drama is but an anticipation<br />

and preparation for <strong>the</strong> eternal wedding feast in heaven. Then God shall<br />

wipe away all tears and in His everlasting kingdom make all things new.<br />

K. K., 23, 116 ff.

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