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Chants of the Vatican Graduale - MusicaSacra

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120 First Sunday in Lent<br />

<strong>of</strong> glorificdbo: <strong>the</strong> former has e as its lowest note, <strong>the</strong> latter has e as its<br />

highest. All <strong>the</strong> depths <strong>of</strong> <strong>the</strong> soul, be <strong>the</strong>y ever so pr<strong>of</strong>ound, will find<br />

<strong>the</strong>ir perfect satisfaction in <strong>the</strong> glory <strong>of</strong> God. Although this phrase is<br />

much like <strong>the</strong> preceding one, <strong>the</strong> emphasis given to d in <strong>the</strong> first half<br />

and <strong>the</strong> descent to e in <strong>the</strong> second half succeed in individualizing it.<br />

Parallel sentence structure, clear delineation and presentation <strong>of</strong> what is<br />

important, pleasing contrasts and cadences: those are <strong>the</strong> features <strong>of</strong><br />

this chant.<br />

The same melody is used on Trinity Sunday and on <strong>the</strong> feast <strong>of</strong> St.<br />

Joseph Cupertino.<br />

In <strong>the</strong> psalm-verse <strong>the</strong> final cadence, by way <strong>of</strong> exception, begins<br />

not on <strong>the</strong> fifth last, but on <strong>the</strong> sixth last syllable.<br />

Caecilia, 29, 18 i.;Gregoriusbote, 25, 10 ff.<br />

GRADUAL (Ps. 90: 11, 12)<br />

1. Angelis suis 2. mandavit de te, 1. To his angels 2. hath he given<br />

3. ut custodiant te 4. in omnibus charge over <strong>the</strong>e, 3. to keep <strong>the</strong>e 4.<br />

viis tuis. $. 1. In manibus porta- in all thy ways. $ T . 1. In <strong>the</strong>ir hands<br />

bunt te, 2. ne unquam <strong>of</strong>fendas 3. <strong>the</strong>y shall bear <strong>the</strong>e up, 2. lest at<br />

ad lapidem 4. pedem tuum. any time thou dash 3-4. thy foot<br />

against a stone.<br />

According to <strong>the</strong> words <strong>of</strong> <strong>the</strong> Epistle, a servant <strong>of</strong> God must prove<br />

himself "in much patience, in tribulation, in necessities, in distresses, in<br />

stripes, in prisons, in labors, in watchings, in fastings." The Apostle is<br />

describing his own life. But in <strong>the</strong> introduction he notes this word <strong>of</strong><br />

<strong>the</strong> Lord: "In an acceptable time have I heard <strong>the</strong>e, and in <strong>the</strong> day <strong>of</strong><br />

salvation have I helped Thee." The verses <strong>of</strong> this Gradual point to a<br />

special kind <strong>of</strong> divine help and protection; <strong>the</strong>y are <strong>the</strong> very verses<br />

quoted by <strong>the</strong> devil in today's Gospel. But in <strong>the</strong> Gradual <strong>the</strong> Church<br />

tells us this: he who does not willfully place himself in danger, who is<br />

not more wise than it behooveth to be wise, but humbly places his confidence<br />

in God, for such a one <strong>the</strong>se words will ever remain true. They<br />

are our consolation in all <strong>the</strong> trials and temptations we may have to<br />

undergo.<br />

God Himself has put us in <strong>the</strong> care <strong>of</strong> <strong>the</strong> angels, <strong>of</strong> His own angels.<br />

In <strong>the</strong> prayers <strong>of</strong> <strong>the</strong> Breviary this verse resounds throughout <strong>the</strong> whole<br />

<strong>of</strong> Lent.<br />

The melody is a typical one, and is employed for a great variety <strong>of</strong><br />

texts. Here we shall discuss only those texts which occur on Sundays<br />

and feast days and in <strong>the</strong> Requiem Mass. In Paleographie musicale<br />

(Vol. II) are published two hundred and nineteen manuscripts, dating<br />

from <strong>the</strong> ninth to <strong>the</strong> seventeenth century, in all <strong>of</strong> which this melody

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