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Chants of the Vatican Graduale - MusicaSacra

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Solemnity <strong>of</strong> St. Joseph 389<br />

FIRST ALLELUIA VERSE<br />

1. De quacumque tribulatione 1. In whatever tribulation <strong>the</strong>y<br />

clamaverint ad me, exaudiam eos, shall cry to me, I will hear <strong>the</strong>m,<br />

2. et ero protector eorum semper. 2. and be <strong>the</strong>ir protector always.<br />

The melody makes frequent use <strong>of</strong> <strong>the</strong> intervals c-e-g with pauses<br />

mostly on g and e. It might thus be assigned to <strong>the</strong> ancient C mode,<br />

which, like <strong>the</strong> Pbpule meus, closes on d (cf. Jeannin, Melodies syriennes<br />

et chaldeenes, Leroux, Paris, p. 124). As early as <strong>the</strong> eleventh century it<br />

was sung in honor <strong>of</strong> <strong>the</strong> Cross, to <strong>the</strong> text beginning with Nos autem.<br />

The three pressus serve as so many pillars for <strong>the</strong> buoyant melody <strong>of</strong><br />

<strong>the</strong> jubilus. The melody over De quacumque is repeated over clamdverint,<br />

while that over exaudiam is similar to (pro)-tector eorum (Revue, 3, 163).<br />

A peculiar joy should characterize our rendition <strong>of</strong> <strong>the</strong> two phrases in<br />

which St. Joseph speaks to us in a reassuring manner and we, in turn,<br />

gratefully acknowledge his loving protection.<br />

SECOND ALLELUIA VERSE<br />

1. Fac nos innocuam, Joseph, de- 1. Obtain for us, 0 Joseph, to<br />

currere vitam: 2. sitque tuo semper lead an innocent life; 2. and may it<br />

tuta patriocnio. ever be safe through thy patronage.<br />

The text forms a distich. The melody, however, is not influenced by<br />

its metrical form.<br />

The original melody dates from <strong>the</strong> eleventh century. A feeling <strong>of</strong><br />

earnest entreaty and <strong>of</strong> l<strong>of</strong>ty aspiration pervades <strong>the</strong> melody, depicting,<br />

as it were, anticipation <strong>of</strong> an ascension to heaven. Well adapted to <strong>the</strong><br />

pleading character <strong>of</strong> <strong>the</strong> text is <strong>the</strong> soaring melody at <strong>the</strong> close.<br />

Faultless and pure was <strong>the</strong> life <strong>of</strong> St. Joseph to whose care God entrusted<br />

<strong>the</strong> Virgin <strong>of</strong> Virgins and <strong>the</strong> Christ Child, who was innocence<br />

itself. The melodies over Fac nos and Joseph show similarity. The florid<br />

melisma over tu-(ta) has <strong>the</strong> form a b c. Part a has rhymelike consonance<br />

to which b with its descending line forms a contrast; c is made<br />

up <strong>of</strong> semper tu-(ta) and vitam.<br />

Being mindful <strong>of</strong> our own helplessness, we should sing this melody<br />

with great fervor. When entreating St. Joseph to be our protector at all<br />

times, let us not forget <strong>the</strong> great need we shall have <strong>of</strong> his protection in<br />

<strong>the</strong> hour <strong>of</strong> death. An atmosphere <strong>of</strong> glad and trusting hope in <strong>the</strong> faithful,<br />

and <strong>of</strong>ten proven, love <strong>of</strong> St. Joseph will <strong>the</strong>n pervade our chant.<br />

Revue, 9, 131 ff.

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