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Chants of the Vatican Graduale - MusicaSacra

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The Most Sacred Heart <strong>of</strong> Jesus 251<br />

COMMUNION (John 19: 34)<br />

1. Unus militum lancea latus 1. One <strong>of</strong> <strong>the</strong> soldiers with a spear<br />

eius aperuit, et continuo exivit opened his side, and immediately<br />

sanguis et aqua. <strong>the</strong>re came out blood and water.<br />

Like <strong>the</strong> Offertory, <strong>the</strong> Communion emphasizes <strong>the</strong> thought <strong>of</strong><br />

Christ's sufferings. The soldier who opened <strong>the</strong> side <strong>of</strong> Christ certainly<br />

had no premonition <strong>of</strong> <strong>the</strong> blessings his action presaged. The Heart <strong>of</strong><br />

Jesus is opened and will remain open forevermore, "a rest for <strong>the</strong> pious<br />

and a refuge <strong>of</strong> salvation for <strong>the</strong> penitent" (Preface). The water and<br />

blood which flowed from His side are symbols <strong>of</strong> <strong>the</strong> graces bestowed in<br />

Baptism and in <strong>the</strong> Holy Eucharist.<br />

The melody resembles that <strong>of</strong> <strong>the</strong> feast <strong>of</strong> St. Boniface (June 5).<br />

The adaptation <strong>of</strong> <strong>the</strong> text on that feast is more happy and more fluent.<br />

The melody over militum Idncea la- corresponds to that over sdnguis et<br />

a-(qua).<br />

COMMUNION for Votive Masses during Paschal<br />

Time (John 7: 37)<br />

1. Si quis sitit, veniat ad me et 1. If any man thirst, let him come<br />

bibat, alleluia, alleluia. to me and drink, alleluia, alleluia.<br />

There are many voices to entice <strong>the</strong> one who is seeking happiness,<br />

but <strong>the</strong>se voices, as a rule, lead only to disillusionment and bitter disappointment.<br />

One alone has <strong>the</strong> right to call us who at <strong>the</strong> same time<br />

has <strong>the</strong> power to satisfy our desires, and that one is our divine Saviour,<br />

whose Sacred Heart embodies within itself <strong>the</strong> plenitude <strong>of</strong> all happiness.<br />

He gives us a foretaste <strong>of</strong> this happiness in Holy Communion,<br />

which in turn prepares us for an eternal happiness where in unending<br />

joy and gratefulness we shall sing: Alleluia, alleluia.<br />

The strikingly simple and concise melody models itself on <strong>the</strong> Communion<br />

<strong>of</strong> Low Sunday, as comparison <strong>of</strong> <strong>the</strong> following will show: quis<br />

sitis and Mitte... tuam, veniat ad me and et (cla)-maverunt, et Mbit all.<br />

all. and sed fidelis all. all. The word me is emphasized to good advantage<br />

and has <strong>the</strong> effect <strong>of</strong> a leitmotif. It recalls to mind <strong>the</strong> goodness and love<br />

with which <strong>the</strong> Sacred Heart received <strong>the</strong> doubting Thomas, who was<br />

permitted to lay his hand in <strong>the</strong> side <strong>of</strong> <strong>the</strong> Saviour and feel <strong>the</strong> pulsing<br />

<strong>of</strong> His Sacred Heart. Filled with faith and happiness let us exclaim with<br />

him: "My Lord and my God!" Would that we might sing <strong>the</strong> praises <strong>of</strong><br />

<strong>the</strong> Sacred Heart with that feeling, yes, if possible with that perfection,<br />

with which <strong>the</strong> Saviour sang <strong>the</strong> praises <strong>of</strong> God while on earth.

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