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Chants of the Vatican Graduale - MusicaSacra

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Visitation <strong>of</strong> <strong>the</strong> Blessed Virgin Mary 407<br />

This ascending close at <strong>the</strong> end <strong>of</strong> a selection is rarely found. It occurs<br />

with <strong>the</strong> Alleluia Tollite jugum <strong>of</strong> <strong>the</strong> new Sacred Heart feast, Opportebat<br />

<strong>of</strong> <strong>the</strong> third Sunday after Easter, Post partum <strong>of</strong> <strong>the</strong> votive Mass <strong>of</strong><br />

<strong>the</strong> Blessed Virgin, and occasionally with <strong>the</strong> Amen <strong>of</strong> <strong>the</strong> third and<br />

fourth mode. The interrogatory form may have influenced <strong>the</strong> melodic<br />

construction. O<strong>the</strong>rwise <strong>the</strong> general rule for <strong>the</strong> conclusion <strong>of</strong> readings<br />

and lessons obtains, that is, when no Tu autem, Domine follows, <strong>the</strong> usual<br />

closing form <strong>of</strong> a declarative sentence is used, and not that <strong>of</strong> a question.<br />

COMMUNION (Heb. 9: 28)<br />

1. Christus semel oblatus est ad 1. Christ was <strong>of</strong>fered once to exmultorum<br />

exhaurienda peccata; 2. haust <strong>the</strong> sins <strong>of</strong> many; 2. <strong>the</strong> secsecundo<br />

sine peccato apparebit ex- ond time he shall appear without<br />

pectantibus se, in salutem. sin to <strong>the</strong>m that expect him unto<br />

salvation.<br />

The first phrase is similar to <strong>the</strong> Hoc corpus <strong>of</strong> Passion Sunday (q.v.).<br />

As a kind <strong>of</strong> leitmotif, <strong>the</strong> intimate connection between <strong>the</strong> sacrifice <strong>of</strong><br />

<strong>the</strong> cross and <strong>the</strong> Eucharistic Sacrifice is stressed melodically. Over<br />

oblatus est <strong>the</strong> melody <strong>of</strong> <strong>the</strong> original might have been assumed without<br />

change; <strong>the</strong> major third was most likely introduced to give prominence<br />

to <strong>the</strong> word-accent. Seemingly motives from <strong>the</strong> Communions Justorurn<br />

dnimae (June 21) and Primum quaerite (fourteenth Sunday after<br />

Pentecost) were adapted to <strong>the</strong> second phrase.<br />

In Holy Communion Christ enters our souls. His love for sinners<br />

prompted Him to veil His majesty under <strong>the</strong> ordinary form <strong>of</strong> bread<br />

and wine. When He shall come again, however, when He "shall appear<br />

a second time," it will radiate splendor and power. And this splendor<br />

and power He will share with those who expect Him, and who have<br />

become one with Him in Holy Communion; He will be to <strong>the</strong>m a source<br />

<strong>of</strong> eternal happiness and salvation. The gradation, apparent in <strong>the</strong> text,<br />

is easily recognizable and actualized in <strong>the</strong> melody. In place <strong>of</strong> <strong>the</strong><br />

suppressed dominant 6 <strong>of</strong> <strong>the</strong> first phrase, <strong>the</strong> second phrase has <strong>the</strong><br />

brighter c.<br />

* * * *<br />

THE VISITATION OF THE BLESSED VIRGIN<br />

MARY<br />

(July 2)<br />

The Franciscan Order celebrated this feast already in 1263. The<br />

Council <strong>of</strong> Basle made it obligatory for <strong>the</strong> universal Church.

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