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Chants of the Vatican Graduale - MusicaSacra

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466 All Saints Day<br />

Of all this <strong>the</strong> melody sings simply and modestly, without display,<br />

without agitation, without any great development. The plain, rhythmic<br />

torculi, which lift <strong>the</strong> middle note an interval <strong>of</strong> a second, streng<strong>the</strong>n<br />

this impression. It is <strong>the</strong> song <strong>of</strong> <strong>the</strong> King <strong>of</strong> peace.<br />

The chants <strong>of</strong> this new feast betray throughout adaptations <strong>of</strong><br />

older melodies. This should not, however, spoil our joy in singing <strong>the</strong>m.<br />

Each <strong>of</strong> <strong>the</strong>m is like a new stanza added to a beloved old song, awakening<br />

memories <strong>of</strong> <strong>the</strong> most beautiful seasons <strong>of</strong> <strong>the</strong> liturgical year.<br />

ALL SAINTS DAY<br />

(November 1)<br />

"All Saints is a feast <strong>of</strong> exalted joy; a memorial day dedicated by<br />

<strong>the</strong> Church militant to <strong>the</strong> honor <strong>of</strong> its triumphant members in heaven,<br />

to its own welfare and consolation. It is a feast full <strong>of</strong> unrestrained jubilation<br />

and thanksgiving. Wide horizons unfold <strong>the</strong>mselves before <strong>the</strong><br />

meditating eye, presenting views similar to those seen by <strong>the</strong> inspired,<br />

heaven-rapt disciple on Patmos in <strong>the</strong> golden depths <strong>of</strong> eternity. Peoples,<br />

nations, tongues, innumerable hosts <strong>of</strong> men, all and each <strong>of</strong> <strong>the</strong>m a<br />

thought <strong>of</strong> God, a picture <strong>of</strong> God, a world, a marvel <strong>of</strong> divine creative<br />

power, <strong>of</strong> divine redemptive love and wisdom. All perfect and transfigured,<br />

illumined by <strong>the</strong> sun <strong>of</strong> eternal bliss, surrounded by <strong>the</strong> rays <strong>of</strong><br />

glory emanating from God's sublime majesty and from <strong>the</strong> throne <strong>of</strong><br />

<strong>the</strong> Lamb. All joined in one immense family <strong>of</strong> God, members <strong>of</strong> one<br />

Body. The most sublime and glorious ideal realized in all <strong>of</strong> <strong>the</strong>m:<br />

Christ in <strong>the</strong>m, God in His Christ, God all in all" (C. O., 50, 147).<br />

Only in <strong>the</strong> ninth century was this feast definitely introduced into<br />

<strong>the</strong> Church. Hence we ought not wonder if we find no references to it<br />

in <strong>the</strong> most ancient manuscripts <strong>of</strong> plainsong. The chants have been<br />

borrowed in part from older feasts; 1 some parts, like <strong>the</strong> Alleluia and <strong>the</strong><br />

Communion, have been composed in <strong>the</strong> classical style <strong>of</strong> plainsong.<br />

It is <strong>the</strong> feast <strong>of</strong> All Saints. Scarcely ano<strong>the</strong>r feast brings out <strong>the</strong><br />

truth so forcibly, that God is <strong>the</strong> Sun from which emanate all those rays<br />

we admire in <strong>the</strong> saints. Already in <strong>the</strong> Invitatory for Matins <strong>the</strong> Church<br />

sang: "Come, let us adore <strong>the</strong> King <strong>of</strong> kings, for He is <strong>the</strong> Crown <strong>of</strong> all<br />

<strong>the</strong> saints."<br />

c. o., 50,147.

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