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Chants of the Vatican Graduale - MusicaSacra

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St. Mark, Evangelist—SS. Philip and James <strong>the</strong> Younger 381<br />

ST. MARK, EVANGELIST<br />

(April 25)<br />

The Introit opens with <strong>the</strong> word Protexisti. In it <strong>the</strong> Evangelist<br />

gives expression to his gratitude to God for <strong>the</strong> protection which he has<br />

been given against his enemies and persecutors (particularly at his<br />

martyrdom). The melody repeats identical and similar forms and requires<br />

lively rendition. The tonic <strong>of</strong> <strong>the</strong> seventh mode is found only at<br />

<strong>the</strong> beginning and at <strong>the</strong> end <strong>of</strong> <strong>the</strong> antiphon.<br />

The first ALLELUIA VERSE and <strong>the</strong> OFFERTORY are <strong>the</strong><br />

same as those on <strong>the</strong> feast <strong>of</strong> <strong>the</strong> Apostles Philip and James (May 1).<br />

The second ALLELUIA VERSE Posuisti describes in a beautiful<br />

and tuneful melody how God has placed on <strong>the</strong> head <strong>of</strong> <strong>the</strong> saint a crown<br />

<strong>of</strong> precious stones. The verse repeats <strong>the</strong> motives <strong>of</strong> Alleluia and its<br />

jubilus: abed. Posuisti corresponds to a, Domine to b c and <strong>the</strong> first<br />

part <strong>of</strong> a; ejus is an extended form <strong>of</strong> c, a free repetition <strong>of</strong> which is given<br />

over coronam; de lapide pretioso repeats <strong>the</strong> entire melody <strong>of</strong> alleluia and<br />

<strong>the</strong> jubilus.<br />

The melody dates back to <strong>the</strong> twelfth century.<br />

The COMMUNION Laetdbitur Justus belongs to <strong>the</strong> most effective<br />

and worth-while chants <strong>of</strong> <strong>the</strong> <strong>Graduale</strong>. It rouses to <strong>the</strong> height <strong>of</strong> enthusiasm.<br />

The introductory motive / gga gf becomes fa ag cc a eg over<br />

in Do-(mino), and fac e 1 d 1 c 1 over et sperdbit. Such is <strong>the</strong> song <strong>of</strong> a faith<br />

that knows nei<strong>the</strong>r enemy nor difficulty. After a quiet, contrasting melodic<br />

descent, <strong>the</strong> jubilant Alleluia with its fac 1 dVVcVdV brings <strong>the</strong><br />

piece to a close. Even as <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> members <strong>of</strong> each phrase<br />

depict exuberant joy, so <strong>the</strong> final groups with <strong>the</strong>ir rhymes -mino, corde,<br />

-luia and <strong>the</strong> sequences recti and -Mia with cab\>cb\> ga b\?a g fg dgf<br />

brea<strong>the</strong> <strong>the</strong> peace <strong>of</strong> a soul united to God.<br />

Revue, 20, 138.<br />

SS. PHILIP AND JAMES THE YOUNGER,<br />

APOSTLES<br />

(May 1)<br />

It was on this day during <strong>the</strong> pontificate <strong>of</strong> John III (661-674)<br />

that <strong>the</strong> Church <strong>of</strong> <strong>the</strong> Twelve Apostles at Rome, which possessed relics<br />

<strong>of</strong> <strong>the</strong> two Apostles Philip and James, was dedicated. The same date<br />

commemorated <strong>the</strong> deliverance <strong>of</strong> Rome by Narses from <strong>the</strong> Gothic

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