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Chants of the Vatican Graduale - MusicaSacra

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Fourth Sunday after Pentecost 257<br />

lists against <strong>the</strong> entire world, contemning death. For <strong>the</strong>y were invested<br />

with <strong>the</strong> firm conviction that all <strong>the</strong>se attacks would be repelled by <strong>the</strong><br />

Church and that all <strong>the</strong>ir enemies, though <strong>the</strong>y now appeared as mighty<br />

hosts strongly encamped (castra), would finally collapse utterly.<br />

The manner in which <strong>the</strong> interrogative pronouns quern and a quo<br />

are melodically treated has given rise to special <strong>the</strong>oretical explanations<br />

on <strong>the</strong> handling <strong>of</strong> interrogatives in chant compositions (Gregoriusblatt<br />

1920, 33 ff.; N. Sch. 248,). It remains to be seen if this procedure is justified.<br />

Let it be noted, however, that <strong>the</strong> entire passage et salus mea,<br />

quern timebo with its descending close agrees with qui bona tribuit mihi<br />

in <strong>the</strong> Communion for <strong>the</strong> second Sunday after Pentecost, in which<br />

<strong>the</strong>re is not <strong>the</strong> slightest idea <strong>of</strong> interrogation. Similar instances, for example<br />

<strong>the</strong> Offertory Invent David servum meum, could be quoted. On<br />

<strong>the</strong> o<strong>the</strong>r hand, <strong>the</strong> interrogation in trepiddbo produces a very marked<br />

effect. It sounds like a challenge. And though foes may summon (tribulant)<br />

all <strong>the</strong>ir forces, naught shall come <strong>of</strong> it. How telling is <strong>the</strong> comparison<br />

between <strong>the</strong> stormy tribulant and <strong>the</strong> simple infirmdti sunt with its<br />

delicate irony! All <strong>the</strong> mighty fortresses which are built to hinder <strong>the</strong><br />

advance <strong>of</strong> <strong>the</strong> Church tumble down like houses <strong>of</strong> cards. One is reminded<br />

<strong>of</strong> <strong>the</strong> verse, "The arrows <strong>of</strong> children are <strong>the</strong>ir wounds" (Ps. 63:<br />

8). Ceciderunt closely resembles <strong>the</strong> closing word timebo <strong>of</strong> <strong>the</strong> first phrase.<br />

Over illumindtio and infirmdti <strong>the</strong> principal as well as <strong>the</strong> preceding<br />

secondary accent is short, whereas <strong>the</strong> following syllable always has<br />

more than one note. In <strong>the</strong> first nocturne <strong>of</strong> this Sunday's Office <strong>the</strong><br />

story <strong>of</strong> David and Goliath is related. There stood <strong>the</strong> giant, a terror to<br />

<strong>the</strong> entire Jewish host (si consistant adversum me castra). David alone<br />

showed no fear. The Lord was his light and his salvation! And how miserably<br />

did that colossus come to grief (infirmdti sunt)l A stone from David's<br />

sling sufficed to lay him low.<br />

GRADUAL (Ps. 78: 9, 10)<br />

1. Propitius esto, Domine, pecca- 1. Forgive us our sins, O Lord, 2.<br />

tis nostris: 2. nequando dicant lest <strong>the</strong> gentiles should at any time<br />

gentes: 3. Ubi est Deus eoruml say: 3. Where is <strong>the</strong>ir Godi jl 1.<br />

S r 1. Adjuva nos, Deus salutaris Help us, 0 God our Saviour: 2.<br />

noster 2. et propter honor em nom- and for <strong>the</strong> honor <strong>of</strong> thy name, 0<br />

inis tui, Domine, libera nos. Lord, deliver us.<br />

The fourth, fifth, and sixth Sundays after Pentecost have <strong>the</strong> three<br />

Graduals in <strong>the</strong> same succession as <strong>the</strong>y occur in <strong>the</strong> liturgy <strong>of</strong> <strong>the</strong><br />

Ember Saturdays <strong>of</strong> Lent and <strong>of</strong> September. At St. Gall's and o<strong>the</strong>r<br />

places <strong>the</strong>se seem to have been sung also at a second Mass on <strong>the</strong> Ember

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