25.04.2013 Views

Chants of the Vatican Graduale - MusicaSacra

Chants of the Vatican Graduale - MusicaSacra

Chants of the Vatican Graduale - MusicaSacra

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

346 Twenty-Third Sunday after Pentecost<br />

We singers <strong>of</strong> <strong>the</strong> Church's chants, however, shall cry out: Give me<br />

to sing worthily, 0 Lord! The words which we pronounce are such as<br />

can please Thee, for <strong>the</strong>y are mostly Thy words, words which Thou hast<br />

spoken or inspired. But also our melodies must ring true if <strong>the</strong>y are to<br />

please Thee. And <strong>the</strong>y will have <strong>the</strong> correct ring if we but conform our<br />

lives to that which we say with our lips.<br />

COMMUNION (Ps. 16:6)<br />

1. Ego clamavi, quoniam exau- 1. / have cried, for thou, O God,<br />

disti me Deus: 2. inclina aurem hast heard me; 2. Oh, incline thine<br />

iuam, et exaudi verba mea. ear, unto me and graciously hear<br />

my words.<br />

In <strong>the</strong> first phrase <strong>the</strong> singer gratefully acknowledges that as <strong>of</strong>ten<br />

as he called upon God he found relief. The descending melody over<br />

clamdvi sounds like <strong>the</strong> confession <strong>of</strong> one's own helplessness and insufficiency.<br />

So much <strong>the</strong> more surely and convincingly does it soar up<br />

over quoniam, using <strong>the</strong> motive <strong>of</strong> ego: f g, g a, g a b, bb c, a d d, with a<br />

slight bending back <strong>of</strong> <strong>the</strong> melodic curve. The melody should <strong>the</strong>refore<br />

be rendered accordingly. Now follows <strong>the</strong> almost turbulent petition, in<br />

which <strong>the</strong> melody soars a third above <strong>the</strong> dominant <strong>of</strong> <strong>the</strong> eighth mode:<br />

"Oh, incline also today Thine ear to me and graciously hear my prayer.<br />

Behold, I now bear Thy beloved Son in my heart. I pray in His name,<br />

in union with Him, and He intercedes for me. Do Thou hear Him!"<br />

On exaudisti <strong>the</strong>re is an ascending fourth, a-d, and over exaudi a descending<br />

fourth, d-a.<br />

If a song is supposed to be natural, direct, alive, true, and warm,<br />

<strong>the</strong>n this song meets all <strong>the</strong> requirements. It is, <strong>the</strong>refore, hard to understand<br />

why this expressive melody was appropriated for <strong>the</strong> text used<br />

on <strong>the</strong> feast <strong>of</strong> <strong>the</strong> Holy Shroud (celebrated in some places on <strong>the</strong> Friday<br />

after <strong>the</strong> second Sunday <strong>of</strong> Lent): "Joseph buying fine linen, and<br />

taking him down, wrapped him up in <strong>the</strong> fine linen."<br />

TWENTY-THIRD SUNDAY AFTER<br />

PENTECOST<br />

INTROIT (Jer. 29: 11, 12, 14)<br />

1. Dicit Dominus: Ego cogito co- 1. The Lord saith: I think thoughts<br />

gitationes pads, et non afflictionis: <strong>of</strong> peace, and not <strong>of</strong> affliction: 2.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!