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Chants of the Vatican Graduale - MusicaSacra

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128 Second Sunday in Lent<br />

The friendly F-major chord—at least so it strikes us—is <strong>of</strong>ten heard,<br />

both in an ascending and in a descending line. Several times occurs <strong>the</strong><br />

descending fourth c-g. The close <strong>of</strong> <strong>the</strong> corpus corresponds with meis.<br />

The verse repeats its first motive and prolongs it. The melodic development<br />

<strong>of</strong> its second and third phrases will be explained on <strong>the</strong> feast <strong>of</strong><br />

<strong>the</strong> Assumption. Meis in <strong>the</strong> corpus and meum in <strong>the</strong> verse tend to produce<br />

<strong>the</strong> same effect as a modern modulation to A minor. Similarly, we<br />

should like to speak <strong>of</strong> omnia as a modulation to C major.<br />

TRACT (Ps. 105: 1, 4)<br />

The closing cadences <strong>of</strong> all <strong>the</strong> verses, with <strong>the</strong> exception <strong>of</strong> <strong>the</strong><br />

last, are alike. From verse to verse <strong>the</strong> range <strong>of</strong> <strong>the</strong> melody is extended.<br />

1. Confitemini Domino, quoniam 1. Give glory to <strong>the</strong> Lord, for he is<br />

bonus: f quoniam in saeculum good: f and forever (—) endureth<br />

(—) misericordia ejus. 2. Quis lo- his mercy. 2. Who shall declare <strong>the</strong><br />

quetur potentias Domini: f auditas powers <strong>of</strong> <strong>the</strong> Lord: f who shall set<br />

faciet (—) omnes laudes ejusl 3. forth (—) all his praisesl 3. Blessed<br />

Beati qui custodiunt judicium, f et are <strong>the</strong>y that keep judgement, f and<br />

faciant justitiam (—) in omni do justice (—) at all times, 4. Retempore.<br />

4. Memento nostri, Do- member us, O Lord, in <strong>the</strong> favor <strong>of</strong><br />

mine, in beneplacito populi tui: | thy people: f visit us with thy salvisita<br />

nos in salutari tuo. vation.<br />

The Gospel, which contains <strong>the</strong> episode <strong>of</strong> <strong>the</strong> Transfiguration,<br />

comes as an answer to <strong>the</strong> final petition <strong>of</strong> <strong>the</strong> Tract. And at <strong>the</strong> consecration<br />

and in Communion <strong>the</strong> salvation <strong>of</strong> God descends upon us.<br />

OFFERTORY (Ps. 118: 47, 48)<br />

1. Meditabor in mandatis tuis, 1. I will meditate on thy comquae<br />

dilexi valde: 2. et levabo manus mandments, which I have loved<br />

meas ad mandata tua, quae dilexi. exceedingly: 2. and I will lift up<br />

my hands to thy commandments,<br />

which I have loved.<br />

Dilexi with its lightly moving torculus dominates <strong>the</strong> melodic line<br />

and colors <strong>the</strong> entire piece. Now we hear a song <strong>of</strong> love, which by love<br />

alone can be fully grasped. For he only can love commandments to<br />

whom <strong>the</strong> command is an expression <strong>of</strong> <strong>the</strong> will <strong>of</strong> <strong>the</strong> beloved, who<br />

makes it his care to fulfill all <strong>the</strong> desires <strong>of</strong> <strong>the</strong> beloved, for whom—as<br />

it was with <strong>the</strong> Saviour—it is a joy to do at all times that which is most<br />

pleasing to <strong>the</strong> Fa<strong>the</strong>r. Such is <strong>the</strong> conviction here expressed. Ano<strong>the</strong>r

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