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Chants of the Vatican Graduale - MusicaSacra

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Tenth Sunday after Pentecost 283<br />

TENTH SUNDAY AFTER PENTECOST<br />

INTROIT (Ps. 54: 17, 18, 20, 23)<br />

1. Cum clamarem ad Dominum, 1. When I cried to <strong>the</strong> Lord, he<br />

exaudivit vocem meant, ab his qui heard my voice, against <strong>the</strong>m that<br />

appropinquant mihi: 2. et humi- draw near to me; 2. and he who is<br />

liavit eos qui est ante saecula, et before all ages, and remains for<br />

manet in aeternum: 3. jacta cogi- ever, humbled <strong>the</strong>m: 3. cast thy<br />

tatum tuum in Domino, et ipse te care upon <strong>the</strong> Lord and he shall<br />

enutriet. Ps. Exaudi, Deus, ora- sustain <strong>the</strong>e. Ps. Hear, 0 God, my<br />

tionem meam, et ne despexeris de- prayer, and despise not my suppliprecationem<br />

meam: * intende mihi, cation: * be attentive to me and<br />

et exaudi me. hear me.<br />

Each <strong>of</strong> <strong>the</strong> three phrases closes with <strong>the</strong> same melodic formula.<br />

Besides, <strong>the</strong> first and second phrase also have <strong>the</strong> preceding neums in<br />

common over (appropin)-quant mihi and aeternum. In general, a close<br />

relation exists between <strong>the</strong>se two phrases, even exteriorly, since both<br />

are made up <strong>of</strong> three members, while <strong>the</strong> third phrase has only two;<br />

and <strong>the</strong>ir interior relation is still more intimate. The first phrase speaks<br />

<strong>of</strong> <strong>the</strong> fruits <strong>of</strong> prayer; <strong>the</strong> second <strong>of</strong> <strong>the</strong> manner in which prayer is heard.<br />

Hence, <strong>the</strong>se two preliminary statements may serve as two premises,<br />

from which <strong>the</strong> third follows as a conclusion; <strong>the</strong>refore "cast thy care<br />

upon <strong>the</strong> Lord!"<br />

The first phrase with its upward striving expresses both an earnest<br />

petition and <strong>the</strong> tension <strong>of</strong> soul which accompanies it. Then comes a<br />

thankful, brilliant exaudivit: I have been heard. The second phrase<br />

several times extends beyond <strong>the</strong> highest note <strong>of</strong> <strong>the</strong> first. In <strong>the</strong> small<br />

phrase qui est ante saecula we twice hear <strong>the</strong> fourth g-c, and once <strong>the</strong><br />

fourth a-d. We get some inkling <strong>of</strong> <strong>the</strong> eternity <strong>of</strong> God, which is without<br />

beginning, from <strong>the</strong> large intervals. Some purely syllabic passages occur<br />

in <strong>the</strong> third phrase. Its melodic line is <strong>the</strong> symbol and expression <strong>of</strong> a<br />

certain effort, a conquering <strong>of</strong> <strong>the</strong> difficulties which present <strong>the</strong>mselves<br />

to wavering, doubting, short-sighted human beings who ought to live<br />

entirely by faith and throw all <strong>the</strong>ir care upon <strong>the</strong> Lord. If this is done<br />

—how quiet and sure is <strong>the</strong> tone <strong>of</strong> <strong>the</strong> seconds over et ipse tel—<strong>the</strong>n<br />

He will nourish and sustain us with paternal affection and will royally<br />

reward all our hopes and expectations. Even today we shall see <strong>the</strong> fulfillment<br />

<strong>of</strong> <strong>the</strong>se words in <strong>the</strong> sacrificial Banquet.<br />

We may sing <strong>the</strong> words <strong>of</strong> <strong>the</strong> psalm-verse in <strong>the</strong> spirit <strong>of</strong> <strong>the</strong> publican<br />

<strong>of</strong> whom <strong>the</strong> Gospel makes mention. He does not confide in himself;<br />

he does not look upon himself as just. He realizes, moreover, that God

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