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Chants of the Vatican Graduale - MusicaSacra

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354 St. Andrew, Apostle<br />

terval <strong>of</strong> a fourth, which recurs again at <strong>the</strong> words (tu)-i, De-(us), and<br />

introduces <strong>the</strong> modulation to c.<br />

The second phrase is characterized by a strong accentuation <strong>of</strong> <strong>the</strong><br />

tenor /, which is here <strong>the</strong> true dominant. The power which God has given<br />

his Apostles and through <strong>the</strong>m to <strong>the</strong> Church will endure to <strong>the</strong> end <strong>of</strong><br />

days, and no o<strong>the</strong>r power ei<strong>the</strong>r on earth or in hell will prevail against<br />

it. With an interval <strong>of</strong> a fourth <strong>the</strong> second nimis begins immediately on<br />

<strong>the</strong> dominant, while confortdtus repeats <strong>the</strong> motive <strong>of</strong> hono-(rdti). Twice<br />

<strong>the</strong> melody ascends to a, where it is particularly effective over ebrum.<br />

The triple repetition <strong>of</strong> c d f g over <strong>the</strong> words Mihi autem ni-(mis),<br />

(a)-mici tui, and (prin)-cipdtus is so skillfully interwoven with <strong>the</strong> whole<br />

that it is scarcely noticeable.<br />

In <strong>the</strong> psalm-verse <strong>the</strong> Apostle himself prays to <strong>the</strong> Lord. It was a<br />

source <strong>of</strong> wonderful consolation to him to know that amid all his toils<br />

and labors <strong>the</strong> eye <strong>of</strong> his beloved Master followed him and saw all that<br />

he had done and suffered for Him. In a martyr's death <strong>the</strong> Apostle has<br />

stood <strong>the</strong> test (probdsti me) victoriously.<br />

This Introit is sung also on <strong>the</strong> feasts <strong>of</strong> <strong>the</strong> Apostles SS. Thomas,<br />

Matthias, Barnabas, within <strong>the</strong> Octave <strong>of</strong> SS. Peter and Paul, James<br />

<strong>the</strong> Elder, Bartholomew, Luke, Simon, and Jude.<br />

The melody was made use <strong>of</strong> extensively in <strong>the</strong> Introits for <strong>the</strong> feasts<br />

<strong>of</strong> St. Ignatius <strong>the</strong> Martyr, <strong>of</strong> <strong>the</strong> Stigmata <strong>of</strong> St. Francis <strong>of</strong> Assisi, and<br />

<strong>of</strong> <strong>the</strong> Holy Innocents. Compare also <strong>the</strong> Gradual for <strong>the</strong> feast <strong>of</strong> St.<br />

Matthias.<br />

For an explanation <strong>of</strong> <strong>the</strong> Gradual Constitues see <strong>the</strong> feast <strong>of</strong> SS.<br />

Peter and Paul.<br />

ALLELUIA VERSE<br />

1. Dilexit Andream Dominus 1. The Lord loved Andrew 2. in<br />

2. in odorem suavitatis. <strong>the</strong> odor <strong>of</strong> sweetness.<br />

In <strong>the</strong> oldest manuscripts we find this melody given for <strong>the</strong> presentday<br />

Alleluia Justus ut palma in <strong>the</strong> Common <strong>of</strong> Abbots. It is difficult to<br />

determine which <strong>of</strong> <strong>the</strong> texts inspired <strong>the</strong> melody. We might conceive <strong>the</strong><br />

florid melisma over <strong>the</strong> word odorem as tone-painting <strong>of</strong> <strong>the</strong> word cedrus<br />

in <strong>the</strong> Alleluia Justus ut palma, imitative <strong>of</strong> <strong>the</strong> giant growth and <strong>the</strong><br />

wide spread <strong>of</strong> <strong>the</strong> branches <strong>of</strong> this tree. The melody for today's Gradual<br />

is <strong>the</strong> same as that on <strong>the</strong> feast <strong>of</strong> <strong>the</strong> Purification and on <strong>the</strong> Friday<br />

and Saturday <strong>of</strong> <strong>the</strong> Pentecostal Ember Days.<br />

The melody <strong>of</strong> Alleluia tends to reach a climax. This climax, which<br />

is repeated by <strong>the</strong> melody, is indicated by <strong>the</strong> climacus at <strong>the</strong> beginning

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