Argi papirusas gali augti ten, kur nėra pelkių? Argi nendrės ... - Logos
Argi papirusas gali augti ten, kur nėra pelkių? Argi nendrės ... - Logos
Argi papirusas gali augti ten, kur nėra pelkių? Argi nendrės ... - Logos
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Ch. Soutine’o, siurrealistø pasaulëjautos<br />
nuostatoms lietuviø dailininkas, <strong>kur</strong>io<br />
kûriniuose vieðpatauja neáveikiamos<br />
vienatvës ir iðrautumo ið harmoningo<br />
prarastojo rojaus motyvai.<br />
Ir pa<strong>gali</strong>au Ð. Sauka – unikalus intravertiðkas<br />
autsaiderio tipo menininkas,<br />
uþsisklendæs savo archetipiniø pasàmonës<br />
vizijø pasaulyje, turintis savà, nuo<br />
vulgaraus kasdienio pasaulio atribotà<br />
erdvæ, <strong>kur</strong>ioje jis bûva su savimi, ásiklausantis<br />
á jautriausius iðgyvenimus ir<br />
pasàmonës gelmes. Dailininkas <strong>kur</strong>ia savità<br />
su klasikinës estetikos, tradicinës<br />
etikos nuostatomis konfrontuojantá pasaulá,<br />
<strong>kur</strong>iame iðnyksta groþio ir bjaurumo<br />
prieðprieða, vieðpatauja bjaurastis ir<br />
paneigiami daugelis pamatiniø klasikinës<br />
Vakarø meninës kultûros idealø ir<br />
vertybiø. Èia vyrauja totalinio pesimizmo,<br />
susvetimëjimo, nusivylimo klasikinës<br />
estetikos, etikos ir groþio idealø<br />
LOGOS 34<br />
2003 LIEPA • RUGSËJIS<br />
MENAS<br />
konceptualaus atmetimo ir paneigimo<br />
atmosfera. Dailininko kûriniuose daug<br />
grotesko, ironiðkø aliuzijø á daugybës<br />
didþiøjø praeities meno meistrø pamëgtus<br />
skaidrius ávaizdþius ir motyvus, <strong>kur</strong>ie<br />
iðkyla kaip didingo negráþtamai prarasto<br />
praeities pasaulio nuolauþos kitoje<br />
apokaliptiniø vaizdiniø sistemoje.<br />
Ð. Saukos paveiksluose keistai susipinanèiø<br />
pabrëþtinai realiø ir fantasmagoriðkø<br />
irealiø ávaizdþiø, detaliø, simboliø<br />
samplaika su<strong>kur</strong>ia keistumo, magijos<br />
efektà. Þavi, subtili ir rafinuota ið didþiøjø<br />
praeities meistrø perimta tapybos<br />
technika, kompoziciniø sprendimø ávairovë,<br />
meistriðkas manipuliavimas ryðkiø,<br />
skambiø ir prislopintø dusliø spalvø ir<br />
pustoniø atspalviais. Spalva jo tapiniuose<br />
jautriai perteikia pasàmonës poslinkius,<br />
natûralistiðkai pieðiamo þmogaus<br />
kûno bei kitø vaizduojamøjø detaliø medþiagiðkumà.<br />
Prof. Antanas Andrijauskas<br />
The Archaeology of the Subconscious of Ðarûnas Sauka<br />
Ðarûnas Sauka was born in 1958 in Vilnius. In 1978-1985 he studied at the Lithuanian State Art Institute<br />
(now Vilnius Academy of Art). In 1989 he was awarded the Lithuanian National Prize, in 1990 the<br />
prize of the 8th Vilnius Painting Triennial, in 1998 the Order of Gediminas for artistic achievements. Since<br />
1989 he has been a member of “Group 24”. His works are exhibited at the Lithuanian Art Museum, Vilnius<br />
Art Academy Museum, and in private collections at home and abroad.<br />
Ðarûnas Sauka is one of the most<br />
philosophical of Lithuanian painters.<br />
proper subject not only for the art critic<br />
but also for philosophical and psychoan-<br />
His works radiate a tragic attitude as a alytical inquiries. During a period of<br />
challenge against the calm realistic tra- more than two decades, this artist with<br />
dition of expressionist stylization which his integral tragic attitude has elaborat-<br />
dominated Lithuanian art for decades. ed his own apocalyptic vision of the fi-<br />
Full of a vehement temperament, archenal judgement, full of surrealistic motifs<br />
typal phantasms of the subconscious, the and the Christian philosophy of sin and<br />
meaningful creativity of the artist is a salvation by means of suffering. His<br />
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