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Chants of the Vatican Graduale - MusicaSacra

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Easter Sunday 179<br />

The real dominant <strong>of</strong> <strong>the</strong> melody and <strong>of</strong> <strong>the</strong> Resurrexi is /, which<br />

pervades <strong>the</strong> entire piece as a tristropha; it must be sung very lightly;<br />

it is, so to say, a quivering from very joy. Adhuc tecum sum has g for its<br />

dominant. Five notes precede <strong>the</strong> word tecum and five follow it. The entire<br />

first phrase confines itself to <strong>the</strong> tetrachord d-g. Its alleluia is also<br />

sung as proceeding from <strong>the</strong> heart <strong>of</strong> <strong>the</strong> risen Christ. But it may serve<br />

in all three phrases as our own cry—a jubilant, expressive Amen to <strong>the</strong><br />

words <strong>of</strong> <strong>the</strong> Redeemer (Analyses, III, 10).<br />

2. "Thou hast laid thy hand upon me." Even when He was in <strong>the</strong><br />

grave <strong>the</strong> hand <strong>of</strong> <strong>the</strong> Fa<strong>the</strong>r rested protectingly over His Son. Then it<br />

permitted Him to shatter <strong>the</strong> fetters <strong>of</strong> death and to arise to a new life.<br />

Perhaps one may also apply <strong>the</strong>se words to <strong>the</strong> hand <strong>of</strong> God demanding<br />

justice which weighed so terribly upon <strong>the</strong> Saviour that it forced from<br />

Him <strong>the</strong> words: "Only against Me He hath turned, and turned again<br />

His hand all <strong>the</strong> day" (Lamen. 3: 3). But today Christ substitutes <strong>the</strong><br />

glad Alleluia: Alleluia for His sufferings, for His death, and for <strong>the</strong><br />

fruits <strong>of</strong> His redemption.<br />

The calm melody with its strong accent on / may serve as a picture<br />

<strong>of</strong> <strong>the</strong> quietly sheltering hand <strong>of</strong> God. Super and manum remind us <strong>of</strong><br />

<strong>the</strong> first alle-(Mia). Toward <strong>the</strong> end, <strong>the</strong> second alleluia must grow in<br />

warmth and thus prepare for <strong>the</strong> third phrase. The rising melody has<br />

<strong>the</strong> same end in view. This second phrase has three members, like <strong>the</strong><br />

first, but a greater range: d-a.<br />

Now <strong>the</strong> third phrase may begin with all solemnity. It has four<br />

members, a tone-range <strong>of</strong> c-a, and a fourth which introduces a sort <strong>of</strong><br />

modulation to low c. Amazement seems ever to grow in <strong>the</strong> heart <strong>of</strong> <strong>the</strong><br />

Risen One. If we abstract from <strong>the</strong> first note, <strong>the</strong>n <strong>the</strong> first alleMia is<br />

but a slightly shortened form <strong>of</strong> et adhuc tecum sum, and <strong>the</strong> second<br />

alleMia a repetition <strong>of</strong> <strong>the</strong> alleluia which follows that phrase.<br />

The gaze <strong>of</strong> <strong>the</strong> risen Christ turns back to <strong>the</strong> days <strong>of</strong> eternity when<br />

divine mercy conceived <strong>the</strong> plan (scientia) <strong>of</strong> redemption. God was to<br />

become man, <strong>the</strong> Impassible One was to suffer, <strong>the</strong> Eternal to be destroyed,<br />

but from this death a new and fruitful life was to emerge; mankind,<br />

a nonentity before <strong>the</strong> majesty <strong>of</strong> God, was destined to obtain in<br />

<strong>the</strong> divine person <strong>of</strong> Jesus eternal reconciliation, unending glorification.<br />

Human power and malice were indeed to triumph for a short time, but<br />

<strong>the</strong>n God's wisdom, omnipotence, and goodness were to assert <strong>the</strong>mselves<br />

so much <strong>the</strong> more gloriously. All <strong>the</strong>se apparent contradictions<br />

found a wonderful solution (mirdbilis) in <strong>the</strong> resurrection <strong>of</strong> Christ. It<br />

is through this that our faith and our hope have received <strong>the</strong>ir foundation<br />

and corroboration.

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