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Chants of the Vatican Graduale - MusicaSacra

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26 Second Sunday <strong>of</strong> Advent<br />

<strong>of</strong> <strong>the</strong> sixteenth Sunday after Pentecost with its semitones and minor<br />

thirds. These supply <strong>the</strong> small stones in <strong>the</strong> material necessary for <strong>the</strong><br />

construction <strong>of</strong> an aes<strong>the</strong>tic <strong>of</strong> intervals in plain song. 1 In accordance<br />

with <strong>the</strong> rules for <strong>the</strong> adaptation <strong>of</strong> phrases, <strong>the</strong> beginning <strong>of</strong> et salutdre<br />

(gc) is preceded by <strong>the</strong> low-pitched d e d. From et salutdre on, with its<br />

introductory fourth and <strong>the</strong> fourth that follows it, <strong>the</strong> singer feels impelled<br />

to present his petition in an especially pleading manner. To this<br />

<strong>the</strong> pressus over tuum contributes considerably, and especially <strong>the</strong> development<br />

over da, which is to be sung with a marked crescendo. In case<br />

breath should not suffice, but only in that case, a brief pause may be<br />

made after <strong>the</strong> low /, after which <strong>the</strong> ascent from <strong>the</strong> prolonged g should<br />

be made slowly and prayerfully.<br />

COMMUNION (Bar. 5: 5; 4: 36)<br />

1. Jerusalem surge, et sta in 1. Arise, O Jerusalem, and<br />

excelso: 2. et vide jucunditatem, stand on high: 2. and behold <strong>the</strong> joy<br />

quae veniet tibi a Deo tuo. that cometh to <strong>the</strong>e from thy God.<br />

Subdued joy, <strong>the</strong> quiet happiness <strong>of</strong> Advent, inspires this melody.<br />

It knows that <strong>the</strong> hopes <strong>of</strong> <strong>the</strong> soul are not in vain, that its expectation<br />

will surely be fulfilled. It has not that bright ring which is characteristic<br />

<strong>of</strong> <strong>the</strong> second mode for example in <strong>the</strong> second antiphon <strong>of</strong> Lauds at<br />

Christmas, which sings <strong>of</strong> <strong>the</strong> virgin mo<strong>the</strong>rhood <strong>of</strong> Our Lady; gdudia<br />

matris habens cum virginitdtis honore. But nei<strong>the</strong>r has it <strong>the</strong> seriousness<br />

<strong>of</strong> <strong>the</strong> Offertory <strong>of</strong> <strong>the</strong> first Advent Sunday, which never dared to rise<br />

above g. Here we have not that solemn jubilation with which <strong>the</strong> Gradual-verse<br />

for Epiphany sings its Surge et illumindre; never<strong>the</strong>less, surge<br />

<strong>of</strong> this Communion also penetrates deeply into <strong>the</strong> heart. Here we have<br />

a major third. It is a cry harking back to <strong>the</strong> spirit <strong>of</strong> today's Introit.<br />

Solemnly it continues—in accordance with <strong>the</strong> ancient annotated manuscripts,<br />

which give almost each note <strong>the</strong> broad form—"stand on high";<br />

rise above your environment; despise what is earthly, as <strong>the</strong> Postcommunion<br />

puts it; view all things in <strong>the</strong>ir proper proportions. One thing<br />

alone can fill your heart with bliss—<strong>the</strong> salvation which comes to you<br />

from your God.<br />

The Holy Communion which we receive lifts us to <strong>the</strong> heights <strong>of</strong><br />

<strong>the</strong> o<strong>the</strong>r world, where eternal happiness awaits us in <strong>the</strong> possession and<br />

contemplation <strong>of</strong> God (Kath. Kirchenzeitung, Salzburg, 1927, 441J.<br />

The serious explanation <strong>of</strong>fered by Oberhammer (Im Lichte des<br />

Christkinds, p. 28J hardly corresponds to <strong>the</strong> spirit <strong>of</strong> <strong>the</strong> melody. Ac-<br />

N. Sch. 247 ff.

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