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Chants of the Vatican Graduale - MusicaSacra

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226 Whitsunday<br />

knowledge <strong>the</strong> great things which God has worked in us. And we beg<br />

that <strong>the</strong>se magndlia Dei may not be taken from us, that <strong>the</strong> Spirit <strong>of</strong><br />

grace may establish and "confirm" us against all attack from within<br />

and from without, that <strong>the</strong> life <strong>of</strong> grace may more and more penetrate<br />

our entire being, may spiritualize and transfigure it, so that, like <strong>the</strong><br />

sacrificial gifts which are now placed upon <strong>the</strong> altar, Christ may through<br />

<strong>the</strong> working <strong>of</strong> <strong>the</strong> Holy Ghost be glorified in us by our putting on His<br />

spirit <strong>of</strong> sacrifice. With what deep emotion we ought to chant this song!<br />

Over operdtus es <strong>the</strong> torculus gag, must predominate. Then we must<br />

take care that in nobis be not harsh and blunt; it should ra<strong>the</strong>r be sung<br />

with special warmth.<br />

In its first half <strong>the</strong> second phrase also closes with a pressus as <strong>the</strong><br />

first did, continues with /, and also reaches high c, though only once.<br />

Tuo and est correspond. The melody makes <strong>the</strong> phrase more independent<br />

than it actually is. Here we are, no doubt, to think <strong>of</strong> <strong>the</strong> new Jerusalem<br />

which <strong>the</strong> Spirit <strong>of</strong> God has bestowed upon us, or <strong>of</strong> <strong>the</strong> Cenacle with its<br />

marvels, or <strong>of</strong> <strong>the</strong> wonderful sanctifying activity <strong>of</strong> <strong>the</strong> Catholic Church.<br />

If <strong>the</strong> Spirit can again be active in our souls, can establish and<br />

"confirm" <strong>the</strong>m, what, <strong>the</strong>n, will His effect be? Simply this, that we<br />

shall function properly as participants in <strong>the</strong> kingly priesthood, and<br />

shall <strong>of</strong>fer our gifts, not in a sorrowful or forced manner, but magnanimously,<br />

in <strong>the</strong> joy <strong>of</strong> <strong>the</strong> Holy Ghost. Tibi and reges have a similar ring.<br />

Offerent is rightly assigned a prominent position. The three torculus over<br />

munera are arranged in climactic order. Alleluia repeats <strong>the</strong> melody <strong>of</strong><br />

hoc Deus in <strong>the</strong> first phrase.<br />

The first phrase adverts to <strong>the</strong> things which God has done for us,<br />

while <strong>the</strong> second reminds us <strong>of</strong> <strong>the</strong> dignity and burden <strong>of</strong> our kingly<br />

priesthood.<br />

Revue, 3, 3 ff.<br />

COMMUNION (Acts 2: 2, 4)<br />

1. Factus est repente de caelo 1. There came suddenly a sound<br />

sonus advenientis spiritus vehemen- from heaven as <strong>of</strong> a mighty wind<br />

Us, ubi erant sedentes, alleluia: coming, where <strong>the</strong>y were all sitting,<br />

et repleti sunt omnes Spiritu Sane- alleluia: 2. and <strong>the</strong>y were all filled<br />

to, loquentes magnalia Dei, alle- with <strong>the</strong> Holy Ghost, speaking <strong>the</strong><br />

luia, alleluia. wonderful works <strong>of</strong> God, alleluia,<br />

alleluia.<br />

In most Masses <strong>the</strong> Ite missa est harks back to <strong>the</strong> melody <strong>of</strong> <strong>the</strong><br />

Kyrie. In a similar way this Communion reminds us <strong>of</strong> <strong>the</strong> festive enthusiasm<br />

<strong>of</strong> <strong>the</strong> Introit. With striking clearness it portrays in <strong>the</strong> first

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