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Chants of the Vatican Graduale - MusicaSacra

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Sexagesima Sunday 103<br />

than a synopsis <strong>of</strong> <strong>the</strong> melody over <strong>the</strong> psalm-verse (Deus auribus),<br />

<strong>the</strong>y are most effective here because <strong>of</strong> <strong>the</strong>ir position in <strong>the</strong> Introit. The<br />

composer had in his heart a feeling somewhat akin to that which forced<br />

from <strong>the</strong> Saviour's lips <strong>the</strong> terrible cry: "My God, why hast Thou forsaken<br />

Me?" The almost monotonous tribulationem nostram reminds us<br />

<strong>of</strong> our daily work, <strong>of</strong> that deadly sameness which may ei<strong>the</strong>r numb <strong>the</strong><br />

soul or be its constant torture. At adhaesit <strong>the</strong> melody tries four times<br />

to surge upward, and four times sinks back as if drawn down by a leaden<br />

weight. The highest notes <strong>of</strong> <strong>the</strong> individual groups form a descending<br />

line from dominant to tonic: a g f e d.<br />

Now <strong>the</strong> singer summons all his strength, storming heaven with<br />

short yet powerful sentences. How telling is <strong>the</strong> simple syllabic chant<br />

in this instance! The third phrase is melodically like <strong>the</strong> first; its ddjuva<br />

is a simpler form <strong>of</strong> <strong>the</strong> second exsurge. The second half cf <strong>the</strong> phrase<br />

<strong>the</strong>n closes with <strong>the</strong> anticipated calmness inspired by <strong>the</strong> subsequent<br />

psalm-verse and psalm, which tells <strong>of</strong> <strong>the</strong> providence <strong>of</strong> God in <strong>the</strong> days<br />

<strong>of</strong> <strong>the</strong> Egyptian bondage, and <strong>of</strong> <strong>the</strong> liberation <strong>of</strong> Israel's children.<br />

K.K., 24, 13 ff.<br />

GRADUAL (Ps. 82: 10, 14)<br />

1. Sciant gentes quoniam nomen 1. Let <strong>the</strong> gentiles know that God<br />

tibi Deus: 2. tu solus Altissimus is thy name: 2. thou alone art <strong>the</strong><br />

super omnem terram. $. 1. Deus Most High over all <strong>the</strong> earth, jlf. 1,<br />

meus, pone illos ut rotam, 2. et sicut O my God, make <strong>the</strong>m like a wheel,<br />

stipulam 3. ante fadem venti. 2. and as stubble 3. before <strong>the</strong> face<br />

<strong>of</strong> <strong>the</strong> wind.<br />

Rumors <strong>of</strong> wars and threatened invasions <strong>of</strong> hea<strong>the</strong>n enemies seem<br />

to be referred to in this Gradual. The verse with its request, which<br />

strikes us so oddly, begs God to put <strong>the</strong> enemy to flight with <strong>the</strong> same<br />

despatch that is shown by <strong>the</strong> autumn wind in heaping toge<strong>the</strong>r <strong>the</strong><br />

weeds <strong>of</strong> <strong>the</strong> fields and whisking <strong>the</strong>m across <strong>the</strong> prairie.<br />

By God's grace our enemies are to be robbed <strong>of</strong> <strong>the</strong>ir strength, and<br />

we are to be made strong, that we may learn to overcome all things.<br />

That is St. Paul's instruction in today's Epistle. We are to preserve this<br />

strength throughout our life, and thus show <strong>the</strong> "gentiles" <strong>the</strong> enemies<br />

<strong>of</strong> Christ and those who deny Him—that He is truly God. This Easter<br />

Christ is to achieve victory in us.<br />

The corpus <strong>of</strong> <strong>the</strong> Gradual is well planned. There is a well-ordered<br />

widening <strong>of</strong> <strong>the</strong> range in <strong>the</strong> phrases c-a and d-b, as well as in <strong>the</strong> two<br />

following which range from c-c. The nomen tibi is echoed in Deus. Here<br />

we find also <strong>the</strong> words Deus and Altissimus given a treatment similar

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