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Chants of the Vatican Graduale - MusicaSacra

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The Epiphany <strong>of</strong> Our Lord Jesus Christ 79<br />

THE EPIPHANY OF OUR LORD<br />

JESUS CHRIST<br />

(January 6)<br />

The entire liturgy <strong>of</strong> today's Mass treats <strong>of</strong> <strong>the</strong> royal dignity <strong>of</strong><br />

Him who has appeared and revealed Himself. Indeed, <strong>the</strong> feast <strong>of</strong> Christmas<br />

already stresses this dignity. But occasionally it also permits us a<br />

glimpse <strong>of</strong> <strong>the</strong> divine Child in <strong>the</strong> manger (Puer natus est nobis), and<br />

<strong>the</strong> magic <strong>of</strong> His charm entrances us. Today everything has <strong>the</strong> imprint<br />

<strong>of</strong> Christ's kingship and summons <strong>the</strong> entire world to pay homage<br />

to Him.<br />

INTROIT (Mai. 3: 1)<br />

1. Ecce advenit dominator Domi- 1. Behold <strong>the</strong> Lord <strong>the</strong> Ruler is<br />

nus: 2. et regnum in manu ejus, 3. come: 2. and kingdom is in his<br />

et potestas, et imperium. Ps. Deus, hand, 3. and power and dominion,<br />

judicium tuum Regi da: *et justi- Ps. Give to <strong>the</strong> King thy judgment.<br />

Ham tuam Filio Regis. O God:* and to <strong>the</strong> King's Son thy<br />

justice.<br />

Over this melody must be inscribed <strong>the</strong> words: majestic, sublime!<br />

Like a king's mantle it spreads itself over <strong>the</strong> text. Beginning with <strong>the</strong><br />

grand notes <strong>of</strong> <strong>the</strong> Per omnia saecula, <strong>the</strong> introduction to <strong>the</strong> Preface,<br />

it emphasizes <strong>the</strong> word advenit increasingly, over dominator leaps an<br />

interval <strong>of</strong> a fourth, which supports itself on <strong>the</strong> dominant /, lets this<br />

dominant resound—it is really <strong>the</strong> dominant here—and over Dominus<br />

rises above it. One seems to see <strong>the</strong> ruler making his formal entrance,<br />

letting his diamonds sparkle. The second phrase again shows an ascending<br />

fourth and <strong>the</strong> clear dominant, which it accentuates still more by<br />

means <strong>of</strong> <strong>the</strong> pressus over manu and ejus. The repetition <strong>of</strong> <strong>the</strong> same<br />

motive over <strong>the</strong>se words fits well to <strong>the</strong> majestic bearing <strong>of</strong> <strong>the</strong> whole,<br />

and toward <strong>the</strong> end brings a modulation <strong>of</strong> exquisite construction on <strong>the</strong><br />

full tone below <strong>the</strong> tonic. The third phrase gives plastic form to <strong>the</strong> word<br />

potestas (<strong>the</strong> descending fourth is to be well brought out); several times<br />

it extends above <strong>the</strong> dominant and closes with a passage corresponding<br />

to Dominus in <strong>the</strong> first phrase.<br />

We may well adduce, as a parallel to <strong>the</strong> triple division <strong>of</strong> <strong>the</strong> Introit,<br />

<strong>the</strong> Christmas hymn: "Lo, how a rose e'er blooming"—no doubt<br />

one <strong>of</strong> <strong>the</strong> most beautiful. Here also <strong>the</strong> first and third phrases have

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