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Chants of the Vatican Graduale - MusicaSacra

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176 Holy Saturday<br />

The prescribed time <strong>of</strong> silence is over and <strong>the</strong> organ again booms forth<br />

to join in <strong>the</strong> jubilation. Great joy and solemnity accompany <strong>the</strong> salutation<br />

Agnus Dei in <strong>the</strong> Gloria today, for Christ h?s shown Himself to<br />

be <strong>the</strong> true Lamb; He has sacrificed Himself for us.<br />

ALLELUIA<br />

H w shall we adequately render this word <strong>of</strong> praise? We should<br />

like to nnounce it to <strong>the</strong> whole world with cries <strong>of</strong> vehement exultation.<br />

And 01 • chant? The melody sets in with <strong>the</strong> minor third, known to us<br />

from t Preface. Later editions <strong>of</strong> plain song that begin with a fourth<br />

are in rror. After <strong>the</strong> first few notes we might surely expect a greater<br />

interva<br />

This is<br />

fhere is an interval <strong>of</strong> a fourth.<br />

gner 1 but <strong>the</strong> melody again sinks back and repeats <strong>the</strong> same formula,<br />

followed not by a quiet clivis, but an onward-urging pes; finally<br />

has called attention to <strong>the</strong> fact that <strong>the</strong> melody over Alle-<br />

agrees<br />

bilus o<br />

A<br />

vith that <strong>of</strong> <strong>the</strong> Per omnia saecula saeculorum, and that <strong>the</strong> ju-<br />

a bears some resemblance to <strong>the</strong> Dignum et justum.<br />

this would depict for us <strong>the</strong> Church just awaking from a deep<br />

sleep, and not yet realizing that after so many days <strong>of</strong> enforced silence<br />

she is again allowed to sing Alleluia. The Alleluia is repeated three times,<br />

each ti ne in a higher pitch, making it necessary to begin in a subdued,<br />

low pit ;h. 2 But steadily <strong>the</strong> joy grows, steadily <strong>the</strong> jubilation increases.<br />

And once <strong>the</strong> climax has been reached, <strong>the</strong> melody continues impressively<br />

on hig c with Confitemini (Ps. 117, 1).<br />

l.G tfitemini Domino, quoniam 1. Praise ye <strong>the</strong> Lord, because He<br />

bonus: 2. quoniam in saeculum mi- is good: 2. because his mercy en-<br />

sericoriia<br />

ejus. dureth for ever.<br />

T e first half <strong>of</strong> ei<strong>the</strong>r verse has <strong>the</strong> same close, in which <strong>the</strong>re<br />

seems o re-echo a motive <strong>of</strong> <strong>the</strong> preceding Tract. The whole ends with<br />

<strong>the</strong> find motive <strong>of</strong> Alleluia. The text is explained in <strong>the</strong> verse <strong>of</strong> <strong>the</strong><br />

Gradual for Easter Sunday.<br />

TRACT (Ps. 116: 1-2)<br />

1. Laudate Dominum omnes gen- 1. Praise <strong>the</strong> Lord all ye Gentiles:<br />

tes:\eicollaudateeumomnespopuli. f and praise him all ye people. 2.<br />

2. Qwniam confirmata est super Because his mercy is confirmed<br />

nos m sericordia ejus: f & veritas upon us: f and <strong>the</strong> truth <strong>of</strong> <strong>the</strong> Lord<br />

Domim manet in aeternum. remaineth for ever.<br />

iin, 97.<br />

2 Ano<strong>the</strong>r interpretation would hear in this threefold repetition <strong>the</strong> blast <strong>of</strong> trumpets.

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