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Chants of the Vatican Graduale - MusicaSacra

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Ash Wednesday 113<br />

mus spatium paenitentiae, et in- suddenly prevented by <strong>the</strong> day <strong>of</strong><br />

venire non possimus. * 3. Attende death, we seek time for penance,<br />

Domine, et miserere: quia peccavi- and be not able to find it. * 3. Atmus<br />

tibi. Adjuva nos, Deus salu- tend, O Lord, and have mercy: for<br />

taris noster: 2. et propter honorem we have sinned against <strong>the</strong>e. t. 1.<br />

nominis tui, Domine, liber a nos. Help us, 0 God, our Saviour: 2.<br />

* Attende Domine. .. Gloria Patri and for <strong>the</strong> honor <strong>of</strong> thy name, O<br />

Lord, deliver us. * Attend, 0 Lord<br />

. . . Glory be to <strong>the</strong> Fa<strong>the</strong>r. . .<br />

Responsories occurring in <strong>the</strong> Divine Office and in blessings have<br />

<strong>the</strong> general arrangment ABA. But generally only a part <strong>of</strong> A is repeated.<br />

There are even more typical melodies here than in <strong>the</strong> Gradualresponsories.<br />

The verse with its Gloria Patri is such a typical melody,<br />

and consequently no account is taken <strong>of</strong> <strong>the</strong> meaning <strong>of</strong> <strong>the</strong> text. The<br />

first half <strong>of</strong> <strong>the</strong> verse has <strong>the</strong> recitation on <strong>the</strong> dominant toge<strong>the</strong>r with a<br />

five-syllable middle cadence. The second half recites on <strong>the</strong> tonic. Without<br />

exception, <strong>the</strong> final cadence begins at <strong>the</strong> fifth last syllable: D6-<br />

5 4 3 2 1 5 4 3 2 1<br />

mine liber a nos and Spiritui sancto.<br />

The corpus <strong>of</strong> <strong>the</strong> Responsory has many typical turns: peccdvimus =<br />

non possimus and also <strong>the</strong> second -vimus tibi; and spdtium paenitentiae =<br />

Attende Domine et miser e-(re). The melody greatly resembles <strong>the</strong> Responsory<br />

Obtulerunt <strong>of</strong> Feb. 2. But <strong>the</strong> second phrase <strong>of</strong> our present<br />

chant has a character peculiar to itself; with its heaped-up fourths it<br />

well represents <strong>the</strong> excited state <strong>of</strong> <strong>the</strong> singer's soul. He is moved by <strong>the</strong><br />

words with which <strong>the</strong> priest placed <strong>the</strong> ashes on his sinful head: "Remember,<br />

man, that thou art dust, and unto dust thou shalt return."<br />

Here, as well as on Palm Sunday and on <strong>the</strong> feast <strong>of</strong> <strong>the</strong> Purification,<br />

<strong>the</strong> Responsory rounds out <strong>the</strong> first ceremony <strong>of</strong> <strong>the</strong> day, and leads over<br />

to <strong>the</strong> Solemn Mass which follows it.<br />

THE MASS<br />

INTROIT (Wisd. 11: 24, 25, 27)<br />

1. Misereris omnium, Domine, et 1. Thou hast mercy upon all, 0<br />

nihil odisti eorum quae fecisti, 2. Lord, and hatest none <strong>of</strong> <strong>the</strong> things<br />

dissimulans peccata hominum pro- which thou hast made, 2. and overpter<br />

paenitentiam, 3. et parcens lookest <strong>the</strong> sins <strong>of</strong> men for <strong>the</strong> sake<br />

illis: 4. quia tu es Dominus Deus <strong>of</strong> repentance, 3. and sparing <strong>the</strong>m:<br />

noster. Ps. Miserere mei Deus, 4. for thou art <strong>the</strong> Lord our God. Ps.

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