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Chants of the Vatican Graduale - MusicaSacra

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468 All Saints Day<br />

To whom are <strong>the</strong>se words addressed? In accordance with St. Paul's<br />

mind, we may suppose Sancti to refer to all those who belong to <strong>the</strong><br />

Church, through which <strong>the</strong>y have been sanctified and called to personal<br />

holiness. Those speaking are <strong>the</strong> saints in heaven, just as <strong>the</strong> angel in<br />

<strong>the</strong> Apocalypse calls out with a loud voice: "Fear <strong>the</strong> Lord, and give<br />

Him honor." Today <strong>the</strong>y look down lovingly upon us, filled with <strong>the</strong><br />

desire that one day we also may be united with <strong>the</strong>m. They indicate<br />

<strong>the</strong> way, admonishing us: Fear God, seek God! This fear <strong>of</strong> God must<br />

be such that it awakens <strong>the</strong> longing after God, <strong>the</strong> desire for Him, and<br />

Him alone, in our souls. The saints were true seekers <strong>of</strong> God. In all<br />

things and everywhere <strong>the</strong>y looked for Him and found Him. The florid<br />

melody reminds us that in all <strong>the</strong> events <strong>of</strong> life, in all misfortunes and disillusionments,<br />

whatever <strong>the</strong>ir magnitude and number, <strong>the</strong> eyes and <strong>the</strong><br />

hearts <strong>of</strong> <strong>the</strong> saints remained fixed on God. O<strong>the</strong>rs may have pursued<br />

pleasures and honors and wealth, but (autem) <strong>the</strong>y sought God. In Him,<br />

where alone true joys are to be found, were <strong>the</strong>ir hearts firmly established.<br />

But at <strong>the</strong> same time <strong>the</strong>y tell us how God rewarded <strong>the</strong>m for all<br />

<strong>the</strong>ir sufferings, labors, and privations. In <strong>the</strong> contemplation <strong>of</strong> God<br />

<strong>the</strong>y feel no fur<strong>the</strong>r need, for no good is wanting to <strong>the</strong>m. They confirm<br />

this statement by <strong>the</strong>ir own experience. For <strong>the</strong>y possess God, <strong>the</strong><br />

highest good, and in Him <strong>the</strong>y have all that <strong>the</strong> human heart can desire;<br />

and because God is eternal and immutable, <strong>the</strong>ir happiness can never<br />

diminish, can never be lost, or undergo change.<br />

"This song echoes <strong>the</strong> admonition which <strong>the</strong> saints so <strong>of</strong>ten heard<br />

while following <strong>the</strong> Lord upon earth in <strong>the</strong> pilgrim's vesture <strong>of</strong> this sinful<br />

humanity. The gentle, humble song is wafted to <strong>the</strong>m as from afar,<br />

from a distant past; not as a woeful sigh and a suppliant petition; but as<br />

a glorified remembrance, a greeting from remote well-known lands<br />

where once <strong>the</strong>y lived, struggled, and conquered" (C. O., 50, 149).<br />

ALLELUIA VERSE (Matt. 11: 28)<br />

1. Venite ad me, omnes qui la- 1. Come to me, all you that labor<br />

boratis, et onerati estis: 2. et ego and are burdened: 2. and I will rereficiam<br />

vos. fresh you.<br />

This Alleluia again is a prelude to <strong>the</strong> subsequent Gospel and its<br />

beatitudes. Its splendor, its solemnity, and its triumphant joy is spread<br />

over <strong>the</strong> melody like <strong>the</strong> light <strong>of</strong> a glorious dawn. It is one <strong>of</strong> <strong>the</strong> most<br />

valued chants in <strong>the</strong> <strong>Graduale</strong>, one which grips <strong>the</strong> singer spontaneously.<br />

Indeed, <strong>the</strong>re is mention <strong>of</strong> those who are afflicted and heavily<br />

burdened. But <strong>the</strong> Saviour invites <strong>the</strong>m to Himself; and according to<br />

<strong>the</strong> interpretation <strong>of</strong> <strong>the</strong> composer <strong>of</strong> <strong>the</strong> plainsong melody, He has

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