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Chants of the Vatican Graduale - MusicaSacra

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314 Sixteenth Sunday after Pentecost<br />

but in <strong>the</strong> same degree she gains in grace and glory. Affliction should<br />

purge <strong>the</strong> members <strong>of</strong> <strong>the</strong> Body, should cause <strong>the</strong>ir love and faith to increase,<br />

and thus lead <strong>the</strong>m into <strong>the</strong> depths <strong>of</strong> Christ and into His glory.<br />

In this manner <strong>the</strong> Lord "builds" His new Sion, His glorified Church,<br />

<strong>of</strong> well-known stones; <strong>the</strong>re He will dwell as Victor and King.(Bomm,<br />

Volksmessbuch).<br />

ALLELUIA VERSE (Ps. 97: 1)<br />

1. Cantate Domino canticum no- 1. Sing ye to <strong>the</strong> Lord a new canvum:<br />

2. quia mirabilia fecit Domi- tide: 2. for <strong>the</strong> Lord hath done<br />

nus. wonderful things.<br />

The reverent surprise with which <strong>the</strong> Gradual began, continually<br />

mounts in <strong>the</strong> course <strong>of</strong> <strong>the</strong> piece and finally develops into a song <strong>of</strong> joy.<br />

It continues in <strong>the</strong> Alleluia in a bright tone and with gentle persuasiveness,<br />

striving to captivate hearts, urging <strong>the</strong>m on to joy in <strong>the</strong> Lord.<br />

Were we to strive to contemplate <strong>the</strong> wonderful things <strong>of</strong> God, <strong>the</strong> marvels<br />

<strong>of</strong> His grace, <strong>of</strong> His mysteries, <strong>the</strong> prodigies <strong>of</strong> <strong>the</strong> Eucharistic Sacrifice;<br />

were we to make an earnest effort to penetrate into this world,<br />

<strong>the</strong>n this song would give new stimulus and energy every time we should<br />

assist at Mass. Then our whole soul would sing out this melody as a<br />

small recompense to God for <strong>the</strong> gift <strong>of</strong> His only-begotten Son.<br />

Over Cantate <strong>the</strong> melody swells as far as <strong>the</strong> pressus on c; <strong>the</strong>n it<br />

relaxes somewhat, only to prepare for a greater climax with Domino.<br />

Our song is intended for <strong>the</strong> Lord, and for Him alone. The third significant<br />

word <strong>of</strong> this verse, mirabilia, is made prominent like <strong>the</strong> first<br />

two, but it may be sung with still greater warmth. The tempo must, <strong>of</strong><br />

course, be quite lively.<br />

So far as <strong>the</strong> melody is concerned, this Sunday's Alleluia is much<br />

like that <strong>of</strong> <strong>the</strong> twenty-second Sunday after Pentecost. Both have <strong>the</strong><br />

same tw<strong>of</strong>old division, clearly indicated by <strong>the</strong> melody. It is difficult to<br />

determine which is <strong>the</strong> original composition. The probability seems to<br />

favor <strong>the</strong> twenty-second Sunday after Pentecost, for in <strong>the</strong> most ancient<br />

manuscripts <strong>the</strong> Alleluia Cantate Domino is not mentioned, while<br />

in manuscript 121 <strong>of</strong> Einsiedeln <strong>the</strong> text is given, but without any<br />

neums, although a place was reserved for <strong>the</strong>ir insertion. Three small<br />

variants seem to be mere printing mistakes:<br />

Sixteenth Sunday Twenty-second Sunday<br />

(Domi)-no gf Dominum ge<br />

(Do)-mi-(nus) fgaga (eo)-rum faga

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