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Chants of the Vatican Graduale - MusicaSacra

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116 Ash Wednesday<br />

propter gloriam nominis tui, Do- liver us: t and forgive us our sins<br />

mine, libera nos: f et propitius esto for thy name's sake,<br />

peccatis nostris, propter nomen<br />

tnum.<br />

This tract is not found in <strong>the</strong> oldest manuscripts. It would seem that<br />

it received its present form no earlier than <strong>the</strong> twelfth century. The<br />

similar middle cadences are indicated above by <strong>the</strong> mark f, and <strong>the</strong><br />

caesura (—). In <strong>the</strong> first verse <strong>the</strong> phrasing <strong>of</strong> <strong>the</strong> text and <strong>the</strong> melodic<br />

phrasing are not quite parallel. The second and third verses have much<br />

in common. In <strong>the</strong> third verse, <strong>the</strong> introductory notes and <strong>the</strong> prolonged<br />

clinging to a reveal <strong>the</strong> underlying emotion <strong>of</strong> <strong>the</strong> soul; it is a suppliant<br />

call, heartfelt and urgent. It presents one <strong>of</strong> <strong>the</strong> more dramatic moments<br />

<strong>of</strong> <strong>the</strong> liturgy, <strong>the</strong> kneeling <strong>of</strong> all <strong>the</strong> faithful to <strong>the</strong> accompaniment <strong>of</strong><br />

this chant. We cry to <strong>the</strong> Lord: Thy Being and <strong>the</strong> glory <strong>of</strong> Thy Name<br />

demand that Thou enter <strong>the</strong> lists for us and grant us Thy lasting help.<br />

OFFERTORY (Ps. 29: 2,3)<br />

1. Exaltabo te Domine, quoniam 1. / will extol <strong>the</strong>e, O Lord, for<br />

suscepisti me, 2. nee delectasti ini- thou hast upheld me: 2. and hast<br />

micos meos super me: 3. Domine not made mine enemies to rejoice<br />

clamavi ad te, et sanasti me. over me: 3. O Lord, I have cried to<br />

<strong>the</strong>e, and thou hast healed me.<br />

How can this text belong here, at this solemn opening <strong>of</strong> Lent? On<br />

Easter Day we should readily understand it as <strong>the</strong> victorious song <strong>of</strong> <strong>the</strong><br />

Risen One, as a second stanza to <strong>the</strong> Easter Introit with its tecum sum,<br />

as a song <strong>of</strong> victory, or as <strong>the</strong> glorified Saviour's song <strong>of</strong> exultation after<br />

all <strong>the</strong> wounds that had been inflicted upon Him. But today it seems out<br />

<strong>of</strong> place. We must not forget, however, that <strong>the</strong> Lenten season which<br />

we are now ushering in is but <strong>the</strong> great preparation for Easter. Moreover,<br />

<strong>the</strong> melody itself does not course upward in extraordinarily bright<br />

and jubilant tones, but adapts itself, more than does <strong>the</strong> text itself, to<br />

<strong>the</strong> prevailing spirit <strong>of</strong> <strong>the</strong> day.<br />

This was <strong>the</strong> day on which public sinners were thrust out <strong>of</strong> <strong>the</strong><br />

church to do public penance. Not till Maundy Thursday were <strong>the</strong>y<br />

again permitted to participate in <strong>the</strong> divine service. This must have<br />

reminded <strong>the</strong> faithful in a most vivid manner <strong>of</strong> what <strong>the</strong>y <strong>the</strong>mselves<br />

owed to <strong>the</strong> grace <strong>of</strong> God, to that divine help which ever led <strong>the</strong>m on,<br />

which protected <strong>the</strong>m against <strong>the</strong> allurements <strong>of</strong> <strong>the</strong> enemy and <strong>the</strong><br />

contagion <strong>of</strong> sin. The same grace makes <strong>the</strong>m participants today in <strong>the</strong><br />

blessings flowing from <strong>the</strong> Eucharistic Sacrifice.

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