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Chants of the Vatican Graduale - MusicaSacra

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The Transfiguration <strong>of</strong> Our Lord Jesus Christ 417<br />

dextris. The motive over regina is abbreviated over in vestitu, and developed<br />

over drcumdata. The ornate deaurdto might depict for us a heavy<br />

gold brocade. The melody here attains its greatest range. Like <strong>the</strong> first<br />

phrase, <strong>the</strong> second closes on <strong>the</strong> dominant c which, as a matter <strong>of</strong> fact,<br />

plays an important role throughout <strong>the</strong> melody. The third phrase repeats<br />

<strong>the</strong> formula b 1 c a g c 1 and continues it immediately. The tonic e<br />

<strong>of</strong> <strong>the</strong> third mode, to which this melody is ascribed, appears only as a<br />

final note. The lowest note <strong>of</strong> <strong>the</strong> third phrase <strong>the</strong>n is e, <strong>of</strong> <strong>the</strong> second /,<br />

and <strong>of</strong> <strong>the</strong> first g.<br />

This is one <strong>of</strong> <strong>the</strong> sublimest Offertories in plain chant, characterized,<br />

as it were, by <strong>the</strong> festive splendor <strong>of</strong> an Eastern sun.<br />

* * * *<br />

THE TRANSFIGURATION OF OUR LORD<br />

JESUS CHRIST<br />

(August 6)<br />

In <strong>the</strong> Occident this feast can be traced to <strong>the</strong> seventh century<br />

while in <strong>the</strong> Orient it was celebrated on various days since <strong>the</strong> eighth<br />

century. The present date was assigned to it by Callixtus III in 1458 in<br />

<strong>the</strong> victory that St. John Capistran and George Hunyadi won over <strong>the</strong><br />

Turks at Belgrade (Keller, Heortologie, p. 81).<br />

INTROIT (Ps. 76: 19)<br />

1. Illuxerunt coruscationes tuae 1. Thy lightnings enlightened <strong>the</strong><br />

orbi terrae; 2. commota est et con- world: 2. <strong>the</strong> earth shook and<br />

tremuit terra. Ps. (88, 2) Quam di- trembled. Ps. (88, 2) How lovely<br />

lecta tabernacula tua, Domine vir- are thy tabernacles, O Lord <strong>of</strong> hosts. *<br />

Mum. * Concupiscit, et deficit My soul longeth and fainteth for<br />

anima mea in atria Domini. <strong>the</strong> courts <strong>of</strong> <strong>the</strong> Lord.<br />

For <strong>the</strong> older feasts it was a general rule that when <strong>the</strong> antiphon<br />

was taken from <strong>the</strong> Psalter, <strong>the</strong> verse was taken from <strong>the</strong> same psalm.<br />

Later feasts, as that <strong>of</strong> today, seemingly ignore this rule.<br />

The flood <strong>of</strong> light which enveloped our Lord on Tabor, or ra<strong>the</strong>r,<br />

which emanating from His divinity had transfigured His human nature,<br />

in all likelihood occasioned <strong>the</strong> choice <strong>of</strong> <strong>the</strong> first psalm-verse. The<br />

effect <strong>of</strong> this unusual but happy spectacle caused St. Peter to exclaim:<br />

"Lord, it is good for us to be here... Let us make here three tabernacles."<br />

The second psalm-verse again calls this happiness to mind. As a matter<br />

<strong>of</strong> fact, God does occasionally impart to us His illuminations and con-

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