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Chants of the Vatican Graduale - MusicaSacra

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All Souls Day 475<br />

At first <strong>the</strong> Kyrie with its quiet seconds preserves intact <strong>the</strong> spirit<br />

<strong>of</strong> <strong>the</strong> Introit. Then, however, it has as a new motive <strong>the</strong> descent below<br />

<strong>the</strong> tonic to e which <strong>the</strong> Introit always avoided, and as its highest point<br />

b, which must not be accented. It should be sung thus: f g db a a. The<br />

final Kyrie, with its inception on a descending and ascending fifth and<br />

its rise to high d, sounds like <strong>the</strong> persistent knocking at <strong>the</strong> gate <strong>of</strong><br />

heaven to ask mercy for <strong>the</strong> poor souls. The quietly descending seconds<br />

intimate that <strong>the</strong> prayer has been heard.<br />

GRADUAL<br />

The corpus has <strong>the</strong> same text as <strong>the</strong> Introit-antiphon.<br />

f. (Ps. Ill, 7) 1. In memoria f. (Ps. Ill, 7) 1. In everlasting<br />

aeterna 2. exit Justus: 3. ab audi- remembrance 2. shall be <strong>the</strong> just<br />

Hone mala 4. non timebit. man: 3. <strong>of</strong> <strong>the</strong> evil hearing 4. he<br />

shall not fear.<br />

The melody was explained on <strong>the</strong> first Sunday <strong>of</strong> Lent, and is practically<br />

<strong>the</strong> same as that sung on Easter Sunday. For Christ's resurrection<br />

is <strong>the</strong> pledge <strong>of</strong> <strong>the</strong> resurrection <strong>of</strong> our beloved dead and <strong>of</strong> our own<br />

resurrection. In <strong>the</strong> Latin countries, <strong>the</strong> poor souls are frequently referred<br />

to as "holy souls," and with good reason, for <strong>the</strong>y are possessed<br />

<strong>of</strong> sanctifying grace, which renders <strong>the</strong>m "just" and assures <strong>the</strong>m<br />

heaven, even though <strong>the</strong>y have still to make atonement for some <strong>of</strong><br />

<strong>the</strong>ir <strong>of</strong>fenses. In God's courts <strong>the</strong>y were given a favorable verdict. Although<br />

<strong>the</strong> world may be harsh and unjust in its judgments, <strong>the</strong>y are<br />

now far removed and it can affect <strong>the</strong>m no longer. And though <strong>the</strong>y<br />

must suffer <strong>the</strong> effects <strong>of</strong> God's justice, yet <strong>the</strong>y are fully conscious that<br />

God will be <strong>the</strong>ir final end. How pleasing and sublime is <strong>the</strong> effect <strong>of</strong><br />

this verse in <strong>the</strong> liturgy <strong>of</strong> <strong>the</strong> dead!<br />

TRACT<br />

1. Absolve, Domine, animas om- 1. Absolve, OLord, <strong>the</strong> souls <strong>of</strong> all<br />

nium fidelium defunctorum f ab <strong>the</strong> faithful departed f from every<br />

omni vinculo delictorum. 2. Et gra- bond <strong>of</strong> sins. 2. And by <strong>the</strong> help <strong>of</strong><br />

tia tua illis succurente, f merean- thy grace f may <strong>the</strong>y be enabled to<br />

tur evadere judicium ultionis. 3. Et escape <strong>the</strong> judgment <strong>of</strong> punishment,<br />

lucis aeternae f beatitudine perfrui. 3. And enjoy <strong>the</strong> happiness <strong>of</strong><br />

eternal light.<br />

Ordinarily <strong>the</strong> Tract is taken from one <strong>of</strong> <strong>the</strong> psalms. Here, however,<br />

we have an example <strong>of</strong> an oration from <strong>the</strong> best period <strong>of</strong> <strong>the</strong><br />

liturgy. Verses one and three pray for <strong>the</strong> departed. The second verse

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