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Chants of the Vatican Graduale - MusicaSacra

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Twelfth Sunday after Pentecost 293<br />

In <strong>the</strong> present instance <strong>the</strong> melody climbs to unusual heights, which is<br />

already indicated by <strong>the</strong> use <strong>of</strong> <strong>the</strong> C clef on <strong>the</strong> second line. The first<br />

two phrases are impelled onward by great anxiety <strong>of</strong> soul; <strong>the</strong>y voice<br />

<strong>the</strong> most abject misery. We can imagine how <strong>the</strong> man in today's Gospel<br />

cried for assistance after <strong>the</strong> robbers had beaten him almost to death.<br />

He had seen <strong>the</strong> priest approach and confidently looked forward to being<br />

rescued. But <strong>the</strong> priest passed by, indifferent. Similarly had he seen <strong>the</strong><br />

Levite coming toward him, but he also kept alo<strong>of</strong>. How he must have<br />

cried <strong>the</strong>n to God for help: Intende, imploring Him to send relief at<br />

once, for he was bleeding to death: festinal<br />

By means <strong>of</strong> <strong>the</strong> pressus over Deus and <strong>the</strong> streng<strong>the</strong>ning <strong>of</strong> <strong>the</strong><br />

note over (adju)-to-(rium), special emphasis is placed on <strong>the</strong> first phrase,<br />

while <strong>the</strong> whole step below <strong>the</strong> c gives it unusual force. We shall better<br />

understand <strong>the</strong> melody if we picture it written a fourth lower: its essential<br />

notes <strong>the</strong>n would begcdgdfgacdc and a f a g g at <strong>the</strong> end.<br />

These are tone-sequences with which <strong>the</strong> eighth mode has made us well<br />

acquainted. The second phrase, which ought to be compared with <strong>the</strong><br />

rich Offertory on <strong>the</strong> Thursday after <strong>the</strong> fourth Sunday in Lent, could<br />

be transposed in <strong>the</strong> same manner. We should <strong>the</strong>n have an /# over mei.<br />

To judge merely from <strong>the</strong> melodic structures, <strong>the</strong> third phrase is <strong>the</strong><br />

most calm. But in <strong>the</strong> development <strong>of</strong> <strong>the</strong> motive <strong>of</strong> confunddntur over<br />

reveredntur, and in <strong>the</strong> prominent syllabic chant, a tension is evident<br />

which is readily felt by <strong>the</strong> singer, a tension which calls for release in<br />

<strong>the</strong> second half <strong>of</strong> <strong>the</strong> phrase and especially stresses <strong>the</strong> important<br />

words dnimam meam. A host <strong>of</strong> evil spirits go about <strong>the</strong> world, seeking<br />

<strong>the</strong> ruin <strong>of</strong> souls (cf. <strong>the</strong> prayers after Mass). Evil men assist <strong>the</strong>m in<br />

<strong>the</strong>ir task. Many hardly realize <strong>the</strong> dangers by which <strong>the</strong>y are surrounded,<br />

or with what terrifying speed <strong>the</strong>y are rushing to perdition. For <strong>the</strong>m<br />

<strong>the</strong> Church prays with mo<strong>the</strong>rly solicitude and cries to heaven: Deus<br />

in adjutoriuml May <strong>the</strong> strength <strong>of</strong> <strong>the</strong> enemies be broken and <strong>the</strong>ir<br />

influence come to naught!<br />

In <strong>the</strong> Epistle we hear <strong>the</strong> Apostle admonishing us: "Not that we<br />

are sufficient to think anything <strong>of</strong> ourselves, as <strong>of</strong> ourselves; but our<br />

sufficiency is from God." And <strong>the</strong> Collect remarks that it is only by<br />

virtue <strong>of</strong> God's grace that His faithful serve Him loyally and worthily.<br />

All this urges us to pray <strong>the</strong> more fervently: Deus in adjutorium meum<br />

intendel<br />

GRADUAL (Ps. 33:2, 3)<br />

1. Benedicam Dominum in omni 1. I will bless <strong>the</strong> Lord at all<br />

tempore: 2. semper laus ejus in ore times: 2. his praise shall be ever in<br />

meo. $. 1. In Domino laudabitur my mouth. #". In <strong>the</strong> Lord shall my

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