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Chants of the Vatican Graduale - MusicaSacra

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Asperges Me 491<br />

wholeheartedly throughout <strong>the</strong> ceremony. These chants form a sort <strong>of</strong><br />

overture to <strong>the</strong> sacrifice <strong>of</strong> <strong>the</strong> Mass. No orchestra, for instance, which<br />

takes any pride in its art and which values its reputation, will tolerate<br />

<strong>the</strong> presentation <strong>of</strong> its overtures by indispensable instruments only; it<br />

will demand that <strong>the</strong> entire ensemble be present for <strong>the</strong> whole program.<br />

These songs, however, play a much more important role, especially <strong>the</strong><br />

ASPERGES ME (Ps. 50: 9)<br />

1. Asperges me, Domine, hys- 1. Thou shalt sprinkle me<br />

sopo, et mundabor: 2. lavabis me et hyssop, O Lord, and I shall be<br />

super nivem dealbabor. Ps. Mi- cleansed: 2. thou shalt wash me and<br />

serere mei, Deus: * secundum mag- I shall be made whiter than snow,<br />

nam misericordiam tuam. Ps. Have mercy on me, O God, *<br />

according to thy great mercy.<br />

Hyssop is a wild, bushy plant, which was employed in many ritual<br />

sprinklings <strong>of</strong> <strong>the</strong> Old Law. This sprinkling with hyssop symbolizes interior<br />

purification. Even <strong>the</strong> pagan Greeks and Romans used water in<br />

<strong>the</strong>ir various cults to symbolize <strong>the</strong> cleansing <strong>of</strong> <strong>the</strong> soul? In <strong>the</strong> Christian<br />

cult <strong>the</strong> use <strong>of</strong> holy water can be traced back as early as A. D. 200.<br />

In monasteries it was customary to sprinkle <strong>the</strong> various apartments<br />

with holy water every Sunday. Gradually this practice was adopted by<br />

<strong>the</strong> universal Church.<br />

God is holiness itself; and when man appears before Him, <strong>the</strong> prayer<br />

<strong>of</strong> <strong>the</strong> publican forces itself to his lips: "God, be merciful to me a sinner!"<br />

If we consider <strong>the</strong> obligation we assumed when <strong>the</strong> waters <strong>of</strong> Baptism<br />

made us children <strong>of</strong> God—Sunday reminds us <strong>of</strong> this—and how <strong>of</strong>ten<br />

we have been unfaithful, <strong>the</strong>n <strong>the</strong> Asperges and <strong>the</strong> Miserere will well<br />

up from <strong>the</strong> innermost recesses <strong>of</strong> our souls. Fur<strong>the</strong>rmore, we have<br />

ga<strong>the</strong>red to celebrate, in union with <strong>the</strong> priest, <strong>the</strong> sacrifice <strong>of</strong> <strong>the</strong> Mass,<br />

that awful Mystery, at sight <strong>of</strong> which even <strong>the</strong> angel choir <strong>of</strong> Powers<br />

trembles in reverence. With what sentiments <strong>of</strong> pr<strong>of</strong>ound humility and<br />

contrition ought we to approach <strong>the</strong> altar!<br />

But as sinners we have special duties. Before <strong>the</strong> priest sings <strong>the</strong><br />

Gospel, he prays, bowing pr<strong>of</strong>oundly: "Cleanse my heart and my lips,<br />

0 God almighty, who didst cleanse <strong>the</strong> lips <strong>of</strong> <strong>the</strong> prophet Isaias with a<br />

live coal: vouchsafe, <strong>of</strong> Thy gracious mercy, so to cleanse me, that I<br />

may worthily proclaim Thy holy Gospel." We singers also are messengers<br />

<strong>of</strong> God, announcing <strong>the</strong> divine word, and by our singing we can become<br />

<strong>the</strong> mediators <strong>of</strong> grace. This requires that our hearts be clean. Thus <strong>the</strong><br />

Asperges is to us what <strong>the</strong> Munda cor is to <strong>the</strong> priest. If a Cecilia prayed

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